Sentences with phrase «about production design»

We talk to big - budget production designer Ray Ball and to Graham Williams about production design when there's less cash to splash.

Composition Anderson is nothing if not meticulous, and often packs each frame of his films with incredible details, to the point that his detractors accuse him of being more concerned about the production design than the characters.

There's a strange cleanliness about the production design,...

Not exact matches

A translator can bridge communication about design, materials, brand, pricing, production schedules and more, for both sides.

In a video message Laudemir André Muller, Minister for Agrarian Development, Brazil, talked about a set of public policies for a more sustainable production model, in particular the National Plan on Agroecology and Organic Production, designed for rural development and healtproduction model, in particular the National Plan on Agroecology and Organic Production, designed for rural development and healtProduction, designed for rural development and healthier food.

It is essential for the food service director and key members of their management team to learn enough about facility design and equipment to guide the district and ensure that efficient production systems are created or maintained.

Despite an admirable record and firm commitment to make safety a primary criterion in weapons design, production, handling, and deployment, and to ensure that nuclear material is protected against theft, there is growing apprehension about terrorists acquiring weapons or nuclear material.

MR: There were some early production design ideas about them repurposing human tools and other items, but I thought that cheapened them and made them seem like scavengers.

Dorey says Britain needs a national library of information about suitable materials and production methods which manufacturers can draw on, and a training programme for engineers who will design and build the tiny devices.

I spend the afternoon working on my usual mission, which is called «cohérence industrielle,» and basically involves getting production lines around the world to share useful information about their current performance and innovations with other production lines and with the relevant design offices in Paris.

Overview of mouse production and tech dev - Lauryl Nutter Design QA and allele & mouse line QC pipelines - Lauryl Nutter Mouse line QC - what about off - target mutagenesis?

This idea of streamlining your wardrobe and spending less time fussing over an outfit certainly resonates with the modern woman and extends beyond the look — it's about consumers becoming completely aware of the whole process, from design through production, through use, and through the potential to reuse.

The point about trans - fats is that they were not designed with any consideration for your health, they were only designed to make production a lot cheaper.

About Site - Designing and delivering experiences through Presentation Design, Presentation Training, and Video Production.

Or know information about the rules of design and production?

But despite the precision and severity of his designs, and Owens» own jokes about the rigours with which he pursues his vision (calling his production process «fascist»), the man himself is warm and engaging, almost puckish in temperament.

Our team currently consists of about 25 — which includes everyone from production and design managers, to invoicing, production staff, graphic design, etc..

About Blog With more than 18 years of experience as a studio designer at Toyota, Craig has worked on every aspect of automotive design from creation of high level design to real world production feasibility.

China About Blog XTLASER, an assemblage of research and development, design, and production laser automation equipment manufacturing.

Stockholm, Sweden About Blog SWEDBRAND's innovative packaging solutions integrate contemporary design with the highest quality production and strategic global logistics.

Detroit About Blog Automotive Design & Production is a monthly magazine published by Gardner Business Media, Inc..

About Blog A premier provider of antibody services, from design and development to production and characterization.

Omaha, NE About Blog Turner Events and Marketing is a full - service event production company that provides unique ideas, design and production for special events in Nebraska and nationally.

San Francisco Bay Area About Blog AVT Productions is a full service Corporate Event Stage Design & Production Company in San Francisco Bay Area of California with highly experienced Event.

About Blog Trio Clean and Lean Detox is designed to support the body's own detoxification pathways and the immune system, to reduce inflammation and improve energy production.

It examines the movie in a fairly standard way, as it goes through the project's genesis and tells us about casting, adaptation issues, Forman's involvement, dealing with the subject matter, costume and production design factors, and reactions to the film.

Designed as star vehicle for Norma Shearer, this sensationalistic melodrama about a brutal gangster (the young Clark Gable) and boozy lawyer could not have been made after 1934, when the rigid Production Code was put in effect.

For all of its large - scale production numbers danced expertly by an army of Lost Boy twinks and psychedelic sets designed by someone clearly flying high on some strong fairy dust, the most egregious thing about Peter Pan Live!

The one and only bright thing about The Haunting, and, as a matter of fact, the only thing that saved it from squarely hitting the bottom of the barrel is the production design by Eugenio Zanetti (What Dreams May Come), which is truly amazing.

We learn a little about casting, the songs, production design and costumes, and other related subjects before we see a small snatch of the show.

We hear from production designer Patrick Tatopoulos about how he designed The Flying Fox aircraft carrier.

It's a cautionary tale of collective malpractice and personal greed all converging at a moment which helped set about the global economic downturn, and the production design (by regular Wong Kar - wai collaborator William Chang) opts to remove all walls from the aesthetic equation as a way to emphasise that, even though it's a culture which thrives on secrets and subterfuge, there really is nowhere to hide your dirty laundry.

Production designer Dan Hennah explained even more about the design of the realm, saying that it was essentially a Dyson sphere, a cosmic entity that completely encompasses a star and captures most or all of its power output.

The production design is about as exciting as poorly toasted bread, and we're constantly subjected to images of people simply sitting against bland white walls.

There are 28 featurettes in all totalling 64 minutes (I think the longest one clocks in at about four minutes), and topically they run the gamut from the awesome production design of the Ministry of Magic to Harry and Cho's kiss beneath the mistletoe.

Everything about the film is first - class: Benoit Delhomme's cinematography, John Paul Kelly's period production design, Johann Johansson's score, and the contributions of such fine actors as David Thewlis, Emily Watson, Simon McBurney, Charlie Cox, and Maxine Peake.

He knows that great movies are all about all of the elements working together in harmony - the story, the visuals, the performances, the production design and set decoration, even the score (in this it's by Marco Beltrami).

In true Anderson fashion, everything about this film feels organic, from the production design to the use of colors and costumes.

The Coty eyeliner and pink frosted lipstick, the Aqua Net hairspray (only on the bangs), the cigarettes at twelve, the vicious fights at home that the television couldn't drown out, the going - nowhere - slowly production design of our lives — all conspired to age girls about fifteen years.

A subplot about Elektra's dimbulb costar going to Mexico and learning she's a lesbian is equally pointless, and the DICK TRACY primary - color production design is nifty but irrelevant.

«Armed and Underground: Production Design» (7 mins., 1080i / 16x9) brings production designer Jon Gary Steele into the interview mix for an insider's view of the film's carefully - aged sets (the industrial - site exterior was a real location in Fontana, CA, but the massive interior was built on a soundstage), while «Crash Course: Stunts» (11 mins., 1080i / 16x9) taps stunt coordinator Lance Gilbert to tell, among other stories, the one about crawling around on the floor with his kids» Hot Wheels cars to plan the armoured - truck chase scene wProduction Design» (7 mins., 1080i / 16x9) brings production designer Jon Gary Steele into the interview mix for an insider's view of the film's carefully - aged sets (the industrial - site exterior was a real location in Fontana, CA, but the massive interior was built on a soundstage), while «Crash Course: Stunts» (11 mins., 1080i / 16x9) taps stunt coordinator Lance Gilbert to tell, among other stories, the one about crawling around on the floor with his kids» Hot Wheels cars to plan the armoured - truck chase scene wproduction designer Jon Gary Steele into the interview mix for an insider's view of the film's carefully - aged sets (the industrial - site exterior was a real location in Fontana, CA, but the massive interior was built on a soundstage), while «Crash Course: Stunts» (11 mins., 1080i / 16x9) taps stunt coordinator Lance Gilbert to tell, among other stories, the one about crawling around on the floor with his kids» Hot Wheels cars to plan the armoured - truck chase scene with Antal.

The most interesting thing about the movie, I think, is its production design, which seems to have begun where the interiors of the space station in «2001: A Space Odyssey» left off.

by Walter Chaw For about forty minutes, maybe less, Len Wiseman's ironically forgettable Total Recall redux demonstrates energy, inventiveness, and proper respect for Blade Runner's production design, at least, if not for its own predecessor.

Beardsley remembers lessons learned, Armenaki and Ziegler talk about executing the opening shot (and Ziegler throws some shade in Stanley Kubrick's direction), Schulenberg talks about taking design inspiration from the Memphis Group, and most everyone talks fairly frankly, thank the maker, about their feelings on the entire production.

It's also obvious in David Warren's production design, which cares about the particulars, and the costumes by Julian Day.

There's also a 7 - minute featurette on the Theremin used in the score, an 8 - minute featurette about turning Martin Landau into Bela Lugosi, the 13 - minute Pie Plates Over Hollywood, about the film's production design, a sexy music video starring Burton's then - wife Lisa Marie (who plays Vampira), 8 minutes of great deleted scenes, and a theatrical trailer.

Story - arcs could be creative narratives about the show's setting, special insights about the Characters from the creators or a look behind the curtain at production — all designed to grab the viewer's attention and tied to the brand's valuable ad.

What you more often get from movies is something that could be called «science fiction - flavored product» — a work that has a few of the superficial trappings of the genre, such as futuristic production design and somewhat satirical or sociological observations about humanity, but that eventually abandons its pretense for fear of alienating or boring the audience and gives way to more conventional action or horror trappings, forgetting about whatever made it seem unusual to begin with.

You also get to learn about the costuming process for the future war outfits, to the seventies disco - era clothes, and there's a section on the production design, and how they tried to mimic what had come before, but also the new designs for the X-jet, and the fun of doing period.

The idea behind the new credit was to put one person, other than the director, in charge of the visual elements of the film, so as to unify the design and end all the usual turf battles that a production had about the visuals.