Sentences with phrase «about particular works of art»

Wiseman presents extended talks from curators and guides about particular works of art.

Not exact matches

Before the visit there was intensive cross-curricular work from discussions about different versions of the Brothers Grimm tale, to the creation of art work based on a particular scene from the story.

His paintings are usually about a particular moment — «The work of art — a stop of time», he wrote in a diary — a chance arrangement of things on the breakfast table, with a figure perhaps, or a landscape as he saw it in the light of an instant, and so they are usually painted from a single drawing, or from more than one made in quick succession on the same occasion.

League instructors and prominent visiting artists work with intimate groups of about a dozen students on a particular aspect of art - making (such as plein air painting) or a specific medium or technique (such as egg tempera or color spot painting).

Of Warhol in particular, Craig - Martin said: «Warhol is possibly the most important figure in the fundamental change that occurred in art in the early 60s... [he] changes the whole notion about what a work of art is and how one deals with it.&raquOf Warhol in particular, Craig - Martin said: «Warhol is possibly the most important figure in the fundamental change that occurred in art in the early 60s... [he] changes the whole notion about what a work of art is and how one deals with it.&raquof art is and how one deals with it.»

About the panelists: Beryl Korot is a pioneer of video art and of multiple channel work in particular.

Sarang was officially opened to the public in early 2013 with the non-profit aim of supporting contemporary art in Indonesia, in particular to facilitate the creation of works of art, presentations and discussions about strategic aspects relating to the development and progress of contemporary art practices.

As a part of art history Agnes Martin certainly had a role to play but her works don't add any particular insight about her life.

She has worked with and written about many of the greatest artists of the period, in particular helping to establish the reputations of many who have defined contemporary art in a new and wider interpretation.

This meant that Arte Povera artists mined their particular social and historical moment to express something distinctly precise about the Italian condition through the use of installation, assemblage, and performance art, explaining why art historians have usually positioned them alongside artists working in the style known as Post Minimalism; American artists such as Keith Sonnier, Richard Serra, and Eva Hesse, and with artists in Europe included in the famous show When Attitudes Become Form (1969), such as Joseph Beuys, Yves Klein, and Hans Haacke.

«There is a very particular way in which Minoliti thinks about reality, the future, utopia, and dreamspaces, addressing issues of gender and working to challenge fixed ideas around it,» says Pablo León de la Barra, curator - at - large of Latin American art for the Guggenheim.

To further explore the presence of Asger Jorn in this exhibition, Hilde de Bruijn (Senior Curator, Cobra Museum of Modern Art, Amstelveen) talks about her research on Jorn's work and writing, with particular focus on his relation to folk art and vandaliArt, Amstelveen) talks about her research on Jorn's work and writing, with particular focus on his relation to folk art and vandaliart and vandalism.

A particular highlight this year will be the ongoing examination into the social, political and economic landscape that shaped ROSC and its subsequent impact on contemporary art developments in Ireland, which will culminate in a major symposium in November 2017, our ongoing provision of programmes for people living with dementia through the AZURE initiative and the launch of a new digital digest that will develop new content about our programmes, giving people new ways to find out more about the work, and to personally connect with art and artists at IMMA.

Converge 45: YOU IN MIND is conceived as an «art convergence in four chapters» that takes an acute and particular care about the idea and ethos of Portland's inherent positivity to amplify (for good purpose) the generous hand of independent artists whose practices tend towards perpetuating / activating the now radical notion of our cultural commons... It is my intention with YOU IN MIND that the projects we exhibit and / or present, focus on artists who have a «public» in mind, conceptually, structurally and / or are actively present within the resulting work itself.

Alfredo Jaar can teach about public art and how contemporary art often needs a particular setting much like a great work of fiction.

Artist Sarah Pierce, whose 2006 work Meaning of Greatness has been acquired by IMMA through he fund had this to say; «I am honoured to have my work enter IMMA's collection, in particular Meaning of Greatness (2006) which is a major work about the artist, art students and cultural legacies that I made and first showed in Dublin, the city where I live.

SaRanG was officially opened to the public in early 2013 with the non-profit aim of supporting contemporary art in Indonesia, in particular to facilitate the creation of works of art, presentations and discussions about strategic aspects relating to the development and progress of contemporary art practices.