Sentences with phrase «about modern and contemporary art»

Farrell has lectured and written extensively about modern and contemporary art for numerous institutions, including Christie's, the Museum of Modern Art and the Morgan Library and Museum, and she was an adjunct instructor at Yale University, the American University in Paris, School of the Visual Arts in New York City, New York University.

The Warehouse is a project initiated by Howard Rachofsky and the late Vernon Faulconer to make their collections available to curators, scholars, critics and students, and to open new dialogues about modern and contemporary art.

Temkin has lectured and written extensively about modern and contemporary art.

The objective of the Kemper Museum school tour program is to engage students in discussion about modern and contemporary art and how it relates to students» education and lives.

Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arts.

He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arts.

This is already starting to happen, with important museums and collectors in the U.S. seeking to learn more about modern and contemporary art in Korea.

He writes about modern and contemporary art with an emphasis on articulations of Blackness in the Western visual field.

If you've ever taken a course about modern and contemporary art history, chances are you know that Minimalist sculptor Donald Judd wrote the lively essay «Specific Objects» in 1965.

Not exact matches

About two dozen artists, gallery owners and officials wrote an open letter Monday urging the city of Paris not to install the 12 - metre - tall «Bouquet of Tulips» outside the Museum of Modern Art and adjacent Palais de Tokyo, a contemporary art centArt and adjacent Palais de Tokyo, a contemporary art centart centre.

About Fontainebleau Miami Beach A spectacular blend of Golden Era glamour and modern luxury, Fontainebleau Miami Beach merges striking design, contemporary art, music, fashion and technology into a vibrant guest experience.

London About Blog I am a London - based writer and lecturer specialising in Modern and Contemporary art.

About Blog Minus Plato is a blog that explores the dynamic between ancient Greek and Roman literature and philosophy and modern and contemporary art.

About Site - Queensland's premier visual arts institution, the Queensland Art Gallery Gallery of Modern Art (QAGOMA), connects people and art through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artisArt Gallery Gallery of Modern Art (QAGOMA), connects people and art through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artisArt (QAGOMA), connects people and art through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artisart through a dynamic program of Australian and international exhibitions that showcase works from a diverse range of historical and contemporary artists.

About Blog Minus Plato is a blog that explores the dynamic between ancient Greek and Roman literature and philosophy and modern and contemporary art.

London About Blog I am a London - based writer and lecturer specialising in Modern and Contemporary art.

Los Angeles, CA About Blog Los Angeles Modern Auctions (LAMA) is the premier auction house to buy and sell Modern and Contemporary Art and Design.

About Blog Minus Plato is a blog that explores the dynamic between ancient Greek and Roman literature and philosophy and modern and contemporary art.

London About Blog I am a London - based writer and lecturer specialising in Modern and Contemporary art.

The Scottish National Gallery of Modern Art is part of the National Galleries of Scotland with the Scottish National Portrait Gallery and the Scottish National Gallery and houses the national collection of modern and contemporary art dating from about 1900 to the presenModern Art is part of the National Galleries of Scotland with the Scottish National Portrait Gallery and the Scottish National Gallery and houses the national collection of modern and contemporary art dating from about 1900 to the present dArt is part of the National Galleries of Scotland with the Scottish National Portrait Gallery and the Scottish National Gallery and houses the national collection of modern and contemporary art dating from about 1900 to the presenmodern and contemporary art dating from about 1900 to the present dart dating from about 1900 to the present day.

He will talk with Kuo about his two forthcoming book projects, which will explore intersections of race, gender, and aesthetics in modern and contemporary art.

Catharina Manchanda, the museum's curator of modern and contemporary art, said she began thinking about the ideas of history and representation in art during the Obama administration.

Julia Bryan - Wilson, associate professor of modern and contemporary art at UC Berkeley, talks about Ruth Asawa's wire sculptures and Louise Bourgeois's hanging bronzes.

MN Original Episode 803, Dyani White Hawk: The intersection of Indigenous and Contemporary Art To view episode: «Dyani White Hawk's work is about the intersection of traditional indigenous art and modern conteContemporary Art To view episode: «Dyani White Hawk's work is about the intersection of traditional indigenous art and modern contemporary aArt To view episode: «Dyani White Hawk's work is about the intersection of traditional indigenous art and modern contemporary aart and modern contemporarycontemporary artart.

About Platform: Platform was devised in 2012 in collaboration with the Contemporary Visual Arts Network South East (CVAN) and is a partnership between five galleries; Aspex Gallery in Portsmouth, De La Warr Pavilion in Bexhill, MK Gallery in Milton Keynes, Turner Contemporary in Margate, and Modern Art Oxford.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

Her work is written about frequently, including features in Modern Painters, the New York Times, Nka Journal of Contemporary African Art, and the forthcoming Spring 2014 issue of BOMB.

In related articles, I look more at the birth of the modern museum, the sale of the Rose Museum at Brandeis, and what these say about commercial pressures on contemporary art.

FEATURED FOUR YEARS AGO in the Metropolitan Museum of Art exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African aArt exhibition «Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from Three Continents,» Willie Cole recently returned to the museum to talk about his introduction to African artart.

2017 Third Space: Shifting Conversations about Contemporary Art, Birmingham Museum of Art, Birmingham, AL We Wanted a Revolution: Black Radical Women, 1965 — 85, Brooklyn Museum, Brooklyn, NY; California African American Museum, Los Angeles, CA; Albright - Knox Art Gallery, Buffalo, NY; Institute of Contemporary Art, Boston, MA Magnetic Fields: Conversations in Abstraction by Black Women Artists 1960 - Present, Kemper Museum of Contemporary Art, Kansas City, MO; National Museum of Women in the Arts, Washington, DC; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL Approaching Abstraction: African American Art from the Permanent Collection, La Salle University Art Museum, Philadelphia, PA 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Carnegie Institute, Pittsburgh, PA Making Space: Women Artists and Postwar Abstraction, The Museum of Modern Art, New York, NY The Time Is N ♀ w, Michael Rosenfeld Gallery LLC, New York, NY MIDTOWN, Salon 94 at Lever House, New York, NY

2010 Art of The Eighties, Nymphius Projekte, Berlin Re-Seeing the Contemporary: Selected from the Collection, Dallas Museum of Art, Dallas Psychedelic: Optical and Visionary Art Since 1960, San Antonio Museum of Art, TX (catalogue); travelled to Memorial Art Gallery, University of Rochester, NY; Telfair Museum of Art, Savannah, GA Inside, Outside, Upstairs, Downstairs: The Addison Anew, Addison Gallery of American Art, Andover, MA Art of the Eighties, Nymphius Projekte, Berlin Color and Form, Los Angeles County Museum of Art, Los Angeles Once Removed, The Apartment, Athens Masters of Impressionism and Modern Art, Heather James Fine Art, Jackson, WY VaXiNation, Xippas Gallery, Athens Global Art Show, The Columns, Seoul Track and Traces, Galleria in Arco, Turin, Italy Abstract Vision 2010, Art + Art Gallery, Moscow The 80s Revisited: The Bischofberger Collection, Kunsthalle Bielefeld, Bielefeld, Germany (catalogue) Painting Panel Exhibition, in conjunction with the College Art Association Annual Conference, Shane Campbell Gallery, Chicago, IL Personal Structures: Time — Space — Existence, Künstlerhaus Palais Thurn and Taxis BV: BKV, Bregenz, Austria Pictures about Pictures: Discursive Painting from Albers to Zobernig, Daimler Art Collection, Museum Moderner Kunst, Vienna España / America: The Redefined Abstraction, Galeria Max Estrella, Madrid (curated by Demetrio Paparoni)

The concept of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the «modern» avant - garde (at the beginning of this century) challenged the Romantic idea of «creation from nothingness,» with its techniques of collage, mustachios on the Mona Lisa, art about art, and so on.

Its success lies in being, as the press release states, «an exhibition about the decorative in modern and contemporary art, and at the same time simply a decoration of the villa».

After exploring modern and contemporary artwork throughout Kemper Museum, and learning about how to select and display artwork in an exhibition, participants will create miniature pieces of art to display in their own miniature art exhibition!

1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY

Here's what Brian has to say about some of the other biggest names in Modern and Contemporary art.

We hope this site allows you to learn more about the Kemper Museum, its collection of modern and contemporary art, its exhibitions, educational programs, and more.

Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalart at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalart and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personalArt History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.

And in the midst of this unfolding moment, Hunter, a former New York Times critic and curator at New York's Museum of Modern Art, was given about $ 50,000 to spend on contemporary art for the Rose by a couple from New York, Leon Mnuchin and his wife, Harriet Gevirtz - Mnuchin, who had inherited the sAnd in the midst of this unfolding moment, Hunter, a former New York Times critic and curator at New York's Museum of Modern Art, was given about $ 50,000 to spend on contemporary art for the Rose by a couple from New York, Leon Mnuchin and his wife, Harriet Gevirtz - Mnuchin, who had inherited the sand curator at New York's Museum of Modern Art, was given about $ 50,000 to spend on contemporary art for the Rose by a couple from New York, Leon Mnuchin and his wife, Harriet Gevirtz - Mnuchin, who had inherited the sArt, was given about $ 50,000 to spend on contemporary art for the Rose by a couple from New York, Leon Mnuchin and his wife, Harriet Gevirtz - Mnuchin, who had inherited the sart for the Rose by a couple from New York, Leon Mnuchin and his wife, Harriet Gevirtz - Mnuchin, who had inherited the sand his wife, Harriet Gevirtz - Mnuchin, who had inherited the sum.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

This reinstallation of the Chrysler Museum's McKinnon Galleries highlights pieces in the Museum's permanent collection through an examination of differing narratives about the history of modern and contemporary art.

About Café Sebastienne Recognized as one of Kansas City's premier dining venues for outstanding cuisine since it opened in 1994, Café Sebastienne is nestled within Kemper Museum of Contemporary Art giving diners a spectacularly unique view of the regions finest modern and contemporary art Contemporary Art giving diners a spectacularly unique view of the regions finest modern and contemporary art collectioArt giving diners a spectacularly unique view of the regions finest modern and contemporary art contemporary art collectioart collections.

Because I didn't know about the Negro Art Guild and my background is in modern and contemporary African American art, I guess it's all the ephemera from those exhibitioArt Guild and my background is in modern and contemporary African American art, I guess it's all the ephemera from those exhibitioart, I guess it's all the ephemera from those exhibitions.

She is the author of more than 30 books and innumerable articles on modern and contemporary art and culture, including About Rothko (2003), The New York School: A Cultural Reckoning (1992), A Joseph Cornell Album (1989), Yes, But: A Critical Study of Philip Guston (1976), On Art: Documents of 20th Century Art (with Pablo Picasso, 1973), and Rauschenberg: XXXIV Drawings for Dante's Inferno (with Robert Rauschenberg, 196art and culture, including About Rothko (2003), The New York School: A Cultural Reckoning (1992), A Joseph Cornell Album (1989), Yes, But: A Critical Study of Philip Guston (1976), On Art: Documents of 20th Century Art (with Pablo Picasso, 1973), and Rauschenberg: XXXIV Drawings for Dante's Inferno (with Robert Rauschenberg, 196Art: Documents of 20th Century Art (with Pablo Picasso, 1973), and Rauschenberg: XXXIV Drawings for Dante's Inferno (with Robert Rauschenberg, 196Art (with Pablo Picasso, 1973), and Rauschenberg: XXXIV Drawings for Dante's Inferno (with Robert Rauschenberg, 1968).

Selected group exhibitions include: Playtime, Institute of Modern Art, Brisbane, 2013; We used to talk about love, Balnaves Contemporary: Photomedia, Art Gallery of New South Wales, 2013; Contemporary Australia: Women, Gallery of Modern Art Queensland Art Gallery, Brisbane, 2012; New11, Australian Centre for Contemporary Art, Melbourne, 2011; Short Sharp Shocks, Barbican, London, 2011; and Adelaide Biennial, Art Gallery of South Australia, 2010.

In addition to the exhibition, the UAG will also present multiple programming events to include: «Q&A with the Artist: A Conversation with Wendy Red Star and Michelle Lanteri» on January 25, 2018, in the NMSU HSS Auditorium 101 at 6:00 pm; a screening of Rumble: The Indians Who Rocked the World, a feature documentary about Native American peoples» contributions to rock «n» roll history, on February 15, 2018, in the NMSU CMI Theatre at 5:30 pm; and «Considering Contemporary Art,» a panel featuring Julie Sasse, Chief Curator of Modern, Contemporary, and Latin American Art, Tucson Museum of Art; Nadiah Rivera Fellah, Guest Curator, Newark Museum and Art History PhD Candidate, CUNY Graduate Center; and Michelle J. Lanteri on March 8, 2018, in the University Art Gallery at 5:30 pm.

Below Eric and Jean Cass talk about the Niki de Saint - Phalle works they donated to Gallery of Modern Art, Glasgow through the Contemporary Art Society.

She has participated in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São Paulo (1994).

at Rob Tufnell, London; Maid in Heaven / En Plein Air in Hell (My Beautiful Dark and Twisted Cheeto Problem) at White Cube Masons Yard, London; Eustachy Kossakowski and Goshka Macuga: Report from the Exhibition at Kate McGarry, London; GENERATION: 25 Years of Contemporary Art in Scotland at Scottish National Gallery of Modern Art, Edinburgh; Hayley Tompkins: Digital Light Pools at the Common Guild, Glasgow; Douglas Gordon: Pretty much every film and video work from about 1992 until now, at Glasgow Museum of Modern Art; Mood Is Made / Temperature Is Taken at Glasgow Sculpture Studios.

From mass surveillance to the migration crisis, anxiety about a world in political turmoil permeated this year's Art Basel, the world's largest contemporary and modern art fair in SwitzerlaArt Basel, the world's largest contemporary and modern art fair in Switzerlaart fair in Switzerland.