Sentences with phrase «about the filmmaking on»
In this video, I delve into the hidden layers of the film, and talk about the filmmaking on display, and my thoughts on the metaphorical journey of The Driver.
http://www.chrisstuckmann.com/ Not exact matches
During undergrad, my focus was on learning about understanding and protecting animals and ecosystems, rather than filmmaking.
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The result is a treat: while Crowe has plenty of insightful recollections about the filmmaking process and talks effusively, taking the opportunity to plug any gaps left by the three stars, who are all recovering from Cruise's birthday party the previous night and have an enormous amount of fun watching their slightly younger selves on the screen (visible in the video commentary as a small window at the bottom of the screen).
Insightful all the way through, «Side By Side» is a great documentary, filled with tons of well - known celebrities as they talk about their thoughts on the conversion from digital filmmaking and the future of the industry.
Clea DuVall makes an agreeable filmmaking debut on The Intervention, a watchable indie dramedy with some thoughts and ideas about relationships and being in your thirties.
Robert Osborne and Robert Wagner have known each other a long time, so when I sat down with them on April 16, 2013 to talk about TCM's Road to Hollywood presentation of THE PINK PANTHER, the interview became a spirited three - way conversation about the magic of film and filmmaking, as well as why there is... Read More»
Gerald's Game, a Stephen King adaptation for Netflix starring Carla Gugino, is good Coming Soon Daniel Dae Kim's stunt training for the Hellboy reboot / Film Hocus Pocus moves forward as a TV movie remake - none of the original actors or filmmaking team are involved David Poland on Blade Runner 2049 with no spoilers «It is Aliens to Alien»... whoa, that's high praise Billboard composer Danny Elfman interviewed about Superman's iconic theme (redeployed for Justice League) and his long collaboration with Gus Van Sant Playbill Judy Garland's final concert, restored / remastered from 1969 will be released for the first time i09 on why you should be watching the Exorcist TV series, back for Season 2 / Film Amazon still has a lot of work to do to catch up with Netflix and Hulu but they're diving into the sci - fi genre big time
Deakins spoke to Variety about his work on the new film, which has been hailed by some critics as a masterpiece of genre filmmaking.
Sean Rom talks to director Tran Anh Hung about his filmmaking process, adapting Murakami's acclaimed novel Norwegian Wood to screen and presenting sensuality on film.
Benny is a filmmaker, but this isn't about filmmaking as much as it is about a person who has chosen to walk that risky road, in keeping with every other risk she has taken on a daily basis.
Both a film about filmmaking and a shrewdly understated character study, Italian writer / director Nanni Morettis Mia Madre focusses on middle - aged director Margherita (Margherita Buy), whose mother (Giulia Lazzarini) lies terminally ill in a Rome hospital.
It may have aired in weekly installments on Showtime, but it's still essential to any conversation about the state of filmmaking in 2017.
Colombian filmmakers Laura Huertas Millán and Lina Rodriguez talk about filmmaking between cultures, the visible and invisible, and how to cook on film
READINGS Books about all aspects of filmmaking and film culture Reinventing Hollywood by David Bordwell, reviewed by Nick Pinkerton; California Infernal: Anton LaVey & Jayne Mansfield As Portrayed by Walter Fischer, reviewed by J. Hoberman; Metaphors on Vision by Stan Brakhage, reviewed by Michael Joshua Rowin
«The Good Postman»: Fans of documentaries with excellent real - life comedy, political relevance and superb filmmaking can not miss «The Good Postman,» a film about a Bulgarian village's mayoral election, and the two men with contrasting takes on how Syrian refugees should be treated.
A few good notes from director Mira Nair about her filmmaking intentions and from the actors on their roles help keep this from becoming too glossy.
It also highlights the effort that Linklater has made in support of Independent filmmaking and how he was influential in helping create the Austin Film Society whereby old film prints could be saved and showed, as well as raising money from filmmakers to help make more films.Overall, it does little but scratch the surface and a bit more in - depth analysis to his films would have been welcome but to paraphrase Billy Bob Thornton on the outtakes at the end; «Rick Linklater doesn't need anyone to make a documentary about him.
«At Berkeley» In theory, the 70th Venice Film Festival was something of a banner one for documentaries: two in competition, one of which, «Sacro GRA,» won the Golden Lion, several others in sidebars or out of competition, and a number of films - about - filmmaking in the Classics strand, including «A Fuller Life,» «Bertolucci On Bertolucci» and «Double Life: James Benning and Richard Linklater» (the latter two we didn't make it to, but heard good things about, and hope to catch up with in the near future).
On Wednesday, November 1st, nestled in the midst of this twelve day celebration of Israeli filmmaking, sits the 6th Annual Films By & About Women, showcasing the work of female filmmakers and films with a narrative focus on the female perspectivOn Wednesday, November 1st, nestled in the midst of this twelve day celebration of Israeli filmmaking, sits the 6th Annual Films By & About Women, showcasing the work of female filmmakers and films with a narrative focus on the female perspectivon the female perspective.
At this year's DOC NYC festival, 15 of the filmmakers behind the year's buzziest documentaries sat down to answer questions about their filmmaking process, offering wisdom and perspective on the craft of documentary.
One of the joys of Asante's filmmaking is how she subverts audience expectations to make observations on politics, race and gender: As Sophie Mayer observes in her review for Sight & Sound, «in a clever twist on the Bechdel test, Asante shows that it is through talking about marriage and men that the female protagonists of costume drama are able to articulate a political philosophy.»
On learning about filmmaking Lloyd said: «When I came to Hollywood, I didn't know the front end of the camera from the back.
It's been eight years since Mark Romanek last directed a movie (the unsettling thriller One Hour Photo starring Robin Williams), but he is about to make his triumphant return to feature filmmaking with Never Let Me Go, based on the novel by Kazuo Ishiguro.
Paul Thomas Anderson for teaching me that it's ALL about the script and if you have the right actors directors don't have to do anything on set but be a fan, Lumet for his films and his book, a young directors» must read, Coppola for his courage in filmmaking, Steven Soderberg for refusing to ever be put in a box and pushing the form as far as he can, Kathryn Bigelow for giving masterclasses in action, James Cameron for Terminator 2 and prove big budget cinema can still be perfect cinema, Sean Penn for bringing his acting chops to directing, David Mamet for his scripts and his dialogue, Nolan for having more heart than most people seem to give him credit for (Memento, Rises, Inception and Interstellar all made me cry.)
«Cartel Land,» Matthew Heineman's film about violence and vigilantes on both sides of the US - Mexico border, received five nominations for this year's Cinema Eye Honors for Nonfiction Filmmaking, Cinema Eye announced Wednesday.
There are no retrospectives this year, but there's a promising sidebar titled «Film on Film» that features documentaries about filmmaking, plus one pseudo-documentary titled «Hitler in Hollywood.»
By about an hour in, the discussion mostly centres on the betrayal of the re-edit and the perils of filmmaking.
Highlighted by five production featurettes covering just about every aspect of the filmmaking process (pre-production, casting, special effects, visual effects and stunts), the HD release also includes a video profile of director Timur Bekmambetov, eight «motion comic» excerpts from the graphic novel, and a 10 - minute featurette on the upcoming «Wanted» video game.
He's gone on to do numerous films that barely anyone likes, these films include: The Village, The Happening, The... Continue reading «DISCUSS: WHAT SHYAMALAN JUST TAUGHT ME ABOUT FILMMAKING»
Even setting aside my opinion that it's Anderson's coldest and least funny work to date, the film defies everything we know about commercial filmmaking, using an eclectic cast light on star power, an eccentric title, a period setting, international flavor, an R rating, and a versatile narrative that seems secondary to production design.
If you're a cinephile who adores features borne on actual celluloid, patronize your nearest 70 mm exhibitor and is enamored with the technology behind practical filmmaking, there's a lot to love about «Dunkirk.»
Prior to the digital and Blu - ray releases of Doctor Strange on February 14, The A.V. Club spoke with Derrickson about the differences between these two filmmaking experiences, the profound changes in CGI technology, and being starstruck by Tilda Swinton even after bonding with her during filming.
The episode also features a clip of Dario's deep discussion about film criticism and contemporary film culture with friend of the podcast Simran Hans, which can be found in full over on our Patreon site for subscribers, as well as Neil's chat with film critic and podcaster Leslie Byron Pitt about representation in filmmaking and film criticism alongside as Basic Instinct and erotic thrillers as Leslie is one quarter of the excellent Fatal Attractions podcast.
A «dramedy about four filmmakers striving for success,» Amizod Pictures and Seth Christian's «This Will Be Rejected» sounds like fascinating meta - commentary on filmmaking and its many challenges.
At the recent press day, Tarantino and his actors talked about the advantages of shooting in 70 mm, how a Tarantino set differs from other movie sets, how Leigh and Russell played off each other while chained at the hip for 4-1/2 months, why Russell remained in character after his character met his demise, the decision to stay close to the script, Tarantino and Jackson's take on race relations in America, why a period film affords a filmmaker the opportunity to comment on the present in ways a present day film does not, what their filmmaking adventure was like for the veteran actors who have been with Tarantino from the beginning, and why Tarantino doesn't mind dancing on the edge of political correctness.
At the Glasgow Film Festival, I talked to McArdle about making the leap from music video directing to narrative feature filmmaking, creating the aesthetic of dreams vs. reality, the influence of horror cinema on her film, and depicting female friendship on screen.
The actor - director knows what he's talking about, having resolved early on to immerse himself in every aspect of the filmmaking process.
Weitz has done solid work in the past with his brother Chris Weitz on things like About a Boy (which got them a Best Adapted Screenplay nomination) and American Pie, while his solo filmmaking career has been nothing to sneeze at either with things like Being Flynn and In Good Company.
Please, please, please just stop it: Lily Tomlin and Meryl Streep going on for minutes about Robert Altman's filmmaking style.
READINGS Books about all aspects of filmmaking and film culture The Face on Film by Noa Steimatsky, reviewed by Michael Joshua Rowin; Jean Renoir: A Biography by Pascal Mérigeau, translated by Bruce Benderson, reviewed by Maddie Whittle; The Art of Selling Movies by John McElwee, reviewed by Justin Stewart
It's bare bones filmmaking with little on screen to get excited about if you don't find the subject matter interesting.
Shults takes what on the surface is just another indie drama about family dysfunction, but he seems to have filmmaking instincts in his bones, even for his first feature, that it is no surprise the film received the Grand Jury Award and Audience Award in the narrative feature competition at the 2015 SXSW Film Festival.
A director who thrives on the visual and emotional power of real American locations, sometimes beautiful (Sideways, The Descendants) but more often workaday and down - at - the - heels (About Schmidt, Nebraska), Payne has never before practiced the Santa's - workshop method of filmmaking.
What did having him on board teach you about filmmaking?
Cameron's beef seems to be less with superhero films in general though and more about Hollywood's obsession with sequels, remakes and branding — which is strange coming from a filmmaker who is prepping a new series of «Terminator» movies (the sixth, seventh and eighth in that franchise), four new «Avatar» movies (sequels to a film many consider more a showreel for today's effects than a truly enjoyable bit of filmmaking), and a TV series based on his»90s film «True Lies».
A notable improvement on Demme's Charade remake The Truth About Charlie, The Manchurian Candidate gets an «A» for effort, with exceptional casting choices, plenty of filmmaking skill (particularly Tak Fujimoto's stylish photography), and pointed political punditry («Democracy is not negotiable,» «Cash is king,» «We've all been brainwashed»).
For a film about carnivorous underground monsters, its pleasures figuratively reside strictly on the surface, with nothing in the way of thematic depth or groundbreaking filmmaking to be found.
In the top category, Outstanding Achievement in Nonfiction Filmmaking, «Citizenfour» will compete against the Steve James» Roger Ebert documentary, «Life Itself»; Ian Forsythe's and Jane's Pollard's «20,000 Days on Earth,» about musician Nick Cave; Jesse Moss» «The Overnighters,» about workers flocking to oil fields in North Dakota; and Orlando von Einsiedel's «Virunga,» which deals with threats to a national park in the Congo.