Sentences with phrase «about other art forms»

It's easy to get pleasantly lost among the many references and source materials as the conversation slips around, from the moments in films Wylie has translated into paintings (alongside Tarantino, Werner Herzog is a favourite) to Proust's interest in the concept of ekphrasis, art about other art forms.

Not exact matches

Reminds me of what a comedy tutor said about comedy having in common with other art forms of alchemising pain into passages of great beauty.

I am a novice and took my new block for its first «drive» last night, on some pork chops, tomatoes and asparagus — used it on our Viking gas 6 buner — it went pretty well — thanks to this forum and other information available about this «art form».

An accomplished jazz musician and connoisseur of America's musical art form well beyond his other gigs of directing and acting, Clint Eastwood's scores have always been about memorable thematic simplicity, memorable melodies that other artists have helped him expound upon in such scores as «Unforgiven» and «Flags of Our Fathers.»

There is just something about the craft of clay animation that makes us admire it just a little more than other forms of the art.

I just set up a website, and set up a page in Artsicle, and doing so is teaching me what I want other people to know about my work, so it will evolve and become a form of art.

In other art forms this sea change was happening; in comedy, where once jokes were shared, un-authored, between performers in Vegas, the Catskills, and New York City clubs, Lenny Bruce made comedy suddenly personal — talking about race, politics, cops, censorship, and heroin.

I like to see media and performance in a continuum with all those other art forms, and maybe that's what this show is about.

About Photography explores the ways in which artists use photography as a medium, a means to an end, and a catalyst for other art forms.

During the 1970s, Lucy Lippard, Miriam Schapiro, Judy Chicago, and other feminists put forth a theory about women's art, finding that an enclosure or rounded form was at the center of much work by women, including O'Keeffe, whose flower paintings, begun in the 1920s, had often been described as symbolic of female sexuality.

As with the artist's other projects Donald laboriously crafts objects or build environments in order to work between the hand made and the aesthetically valued, the aesthetic and the usable — every project is underlaid by a conceptual interest in the limits (or not) between craft and art, art and architecture, as well as begging questions about particular content and rendering innocent forms (like the decoys) in provocatively corporeal ways.

According to Graffuturism, there was an obvious gap in how the media had covered the art form: one side being about the new street art, and the other about traditional graffiti coverage, but no middle ground or coverage of graffiti artists who had pushed forward to explore progressive hybrid directions, or about the newer street artists who worked more like graffiti artists.

Sculptures occupy space differently from other art forms, and collectors of all backgrounds are often cautious about the medium — even if they are comfortable living with paintings, photographs, and other two - dimensional pieces.

Saying he felt it fitted «comfortably» alongside other art forms, he added the Turner Prize was about «testing these limits» and provoking discussion.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

I write about art and have published unorthodox long - form interviews with many artists including Paul McCarthy, Richard Tuttle, Chris Burden, Roni Horn, Maurizio Cattelan, and Christo, among many others.

About the other question, about arbitrary elements in his art, arbitrary, random and «found» need to be carefully compared and contrasted, but it needs to be pointed out that «found» elements play (found objects, colors, materials, number systems, etc.) were an important way around composition and other forms of expresAbout the other question, about arbitrary elements in his art, arbitrary, random and «found» need to be carefully compared and contrasted, but it needs to be pointed out that «found» elements play (found objects, colors, materials, number systems, etc.) were an important way around composition and other forms of expresabout arbitrary elements in his art, arbitrary, random and «found» need to be carefully compared and contrasted, but it needs to be pointed out that «found» elements play (found objects, colors, materials, number systems, etc.) were an important way around composition and other forms of expression.

Like other Conceptual artists who gained international recognition in the late 1960s and early 1970s, Weiner has investigated new forms of display and distribution that challenge our traditional assumptions about the nature of the art object and its relationship with the viewers.

The program's main goals are to provide a stimulating and supportive environment in which students can thrive and develop as artists, to foster rigorous critical engagement with contemporary art and other cultural forms, and to produce an ongoing conversation, through work as much as through words, about what we make, how we make it and why.

When one thinks about the art of folding paper origami, one typically might associate it with paper cranes, or perhaps other animal forms.

What we also wrote in the paper is that maybe it's part of the magic of selfies that they have this ambiguous character and that you can see it as a really narcissistic thing and only from the self - presentation angle, but you also can see it as a new form of art or yeah, really telling others something about yourself.

We provide an excellent place to learn more about bonsai and to share with others the joys and experiences that come with the practice of this remarkable art form..

About Blog Kindred Spirits was formed in 1986 when Sally Korte and I began publishing books and patterns featuring embellished clothing, primitive stitcheries, hooked rugs, needle felted and punch needle projects along with many other folk art pieces.

It has a variety of approaches and other information about visual journaling and art - based journaling as forms of self - help, self - regulation and self - expression.