Also before we decide Giroud is best for a game like that, where big players sit back a bit, how
about we shoot from distance, at the least it might bring players out of the box more..
Not exact matches
Both Kolasanic and Xhaka can
shoot from a
distance, and should do so often enough for teams to worry
about them and come forward.
@ jo jo i am in total agreement with you as i expected today almost everyone is going on
about how bad we are ect i just watched the highlights again to make sure i wasnt watching another game we out played the spuds for over 30 mins in the first half lioris had to make 4 good saves and all were
shoots from distance wilshire was very good as with ramsey we then dominated again in the second half with more good
shoots and saves buy the spud keeper yes its disapointing but we were much the better team maybe you all listened to phill neville but you should know by now we have to have an amazing game to be given any credit by pundits and talk of chelski scoring 8 against us when they beat villa 3 — 0 have some respect for your club lads we need to do better but i think its coming have a little faith
I found a lot of the overhead
shots really helped make us feel like they were a can of sardines, and it was
about finding the right
distance to be far enough away
from our characters so we could get these graphic, composed wide
shots that look like little dioramas, with our people stuck inside, that never felt like we were breaking a wall.
Shot (with one exception) in black and white by Florian Ballhaus (son of Michael), the film is set to a score that is more industrial sound than music; yet, it is the combination of the clinically clean black - and - white cinematography, the disturbing score, and the narrative's single - minded focus on the protagonist's actions (there is no moment when the film seeks to psychologise him) by which the film manages to simultaneously solicit, on the one hand, our fascination with and, increasingly, horror
about the events depicted — even long after Herold has proven how scarily easy it is for him to order mass murder (and, whenever necessary, to set an example by killing himself)-- and, on the other hand, to ensure that we keep some intellectual
distance from the diegetic events.
As we had to see it to believe it, it was all caught on video, where we see his assistant
shooting from a proper (and real, as it turned out).22 rifle
from a
distance of
about 5 meters (16 feet),
shooting the artist in his left arm.