Sentences with phrase «about social objects»

I really like your posts and talks about Social objects it fits well into a lot of themes I'm working on.

The same is true about social objects.

Talent should read everything from Hugh, and to get you started, here are my two favorite links — one on creativity and the other about social objects.

-LSB-...] Side note: Biker Jim's cart is a real life example of what Hugh MacLeod means when he talks about social objects.

Hugh Macleod also makes a great argument about social objects being the future of marketing.

MacCleod's first essential point about social objects is that» social networks form around social objects, not the other way around.»

It's not the first time I write about social objects or social currency on this blog, but in the case of -LSB-...]

Johnnie Moore, my frequent collaborator on All Things Evil, makes a good point about Social Objects:

-LSB-...] since Hugh Macleod spoke to me about social objects, and pointed me towards what Jyri Engestrom had written, I've been fascinated by the concept.

-LSB-...] Rangaswami, musing about social objects and why social objects are created by our stories, lives and shared experiences, not the -LSB-...]

Kind of goes against a lot of what you say about social objects and making real connections and whatnot.

HI I am reading about Social Objects and cant understand why we need some jargon word for what is «the topic of conversation»

7/24/17 Editors Note: This post has been updated to be one central place with all you need to know about Social Objects!

-LSB-...] Hypothesizing about Social Objects Posted on November 1, 2010 by tdoyon Leave a comment The reason why we speak to each other and form social networks is to discuss, collaborate on, and share Social objects.

I'm gonna have to go into your archives and dig up some posts about social objects now that you've provided this intro.

Go back to what I said in my last post about Social Objects:

[Afterthought:] As I'm fond of saying, nothing about Social Objects is rocket science.

And I just happened to write a post about social objects over at Geek Estate Blog.

The interesting thing about the Social Object is the not the object itself, but the conversations that happen around them.

Not exact matches

The principle constituting this universal social practice is itself meta - ethical, in the following sense: the social action prescribed is explicitly neutral to all moral disagreement.4 On the face of it, one might object, a prescription of universal rights can not be explicitly neutral to all such disagreement because it is not explicitly neutral to disagreement about the principle itself.

I am a passionate Darwinian in explaining why we exist,... but if we lived our lives in a Darwinian way, that would be a very unpleasant society in which to live... One of the reasons for learning about Darwinian evolution is as an object lesson in how not to set up our values and our social lives».

Other results showed my brain getting very active over the social policy questions — probably because I strongly object to mixing religion with such issues as abortion and homosexuality — and relatively quiet when I was asked about God's being angry or loving.

A new series of studies by academics at Royal Holloway, University of London and at University of London College found that people who have social power are strongly influenced by internal body cues stemming from their motor system when making judgements about preferences of paintings, objects, movements or letter sequences.

These objects and a unique burial of a woman from East Yorkshire provide the chance to learn about the values of the social elite of Iron Age Britain and the evidence provided by graves.

-LSB-...] instructions, simple concise descriptions, business cards, and, if we want to get fancy with it, social objects, are all ways to make sharing easier for those who want to talk about us.

In other words, it suddenly becomes a cultural object (i.e. a social object that articulates the company culture), as opposed to just a usual piece of commercial, «Here's - why - you - should - give - us - your - money» messaging (You know, the kind that nobody actually cares about).

I'd suggest there's also a variable here about positive v negative that you should think about before quitting that job [Bonus Link] US News & World Report: «Selling in a Post-Meatball Era - The quest for «social objects» that create their own Web buzz.»

Good luck with the «Jesus Christ is a social object» line It does seem to beg the question about whether social objects can be entirely abstract, and whether they need to have common (socially defined) meaning.

And as you two share a late - night cab back to her place, you're thinking about how Saul Bellow is the Social Object here.

Old, traditional advertising was all about creating messages for the media, not about creating social objects for the people using the media.

And yes, you talked, however briefly, about Brand X. All these things you talked about, an anthropologist would call «Social Objects».

-LSB-...] traditional advertising was all about creating messages for the media, not about creating social objects for the people using the -LSB-...]

-LSB-...] such platforms where bare bone discussion groups formed around common interest topic areas or social objects where you could make yourself heard without worrying too much about identity, reputation, -LSB-...]

-LSB-...](fans / followers) to evolve and grow, they need something to get excited about — the» social object» or as Simon Francis (CEO of Saatchi & Saatchi) calls it «lovemark».

A business card is not just a social object; it's a form of schwag, if you think about it.

-LSB-...] was interesting about the door handle was it became a sort of social object when one individual mentioned «how much they liked the handle» it inevitably started a -LSB-...]

She'll only talk about it if it serves as a Social Object.

Hugh talks about the power of business cards as social objects.

All these act as Social Objects within a social network of people who care passionately about the Social Objects within a social network of people who care passionately about the social network of people who care passionately about the stuff.

-LSB-...] serious about building their personal brand should read up on social objects.

As y ’ all will know, I'm fond of talking about «Social Objects» and how they pertain to «Marketing 2.0».

Plus, if we can get people talking about these things, they become social objects in their own -LSB-...]

So at the London Jaiku geek dinner last Tuesday, I asked him about the connection between Social Objects and its correlation with Malinowski's «Kula» [Malinowski was the father of modern Anthropology, by the way].

And if you think about it like this, it becomes OBVIOUS that we need social objects for relationships to other people, because if we have no social objects, we just have nothing to talk about.

Instead of first focusing on traffic, think about how you can create value and get my attention through social objects.

When I get your attention with a relevant social object, you're more likely to tell others about it or click the share button.

By re-appropriating American culture through found objects, she questions social, political and cultural issues about sex, gender identity and marginalized groups.

These hundreds of objects that looked like framed, matted, fields of painted blackness, worked as neutral, «generic signs» that might inspire the viewer to think about the social expectations that constructed the «idea» of a painting,» more than the actual painting itself.

By reducing paintings to mere signs of themselves, McCollum turned the gallery and the museum setting into a kind of theater, highlighting the drama of presenting, displaying, buying and selling, exchanging, photographing, assessing, criticising, choosing, and writing about the works; the object - paintings at the center of the action were purposely rendered moot, in order to turn one's attention to the supplementary devices and social practices that, in the end, bestow the value on the work.

The Malaysian - born, London - based artist uses the overly precious setting of the gallery space to pull objects — cooking utensils, kitchen fittings, plastic tubs, sheets of jute, etc — out of their utilitarian context in such a way as to force viewers to think about them as discrete objects, or things in and of themselves, while in the process challenging the assumptions we make about their functionality and attendant concerns such as, for example, the social status of the person who might own such an object, its role in their lives and that relation in respect to one's own style of living.