That made me think
about the digital comics market as a whole, and how these exclusives would affect the other big digital distributor, iVerse.
Not exact matches
Jesse Post, the
marketing director for the children's graphic novel line Papercutz, wrote an interesting blog post recently
about children's
comics and
comics shops, in which he noted that
digital accounts for only 3 - 10 % of children's book sales.
More specifically they talk
about print
comics,
digital comics and piracy, the European market, the Direct Market, Digital Markets and middle men, also traditional Comics and Bookstore oriented publishers and they way they market and sell their
digital comics and piracy, the European
market, the Direct Market, Digital Markets and middle men, also traditional Comics and Bookstore oriented publishers and they way they market and sell their
market, the Direct
Market, Digital Markets and middle men, also traditional Comics and Bookstore oriented publishers and they way they market and sell their
Market,
Digital Markets and middle men, also traditional Comics and Bookstore oriented publishers and they way they market and sell their
Digital Markets and middle men, also traditional
Comics and Bookstore oriented publishers and they way they
market and sell their
market and sell their books.
There will always be a
market for them (as those Newsarama polls
about digital comics that always make me want to scream at my monitor when I read the comments by the people who will NEVER EVER EVER BUY A DIGITAL COMIC prove), regardless of these gi
digital comics that always make me want to scream at my monitor when I read the comments by the people who will NEVER EVER EVER BUY A
DIGITAL COMIC prove), regardless of these gi
DIGITAL COMIC prove), regardless of these gimmicks.
The group introduced themselves and talked
about the power that
comics had on them, writing for Young Adults, they discussed the differences between the bookstore and direct
market for YA books, where to shelve books in stores and libraries, Adult readers of YA books, inspiring kids to read and write, how they decide what content is too adult for YA books and what backlash they've received and the
digital market for YA books.
They talked
about the demographics of readers now and how
digital comics market is affecting them, among other topics.
About Digital Manga Publishing Located in Gardena, CA,
Digital Manga Publishing is one of the industry's most unconventional and innovative companies, specializing in building corporate and cultural bridges from Japan to the Western Hemisphere — specifically through the licensing, importation and preparation of anime (Japanese animation), manga (Japanese
comic books) and related merchandise for the North American mainstream and subculture
markets.
But what people don't remember
about comiXology is that they weren't the first - to -
market with
digital comics.
Of course, rather than bringing
about the end of collecting, the
digital expansion of the
comics market could just as easily lead to a retrenchment, (re) focusing its adherents on long out of print titles, long out of business publishers, and books unlikely to find an additional life in electronic format.
Prior to the Marvel news, CBR had reached out to Slitkin to learn more
about Panelfly and its place in the ever - growing
digital comics market.
Retailing Erik Henriksen surveys Portland, Oregon - area retailers
about the potential effects of
digital comics on the direct
market.
Publishing Image
Comics Publisher Eric Stephenson talks at length
about market share, the economics of creator - owned
comics, fallout from the prolonged legal battle between Todd McFarlane and Neil Gaiman, and retailer concerns
about simultaneous print and
digital release of The Walking Dead: ``... I was honestly a little thrown by the sheer amount of invective generated by the day - and - date release of a single Image
digital title, sold at exactly the same price point as the print version of the book.
The CEO of Panelfly, Wade Slitkin, talks to CBR News
about the origins of his company, their overall strategy, creating
comics for the iPhone and iPod Touch, and the growing
market for
digital comics.
If you are thinking
about starting a
digital comic or a webcomic, the financial realities of the
market are laid out clearly for you in this book, and I think you'll find that it is an excellent roadmap towards your own success.
Mark Waid announces some changes for his
comics shop — and talks
about lessons he's learned in both the direct
market and the
digital realm.