I'll ignore your blatant illiteracy for the time, as others have astutely pointed it out to you (ignored by you, of course, in favour of only commenting to Janet Evanovich, which spells out even more
about your lack of character, but at the same time curious, since you later express blatant misogyny in a reply to some other not - so - important person).
SOME people complain
about lack of character and 4 - pot... but most just enjoy their 718s and they sell well, so nothing for Porsche to change.
This may have happened twenty - three years ago but Morse was a grown man at the time and his conduct, being in a bar at 4:30 in the morning, using degrading language toward a waitress, impersonating a police officer and, for want of a better description, acting like a total jerk, says a lot
about his lack of character or fitness to hold office.
Not exact matches
It would be more interesting to talk
about the president losing control
of his own spins in ways that reveal (as Carl is more insistent that I am) his deep inauthenticity or
lack of character.
By taking on complex
characters who don't easily fit any predetermined bubble, Plaza is helping the rest
of us feel better
about our own
lack of labels.
And fans should realize not all games can be won, especially when you're top
of the table going away to Anfield, I remember City being thrashed 4 - 1 by them in the first half
of the season so really, complaining
about us having a
lack of character because our players were fatigued doesn't make sense.
Arsene would never do that and look, this is not
about money, nor
about the owner, not the board either, it's just pure
lack of character from the man in charge.
We are always hearing a lot
about character in the football world, but too often in the past it has been the
lack of character in the Arsenal team that has been the subject
of discussion for the football media.
A few days ago I posted a comment on here and noted how AFC always seem to lose ground and our way once the heat is on... how we
lack the mental strength and
character to deal with pressure
of maintaining a lead once we are top
of the table and how we ALWAYS crumble when it matter most... i also noted how we ALWAYS seem to regain our mojo soon as we are out
of contention for every important competition, when we go on some amazing winning streak, just in time to snatch the 4th place trophy... as is the norm on here and many other AFC fans forum i got member jumped down my throat, talking
about negative fans, talking
about new players we have and how that problem was a thing
of the past....
When you have a combination
of self regarding players, who play only for themselves and patently care nothing at all
about the club that pays their grotesque wages, along with a totally weak and «avoid conflict with powerful
characters at all cost» manager, the
lack of will to do what needs doing is frightening.
Anything less than four will have a better than expected feel
about it but I fear it will be worse, particularly with the
lack of character and leadership on the field.
This question is
about Marc Cenedella's
character and his
lack of judgment as a CEO.
«Their unwillingness to have an honest, open debate speaks loudly
about their ideas
lack of merit as well as their individual
characters.»
People are and have been talking
about you
character and the
lack of decent behavior you have to often displayed.
For you to vote for Mr. Weiner who has shown he
lacks character and self control says more
about the low expectations
of New Yorkers than anything else.
The
characters discuss their exhaustion from hot weather, the woman expresses frustration
about lack of free time, and the man conveys sympathy for the woman's annoyance at waiting for a friend.
In brief, Price concluded that the groups he studied maintained good health not simply because they were limited to a more primitive environment and
lacked industrial foods, but because they had accumulated wisdom
about how to select important nutrient - dense foods and possessed the strength
of character necessary to procure those foods even when doing so proved difficult.
Biggest offenders include those where the author's
lack of imagination or energy just scream out «I can't be bothered», or «I'm lame» which
of course, all reveal clues
about character, intelligence, or confidence.
A
lack of empathetic
characters cripples this poorly paced but well acted drama
about an Iranian family who purchase a city - auctioned bungalow in Northern California after its former tenant has been unjustly evicted.
And although Howard and Goldsman waste absolutely no time in thrusting the viewer into the action, the almost complete
lack of character development makes it virtually impossible to actually care
about Robert and Sophie's quest.
The last few years
of moto gp games have not been the best 2015 was ok but not great but this yrs has gotten a bit better but still has alot to do to be as strong as f1 2016 graphics are good the bikes sound great but the
lack of commentary during races sort
of makes the last corner over take less fun the main selling point
of the game is reliveing rossi's career in the challenge mode its fun to see the video
of him talking
about it before you try recreate it but its easily cleared in less then an hr and theres some great races left off the list overall it has many different modes now the drift and rally are nice the dirt bike section is fun and the career is your
character going through the vr46 riding team to moto gp its fun and id advise fans
of motogp to buy it
While this creepy walk through post-war Vienna may not always make sense (Joe Cotton's
character argues with the cops
about them having a
lack of evidence when he in fact is on the light side
of proof) it's moody atmospherics make for an interesting crawl through the bad side
of town.
Unfortunately,
lack of character depth keeps us from really caring
about these individuals.
If irresponsibility and a
lack of trust or deep caring between anyone is the grounds for good humor, then Bojack Horseman does it infinitely better (The difference is that in a cartoon show
about vacuous Hollywood types there are
characters who feel like subjects who can care rather than just targets for cynical jokes).
I don't know how thin these
characters are, as they are rich historical figures and are very often very well - portrayed, but there is something
lacking about the expository aspects
of Philip Dunne's, Gina Kaus» and Albert Maltz's script, which pays little mind to secondary
characters, and isn't even all that layered with the leads, who, to a lesser extent, join most all other
characters in supplementing a sense
of melodrama.
There's an amazing
lack of focus, uneven
characters and writing, the direction is essentially a lazy copy
of the direction in Breaking Bad (another show that just so happens to be
about cocaine), and I'm really upset over the fact that I wasted two hours (I watched three episodes)
of my life trying to enjoy this piece
of **** I'll be honest, this is a really generous rating, and it probably doesn't even deserve it.
Forget the
lack of deep
character development and insight into the human condition, that's not what this film ever promised to be
about.
I am frustrated by the
lack of modern - or future - set films without strong female
characters, but I'm aware that, historically speaking, women haven't been given much training in warfare or an equal share
of about anything.
If there is anything I didn't like
about the film, it's Cameron's
lack of realism when dealing with the roles
of children, especially Jonathan Lipnicki's (Stuart Little, The Little Vampire)
character as the boy that Maguire forms a bond with, as he's too unrealistic in demeanor and too strange looking to buy as a real kid, and for that matter the same goes for Tyson Tidwell's (Suarez, The Ladykillers) demeanor (son
of Rod) as well.
Until a horribly clumsy ending, everything in The Conspiracy is at face value: the one - dimensional
characters, the thoughtless clichés, and the total
lack of insight
about why conspiracies are interesting in the first place.
Typically I'd complain
about a
lack of other non-zombie
characters beside Gerry Lane, but the figures are sticking very close to the source material on that end since none
of the supporting
characters matter much in the movie either.
mmm... a protagonist who complete dominates a long film to the detriment
of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie
character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the
lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little
about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools
of docufiction and costume drama, with costume drama winning out; and the second subject
of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction
Gudegast, making his feature directing debut after writing «A Man Apart» and «London Has Fallen,» seems to understand just enough
about that element
of Mann's film to recreate some
of its conflicts — both in terms
of crime scenarios and the
characters» civilian lives — but
lacks the discipline, or maybe skill, to lend them real emotional weight, much less originality.
The zany misadventures aren't enough to carry the film, and
lacking depth
of character creates a «holiday spirit» climax that is tough to care
about.
Peyton brings us into these scenes and shows us the devastation
of these insane events while still presenting
characters that we begrudgingly grow to care
about, despite their
lack of depth.
Credit Cera's understatement and the sneaking suspicion that his
character was also overwritten, but pruned by a guy whose wisdom
about the limits
of his abilities makes up for his general
lack of range.
Be aware
of a definite mean streak which runs through the movie as well as a complete
lack of humor (or anything close to that emotion), despite the fact that Azaria (who voices
about a dozen
characters on «The Simpsons» TV show) does his best with what little he is given.
One
of the complaints
about the first «Avengers» movie was the
lack of character development for the women, so writer - director Joss Whedon changed this in «Avengers: Age
of Ultron».
Unfortunately, the
lack of coherent plot (well, it is
about stoners after all) becomes tedious, and when you don't know what the hell is going on it's difficult to get invested in
characters» plights.
As Marvel fans complain
about the
lack of their favorite
character on the big screen, many have failed to see how they can find their favorite
characters in the online game, Marvel's Avengers Alliance.
Florence (the
character Ronan will play) is quietly terrified to voice her concerns
about her wedding night to Edward, who is himself worried
about his
lack of experience with women.
A third - act turn into mystery territory at least gives audiences something to latch on to, that
of a mother's devotion to discovering the truth
about her missing daughter, but it's far too little too late and the
lack of genuine development in their
characters makes the stakes significently dim.
Finally, however, Bullz - Eye was able to pin down a time to chat with Miller
about his work in the new teen comedy, «Senior Skip Day,» while also discussing his turns in «10 Things I Hate About You,» his famous HBO «One Night Stand,» his status as a character actor, and his intake of narcotics (or lack thereof) during the «
about his work in the new teen comedy, «Senior Skip Day,» while also discussing his turns in «10 Things I Hate
About You,» his famous HBO «One Night Stand,» his status as a character actor, and his intake of narcotics (or lack thereof) during the «
About You,» his famous HBO «One Night Stand,» his status as a
character actor, and his intake
of narcotics (or
lack thereof) during the «80s.
The unfortunate thing
about that is the
lack of similar
characters to play which renders it nearly meaningless.
It's a great way to unwind after a long and tiresome day, and the co-op and
character classes should appeal to whatever niche audience it may attract — while it's short and
lacks variety in just
about every department, it still deserves a few hours
of your free time, provided you find yourself in the right mindset while playing it.
This
lack of subtlety continues with the sort
of overly on - the - nose speech
about the lead
character's youthful dissatisfaction with authority that we've seen many times before, falling well short
of Attack The Block's similarly rooted but far more believable sense
of arguably misguided yet relatable honour.
The
lack of a neater narrative means that the script sometimes diverges unnecessarily into other subjects: a dinnertime discussion reveals little interesting
about either contemporary Chilean society or the film's
characters.
Although the cliched handheld, whipsaw - crazy action still
lacks beauty and personality (a problem throughout Marvel's filmography, which has an assembly line quality) it's clean and exact, it makes clever use
of the various heroes» powers, it's more comedic than vicious (Buster Keaton and Steven Spielberg are clear influences), and it leaves no doubt
about the
characters» angles and methods
of attack, where they are in relation to one another, and what's at stake.
The second half
of the film focuses its attention on the whodunit story, but since most
of the
characters lack anything interesting
about them for the viewer to connect with, the stakes never feel particularly high.
Insult to injury, the overall script
lacks real depth to give the audience a reason to care
about any
of the
characters and the overuse
of narration seems to cheapen the feel
of the production further.