I don't know
about Trad published authors, but check out the latest Author Earnings Report that Hugh Howey is putting out to give you an idea of the market.
Since the basic premise of the assumption
about trad published works is wrong, well, that makes it all the more difficult to swallow those sorts of reviews.
One thing that really concerns
me about trad publishing is the idea your agent will read your blog.
Not exact matches
When I first decided to become an independent author and self -
publish after having gone the
trad route with nonfiction and made a few attempts to go the
trad route for fiction, I knew next - to - nothing
about the social media circus I was
about to join.
We asked her a bunch of questions
about what she found in regard to author income, books on sale, and whether indie or
trad publishing is more likely to get a person to a living wage (which she defined as the U.S. average of $ 32,000 a year).
Kozlowski is the only person I know oblivious enough to include a graph of daily ebooks showing indie books making up nearly 50 % of the US ebook market, and then in the very next paragraph babble
about them only being a «drop in the bucket» relative to the
trad -
published side.
The only people who really make a noise
about trad - vs self -
publishing are those with a vested interest, and those opinions should be taken with a pinch of salt.
You put out samples, you sell your work yourself, people like it, talk
about it — the movers & shakers in the
trad publishing industry aren't just sitting on their thumbs when they aren't reading; they're scanning the «net and seeing what people are saying
about writers like you.
My first traditionally
published novel, Transgression, only sold
about 6,000 copies in its
trad - pubbed edition.
I have no interest in or patience with stories whose plot or characters I do not care
about, or those that display bad writing or poor editing (FAR too many, even from
trad publishing houses).
Trad publishing has standardized length in the last few decades, but The Great Gatsby is only
about 50K words.
However, we know they're elitists from things they've said in the past
about self -
published books being of lesser quality compared to
trad pub books (how ironic that now
trad pub authors are complaining more
about their books having so many typos and problems when printed).
Especially those of us who have been with
trad publishing for a while, where the decisions
about this stuff were made by other people.
In
trad publishing at least the gamble is clear — you put in the hours, you learn as much as you can
about the business, and you hope.
The majority of self - pubbed writers are not serious or realistic
about it, and they would have been unlikely to have been successful in
trad publishing either.
And on the quality issue, it's just a TINY bit unfair to go on and on
about how bad most self
published books are when just as many authors on the
trad train suck just as much.
I hope that the market forces you're talking
about really do push
trad publishing into being good guys.
I haven't had a chance to look at the contract yet but I get the feeling that this is one of those contract Kris Rusch and TPV warn authors
about and is a prime example of why every author even considering signing a
trad publishing contract needs to have an IP attorney vet it first.
My traditional -
published experiences have been largely positive — working with Clive and the people at G.P. Putnam's was a great experience, and I've had
about ten of my books bought by
trad publishers in other countries, so that's exciting.
I think this kind of freedom is what I love most
about self -
publishing, and it's equally open to
trad - pub authors like Kate above (assuming you don't have a non-compete clause in your contract) as it is to self -
published authors.
It's not just having to arrange for your own editing via the
trad publishing route — when I read arguments against self - pubbing, I always hear
about how hard it is to market your books and find your readers.
Lancashire / Cumbria borders UK
About Blog Author of #historical fiction, ex costume designer, history, art and nature fan (currently both
trad and indie
published).
DEBORAH SWIFT Historical Novelist
About - Author of #historical fiction, ex costume designer, history, art and nature fan (currently both
trad and indie
published)
Interestingly, once you have a huge platform, you may not NEED a
trad published deal (you might make
about the same money anyway, but you'd be selling a lot more books and getting more visibility with a traditional publisher, which is what I want).
Lancashire / Cumbria borders UK
About Blog Author of #historical fiction, ex costume designer, history, art and nature fan (currently both
trad and indie
published).