In 1997 she worked as an academic assistant for the Kunstverein Springhornhof where she produced a documentation
about land art projects in Neuenkirchen since 1967.
Not exact matches
There are so many different parts to this
project, but in short (very short) it is
about connecting different community
arts groups across Canada with a focus on educating people
about the history of the
land we live on in Canada.
Waste
Land, the documentary film
about his
art project in a Brazilian trash dump, won the 2010 Sundance Audience Award for Best Film and was nominated for an Academy Award.
Read more
about Victoria's new
project Lay of the
land (and other such myths), which launches at the London
Art Fair 17 - 22 January 2017.
Renowned Conceptual artist Lawrence Weiner in conversation with BAMPFA Director Lawrence Rinder
about his current
project for BAMPFA's
Art Wall, LAID OUT ON THE BANKS OF A RIVER LEANING TOWARDS THE OCEAN LAID OUT ON THE BANKS OF A RIVER LEANING TOWARDS THE
LAND.
COMMUNITY BASED & COLLABORATIVE SOCIAL JUSTICE WORK WITH ONAMAN COLLECTIVE Youth
Art Mural Project: John F. Ross Secondary School, Guelph, ON (May 2016) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar & Oct 2015, Mar 2016) Words from the Land: Youth & Elders art retreat (Mar 2016) Youth Run for the Language (Oct 2015) The Painted Hand: Gathering to Feast Our Historic Alliances (Sept 2015) Reconciliation, Resurgence & Storytelling with Maria Campbell (Aug 2015) Canoe Building with Youth: Chippewas of the Thames (July / Aug 2015) Harvesting ochre & making paint (June 2015) Research with Elders on traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goi
Art Mural
Project: John F. Ross Secondary School, Guelph, ON (May 2016) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar & Oct 2015, Mar 2016) Words from the
Land: Youth & Elders
art retreat (Mar 2016) Youth Run for the Language (Oct 2015) The Painted Hand: Gathering to Feast Our Historic Alliances (Sept 2015) Reconciliation, Resurgence & Storytelling with Maria Campbell (Aug 2015) Canoe Building with Youth: Chippewas of the Thames (July / Aug 2015) Harvesting ochre & making paint (June 2015) Research with Elders on traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goi
art retreat (Mar 2016) Youth Run for the Language (Oct 2015) The Painted Hand: Gathering to Feast Our Historic Alliances (Sept 2015) Reconciliation, Resurgence & Storytelling with Maria Campbell (Aug 2015) Canoe Building with Youth: Chippewas of the Thames (July / Aug 2015) Harvesting ochre & making paint (June 2015) Research with Elders on traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural
Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering
about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of
art pieces by Isaac Murdoch and Christi Belcourt (on - goi
art pieces by Isaac Murdoch and Christi Belcourt (on - going)
ML I overlapped with this particular group at CCS Bard for one year and I talked to them a lot
about the necessity of thinking
about the
art in question, and how it functions, what it needs and where and how the
project «
lands».
«Mary Ellen Carroll's Public Utility 2.0 presents a revolutionary way for the artist and the Museum to host complex live conversations
about creativity, community, and
land,» according to Andrea Grover, Century
Arts Foundation Curator of Special
Projects at the Parrish.