Sentences with phrase «about plot points»

Check out my review for the original game to learn more about plot points, as this review will focus more on gameplay and engine updates along with the VR aspect.

It's easy to imagine a story and think about plot points.

It's not about plot points.

I'm of the mind that we should all stop asking Daisy Ridley about plot points of Star Wars: The Last Jedi but Josh Gad wanted to give it one more go and brought a few famous faces along for the ride.

IGN recently sat down for a one - on - one interview with The Last Jedi director Rian Johnson and asked him directly about this plot point.

So that's the other thing about that plot point.

I almost stopped this audiobook again when I heard about a plot point I thought was very cool.

Not exact matches

Combine this with another of Twitter's problems — that it's often a source of spoilers for things I do care about, like Game of Thrones plot points, and the alternative of simply not using it looks far more appealing.

By mapping those emotional responses to the corresponding plot points, the studio gleaned objective data about the film — something that would otherwise be judged subjectively.

They have had the extraordinary concern for why others are breaking the Sabbath law, but when they are shown that they are not really concerned about the actual law or the actual spirit of that set of laws, they do not admit they are wrong: they plot to «destroy» the one who has pointed this out to them, and to everyone.

The plot is loosely held together by quite a bit of setting up and falling down, devoting much of its runtime to making you want to care about what the Pentagon Papers are, how the newspaper operates, and what's clearly at stake, before finally getting to the point where everything finally comes together, which is when the film is at its sharpest.

This plot points can leading to talking about reading social cues which is an important skill that all kids need.

The idea of matter escaping the alleged point - of - no - return was surprising (it's a central plot point in that other recent movie about black holes, the biographical The Theory of Everything), but the fate of information that falls into the black hole was what really troubled Hawking's colleagues.

The problem I have with so much writing about screenwriting is that it is often only about structure (Syd Field's plot points; the Hero's Journey, etc) without a lot of understanding of the nuances of character, tone, et al involved.

It would do you a disservice to say much about the plot beyond that point, but suffice to say that the fake kidnapping turns out to be real, and that things snowball from there.

Music is well done and used sparingly as environmental clues when some pivotal plot point is about to occur or to punctuate dramatic moments like the start of a boss battle.

At the root of the story is a lesson about outgrowing oneupmanship and ridding themselves of the jealousy toward couples who have matured to the stage of parenthood — yet the wholly unrealistic plot only loosely manages to ferry Max and Annie to this graduating point of adult sophistication.

The script is particularly weak, being more concerned with moving from one joke to the next via predictable plot points than it is about developing the characters and moving our fantasy world on a little bit.

*** SPOILER - ALERT *** It's not a big spoiler and doesn't give away any plot points, but if you don't want to know ANYTHING about the movie in any way, don't read any further.

That's the way it is with «The Matrix» — you either give away major plot points or you can't really talk about it at all.

... A murder investigation (led by Colton Haynes), and also a dizzying array of new plot points that distract from what works the best about this standout first episode: the crippling battle between politics and paranoia.

The point of «Inglourious Basterds» was not to engage in counterfactual speculation about a successful plot to kill Hitler, but rather to carry out a vicarious, belated and altogether impossible form of revenge, using the freedom of cinematic make - believe to even the score.

With all of my complaints about how this film all too often discards promising plot areas to spark a sense of unevenness, hurrying, outside of that area of storytelling, is hardly a big deal, so what this series really has to worry about is, of course, bloating, because all of this unevenness, as well as repetition, could have perhaps been avoided if this saga wasn't just so blasted overblown, not necessarily to the point of falling flat as too sprawling to stick with, but decidedly to the point of feeling rather overambitious.

We've learned enough about the characters for the show to move on to point at hand and reveal more about the characters little by little while the plot moves forward.

Mara explains the plot: «Well, from my character Lee Weathers» point of view, it's about a risk - management consultant who's hired to assess whether or not this artificial being named Morgan [played by Taylor - Joy] is too...

Audiard's film is muscular and brutal, and the plot points can be about as subtle as Schoenaerts» fists, but I liked this film, and liked watching its characters dance around the improbable details while they found their hearts.

I think the points that Johnny makes about the Horcrux hopping being «like a video game» are because of the book making that the premise of the plot.

It also has a tendency to get lost in navel - gazing about bloated — yet ultimately irrelevant — plot points.

What strikes you most about A Thousand Words — more than the terrible jokes, the downright boring plot and dull pace — is that someone thought it was a good idea to take a man whose entire comic persona is that of a fast talker — indeed, at one point the most engaging comedian on the planet — and silence him.

Maybe it is about 20 minutes to long and concludes the main plot point twice, but «This Is 40» is full of comedic moments and overall relatable content that is definitely worth a watch.

Naked is a very inconsistent film with dumb plot points and an incredibly predictable conclusion, which sort of takes away from the comedy that does work, but I'm not going to be too picky about a film like this.

And when I was watching that short film in 2010, at no point did I wish it would last about 88 more minutes, use a tired Ghostbusters plot device, and have a leading role for Paul Blart, mall cop.

Those later elements are really the only thing that sets this apart from the countless other cop - tracks - down - a-killer movies out there, because for all its clichéd plot points and stock characters, it's obvious screenwriters Robert Fyvolent, Mark R. Brinker, and Allison Burnett are more concerned about coming up with graphic death scenes than anything else.

You see I want to talk about the film's structure, how its episodic and unfocused storyline actually points toward its origins as a manga, and how while having little in the way of actual plot the film uses metaphor and subplot as text rather than subtext.

Let the Team Get Away... Then Make Everyone Wonder If They Did Because so much of the heist movie's plot is about breaking into the bank / vault / casino / stronghold, we often forget the other major suspense point: Will they be able to get out?

Note: This column reveals major plot points about Christopher Nolan's 2006 film The Prestige.

I loved the films from the 70s because they were about characters, and not so much about big plot point and big set pieces.

This is something that's repeatedly alluded to in Melissa Mathison's screenplay (based on the novel by Roald Dahl), but it's pretty easy to forget about that detail as the film moves from one non-child-devouring plot point to the next.

However, Kloves had another challenge much different than just cutting material: He had to adapt the books while Rowling was still writing, so he had to always worry about making plot points in the films that would conflict with what the author had planned for future books.

When a movie about the African - American experience in Jackson, Mississippi, during the early 1960s bypasses the assassination of Medgar Evers to move on to a plot point about a pie made of human feces, though, one has to question the story's priorities.

In that sense, A Simple Plan is as traditional a morality play as a thriller can get, but Raimi has never been a director unwilling to splash about in the shallows; instead, the inevitability of the plot is his point — even the simplest of decisions carry whole worlds of consequence — and Raimi injects each emotional beat with unspeakable tragedy.

But the hints provided here are pretty damn tantalizing, and I feel like I've learned more about the possibilities of Infinity War plot points than I have from anywhere else.

An encounter with M (Ralph Fiennes) is a cold, stilted affair that seems more about ticking off plot points — namely, Bond's suspension and the introduction of C (Andrew Scott), the new head of the joint security service — than it is with creating a flowing scene.

It's my favorite kind of writing — writing that's about emotions rather than writing that tries to thrust its characters from plot point to plot point.

Nick hurries over to help bail out his old friend, and at this point I must not reveal any more of the plot, because reality begins to shift beneath our feet, and there are fundamental surprises, and then surprises about them.

But a distracting subplot about a homophobic, off - his - rocker neighbor simmers distractingly on the margins of the narrative, before giving way to a truly ruinous plot turn — a genre leap so misjudged that all the goodwill Silva has built up until that point goes up in flames.

Talking too much about the plot of Cabin is cheating the film, where its mysteries and secrets are integral plot points to the greater picture.

Much will and should be made one day about the metaphor of the individual plot points and of the metaphysics that lie at the heart of THE MISSING.

Dan Fogelman's script hits all the predictable plot points en route to Danny's Waterloo with his own ego and uncertainties, but there's also an honesty about how the hero deals with his son, his daughter - in - law (Jennifer Garner) and their daughter, who needs the kind of special help only Danny can afford.

As expected, very little is actually known about the plot of Jurassic World: Fallen Kingdom at this point, including how it builds off of the events of all the previous Jurassic films or what its standalone story even is.