Sentences with phrase «about the enemy design»

There's a brief introduction to the story, before it continues to talk about the enemy design, new additions to the combat, such as Witch Time and dodge offsets and a demonstration of the Tag Climax co-op mode.

Not exact matches

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A knowledgeable enemy could probe side - channels, such as electromagnetic fields or sounds emitted by a working device, and potentially gain enough information about its internal operations to crack even mathematically sound encryption methods used to protect the design.

I have no idea about indie authors, but most authors are their own worst enemies when it comes to designing their books.

The things I disliked about the 3DS version, I still dislike in this one (examples being the underwater levels or the fact that you always have a CPU controlled partner following you around even though they are worthless and they will shoot at enemies but I've never once witnessed them actually killing an enemy), but they were just how the game was designed to be, so I didn't expect those things to be fixed.

At two minutes the reinforcement timer is actually quite generous because of the small level designs, and thus after killing an enemy and stealing his costume levels become less about carefully timing your movements and more about dancing around cones of vision.

While its enemy design is top - notch with a unique touch of the grotesque, the world inside the painting isn't exactly teeming with things to discover — lasting about as long as an average Souls region.

This variety in enemy design is what keeps you thinking about your next move — especially since a wrong move could cost you a heart, and in the beginning you've only got three to lose.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Now if it's enemy design you're complaining about then that's a different thing.

Sure, the engine can't always keep up, but everything else about the game - the enemy designs, the environments, the particle effects, the animation - looks absolutely gorgeous.

It's a title known for its incredibly clever and fun design: hidden goodies are littered about just waiting to be found with some exploration, multiple weapons (all very useful) can be collected and upgraded, enemies and traps challenge you with deft shots and tricky jumps, and fearsome bosses put your platforming skills to the test.

While the world environments stay mostly the same, the level designs now include a larger quantity of enemies, a major number of gaps for Luigi to fall through, and rarely does it allow a place in which the player might feel safe to stop and rest; the game is all about speed and it makes it quite clear from the very beginning.

The zombies themselves aren't quite original in design and from the trailer there isn't really a variety of enemies, some look more mutated than the others but that's about it.

Volume is a video game about designed spaces and the paths that enemies can take through them, and the biggest threat it can throw at a player is the moment when a guard moves in an unpredictable way and is about to detect the player.

People who try to silence these voices — and then dance in glee when they've succeeded — are the enemies of free and open discourse about the art of science of making games, and they are the enemies to progress in the field of game design.

The frustrating part about Mighty No. 9 is that its bosses and enemies did remind me of Mega Man, but Comcept's poor design choices mean it resembles a fan project more than a spiritual successor.

Think of Platinum's main principles when it comes to game design and you're just about there; Iroh runs the shop where Korra can purchase moves and items, pots and hidden crates can be smashed for currency, well - timed counters often hold the key to victory and other benders serve as the real challenge when it comes to enemy types.

These crocodile - styled enemies had a cool albeit cartoony design sense about them, making them seem more intimidating than a Koopa Troopa or Motobug, but without being scary (though some would come close).

Those mechanical changes to character movement — the ability to vault over obstacles at pace, slide directly into cover and drag enemies over cover for a quick execution — make the biggest impact online as you dive about each of its ergonomically designed maps.

It includes original, never - before - seen, artworks, concept art for all the characters and enemy designs, behind - the - scenes commentary from Yacht Club Games about how we went about building each piece of the game, and much more!

One thing I truly enjoy about the avatar and Modern Sonic's stages, or at least in the 3D segments, is the sheer amount of multiple pathways there are, no matter how convoluted they may seem.There are also stages where both the avatar and Modern Sonic run along side each other, which opens up the multiple pathways even more, and instead of switching a character out, each of their moves is assigned to a specific button, making them act as one character, which take some getting used to due to the visual appearance of both characters appearing on screen, but is definitely optimal.There's also some level designs with certain gimmicks: at one point you're playing pinball in the middle of a bright forest with classic Sonic, and in that same forest, you'll be playing pinball with some enemies down a water slide with the avatar, were the control starts to get kind of out of hand, while Modern Sonic will face a boss that combines the level design from Lost World with this game's boost mechanics, which was probably the intention for the departure in the 2013 game.

The original Donkey Kong Country didn't exactly boast the most creative enemy designs, but they had a charm about them.

April 11th Bombslinger «Review» - Like Bomberman, but procedural in design you go about blasting enemies.

Appropriately enough for a game that stars a character as extravagant as Bayonetta, just about every moment of the game is an explosion of style and humor, and filled with some of the most bizarre enemy designs in gaming.

Everything about Jettomero: Hero of the Universe is incredibly simple in design though, and the battles themselves are exactly the same — they just consist of button - mashing quick time events where you fire eye lasers at the enemy robot until they die.

About Cey Adams Cey Adams was the Creative Director of Def Jam Recordings, where he founded the Drawing Board, the label's in - house visual design firm that created visual identities, album covers, logos and advertising campaigns for, among others, Run - DMC, Beastie Boys, LL Cool J, Public Enemy, Notorious B.I.G., Maroon 5 and Jay Z.

Those mechanical changes to character movement — the ability to vault over obstacles at pace, slide directly into cover and drag enemies over cover for a quick execution — make the biggest impact online as you dive about each of its ergonomically designed maps.