Sentences with phrase «about movies as a whole»

When I think about «The Godfather,» I think about movies as a whole.

Not exact matches

As I consider Part 2, I find myself more involved in reflections about the series as a whole than on this specific moviAs I consider Part 2, I find myself more involved in reflections about the series as a whole than on this specific movias a whole than on this specific movie.

Normally when I watch a movie, I never let CGI affect how I feel about a scene as a whole, but there were some noticeably cheap - looking effects here.

The disc is packed with extras, including some deleted scenes that add very little, a blooper reel and a featurette detailing how Wonder Woman fits in with Batman and Superman as a DC flagship character that are all fairly throwaway, but there are a few neat production featurettes that detail how director Patty Jenkins approached making what could have been a potential disaster given the negativity towards the DCEU's previous movies, and also interesting effects details about the lighting, costumes and the chosen colour palette that may not sound like much but actually prove to be quite enlightening about the whole filming process.

He goes on to talk about how «complicated» the whole situation is, in a post that is both thoughtful about the movie's whitewashing — as well as how white his comic book already was.

Oh, it may seem like it's a relatively straightforward story about people stabbing other people throughout history, but there's a whole present - day angle to it that the trailers for the movie version have wisely highlighted (so as...

Yes, Emma Stone will be the factor you spend all your after - analysing talking about, but it is the movie as a whole that makes Easy A a holistic success.

The whole experience isn't quite as good as actually sitting down and watching a movie with Wright — whose clear enthusiasm for film and gabbing about it is pretty much unquestionable at this point — but it does make for a pretty good excuse to bust out one of our best comedies since 2000 and give it another watch.

So, while I wasn't like the guy sitting next to me, in tears over the music and throwing hands up at the end of the match, the movie as a whole is still excellent and well worth seeking out — even if you don't really care about boxing or Rocky.

Movies based on true stories are already hard enough to critique on a plot or character level, but when you're dealing with such a harrowing, difficult story as the one about what happened on New Year's Day of 2009 in a BART Station by Oakland, California, there are a lot of things that need to be acknowledged, regardless of your overall feelings for the film as a whole.

The movie deals with much more and it cuts deeper, and by the end we see it's about a whole system of values in which men as well as women are victims, and monstrous selfishness is held up as the greatest good.

12 Angry Men is a movie about arguing, and it swallows your attention whole as it jumps dynamically and effortlessly from one consideration to another, maneuvering the minefield with deft precision you'd think this were actually written by someone with experience in case - building.

This is the kind of thing you'd expect on a women's cable network movie - of - the - week, and screenwriter Allison Burnett (working from, what I've heard, a more meta - fictional novel by Charles Baxter; this kind of circumstantial plotting might actually work as meta - fiction) takes a kind of dopey sincerity about the whole thing.

Many of our greatest action movies are about ordinary characters doing extraordinary things, but off - beat casting choices can add a whole other meta - dimension to this idea, showing us actors we'd previously not thought of as action heroes stepping up to play big parts.

«This whole thing is thrilling, and timely, because we actually think of ourselves as the «Star Trek» of movies about best friends in an improv group,» said Birbiglia in a statement.

When you consider that Franco not only had to play Wiseau acting in The Room but also had to play Wiseau directing The Room, then had to go behind the camera himself and direct his movie about the making of The Room, it's probably just as well that he stuck with the accent the whole time he was working.

And never to be outdone, Martin Scorsese found a whole new register with which to impress us, in Silence, a movie about private faith that will definitely gain in resonance as time goes on.

But years from now, I doubt anyone will be talking about how much they enjoyed the movie as a whole, because it's not a whole; it's more like a half.

This alone isn't a detriment to the movie, as, again, a century's worth of similar fare that can also at times feel the same way proves, but there's something incomplete about the whole affair.

There's really not a whole lot to say about such a big, dumb, overblown live - action cartoon as a «G.I. Joe» movie.

While they shouldn't be treated as the key to decoding the film as a whole, they must reveal something about how the movie works cinematically — they are too prominent to not have some meaning.

But when she appears as Janet Leigh in this drama about the making of «Psycho,» the whole movie perks up.

We already knew that Kevin Smith's Red State would be on the list, but there's also Tom McCarthy's new film Win Win, Morgan Spurlock's documentary The Greatest Movie Ever Sold, the highly buzzed - about Submarine, Fantastic Fest darling I Saw the Devil as well as Hobo With a Shotgun and a whole bunch more including films with Al Pacino, Tobey Maguire, Jeremy Piven, Kevin Spacey, Demi Moore, Paul Rudd and others.

Of course that's the whole point as the movie isn't about just two poor Indian boys dealing with American culture shock.

Dealing with four relationships on the fritz — to say nothing of the friendships and rivalries within the group as a whole — is more than enough movie without adding potty - training jokes, a humping yoga instructor, improvised riffs about Applebee's, and a Guitar Hero showdown that doubles as a commercial.

What's fascinating about The Devil's Double is that Dominic Cooper gets to give two performances — often playing against each other — that are of such different pitches it's as if the whole movie existed solely as an actor showcase.

As part of the promo tour for Avengers: Infinity War, the cast of the movie visited Jimmy Kimmel on Jimmy Kimmel Live to say nothing about the movie, vaguely discuss the future of the MCU, play some games, make some drawings, win some Bonsai trees — you know, the whole shebang.

And if «Man of Steel» is any indication, that was a great move on the part of the studio, not only because they've finally managed to do Superman right, but because it shows that they're thinking about the bigger picture, both for their flagship character and the DC movie universe as a whole.

One - sentence pitch: «It's a very classic thriller told in a very unconventional way: The classic part is it's about a dad searching for his missing kid and the unconventional part is that the whole movie takes place on his daughter's laptop as the dad breaks into his daughter's computer to look for clues.»

- the scene at the beginning of a ceremony caused Shimamura a bit of trouble - the lines of the ritual did not properly reflect Zelda's personality, her motivations, her powerlessness, and awkwardness - Shimamura talked about it with Naoki Mori (who was in charge of Cinematic Design, including screenplay, and cutscenes)- the whole thing was rewritten several times, until they arrived at the final result - there's quite a lot of scenes she really likes in the game - her favorite line is the «Yes» Princess Zelda gives as an answer to the Deku Tree in a particular scene - in that scene, Zelda thinks about what she should do, but she can not see it at all - she refuses to give up, and wants to give hope to Link - Shimamura tried to convey all of those feelings through the single «Yes» she spoke - recording felt completely different than for animation, the dubbing of (foreign) movies, or other games - there was no fixed routine of how to approach it, as all different things were being tried out - lines were redone even after other lines were implemented in the game, as the team found better ways to say things - Shimamura finally managed to beat the game the other day, but she wants to keep practicing her shield surfing - Shimamura explains that she really gave it her whole when voicing Princess Zelda, to give her emotions - she hopes that players will remember their memories of Princess Zelda

There was something about it that worried me though — could Injustice 2 provide the same exciting gameplay as its predecessor, or is the whole formula of super heroes facing off against each other getting tiring now (especially after fan criticism of movies like «Batman vs Superman» and «Suicide Squad»)?

Anyway, what's really great about this outcome is that it can be used as a strong argument to support the thesis that the 214 - movies sample is fairly representative of the whole population.

Anyway, what's really great about this outcome is that it can be used as a strong argument to support the thesis that the 214 - movies sample is fairly representative for the whole population.