Sentences with phrase «about visual language»

If anything is reflected from the landscape is the use of color and of light which had its effect on me from living in the West Texas desert for a short time, but the paintings make no attempt at being literal or having direct references to any specific landscape — the work is about my visual language and distilling it to the essentials of mark - making.

He just needs to learn about visual language and using film not as a medium for performance but for stories.

It's about visual language.

Not exact matches

Their dress, hair, facial expression, how they use their hands and «body language» — all tell us something about them, because we have learned how to read these visual «codes».

Citing concerns about the possibility of a link between this toxin and impaired language, memory, cognitive thinking and fine - motor and visual - spatial skills among children who were exposed to it in utero, the U.S. Food and Drug Administration (FDA) and the Environmental Protection Agency (EPA) have established fish - intake guidelines for women who are pregnant or might become pregnant (and, later, when nursing).

With this roadmap illustrating the magnitude of visual changes over time in the videos, Brookshire overlaid the participants» EEGs to see whether people entrain around the normal visual frequency of about 10 Hz, or at the lower frequencies of signs and phrases in sign language — about 2 Hz.

So pinpointing these differences in visual areas might reveal important details about processing in brain regions related to social functioning and language, which are not as well understood.

These Nheengatú physical expressions are the type of visual language we expect to see in sign languages, but for spoken languages it is often assumed that all of the words should be audible, not visual, and that the gestures that come along with speech only give extra, peripheral meanings, and not the main information about the topic of talk.

«I don't believe that emoji are a visual language,» says Cohn frankly, «I think the people who are saying that have no idea what they are talking about in terms of language!»

Furthermore, as there will be no sound on the live video chat, you will need to concentrate on visual personality traits and ease of interaction, rather than worrying about language barriers in order to impress your Russian lady.

Garland's screenplay is equally impressive, weaving references to mythology, history, physics, and visual art into casual conversations, in ways that demonstrate that Garland understands what he's talking about while simultaneously going to the trouble to explain more abstract concepts in plain language, to entice rather than alienate casual filmgoers.

But that's not the kind of editing we're talking about here, because Star Wars has always had a flow that comes straight out of the editing room, with its use of wipes and transitions becoming a crucial part of the series» unique visual language.

But this one shot of an anguished Sullivan, using the visual language of tragedy in a light romantic comedy, gives the story the emotional weight needed for the audience to care about the outcome.

Kurt obsesses about the visual queues in the film and Andrew contemplates Joseph Gordon - Levitt's adoption of Bruce Willis» body language.

So the probability arises that Mamet wishes his films to be seen as a kind of populist avant - garde cinema, full of ideas about the role of language in visual text and in the interim disdaining the menial task of telling a story that has some semblance of respect for internal coherence.

Through this concentrated, hands - on process, the Fellows workshop and make key discoveries about their scripts, collaborate with actors and find a visual storytelling language for their films.

If you engage your students with a variety of activities, provide personal feedback on assignments, boost your curriculum by taking advantage of the internet tools and resources, and provide safe places for formative assessments (such as practice tests), lots of visuals and a clear direction for success, your body language says: I care about you.

At the same time, the museum hired a group of six paid advisers — two visual - arts teachers, two language arts teachers, and two history / social studies teachers — who worked with the museum over a period of about two years.

Students learn through a logical and step - by - step learning journey, including: - Understanding the context of the poem and defining the key terminology «bayonet», «over the top», «trenches», and «no - man's land»; - Understanding key information about the poet Ted Hughes; - Reading and interpreting the poem; - Interpreting the poem, with a particular emphasis upon how Hughes creates visual and auditory imagery; - Finding and analysing the language features used throughout the poem, and considering how these link to the poet's message; - Writing an extended analysis piece based upon how Hughes creates imagery in order to capture the soldier's horrifying final moments; - Peer assessing each other's learning attempts.

For example, after using the reflection form and thinking about additional questions we had discussed in class, Rodrigo realized that although he had enjoyed using a site filled with English - language - learning games the most, he had learned more when he used an independent reading tool that provided audio and visual support to help the learner access more complex text.

If I provide visual cues (like pointing to the text, or writing the questions on a chart or a handout) when I am asking questions about texts, and if I provide oral language stems when I ask students to talk about these questions, my English - language learner students will reread texts in response to my questions and will use the stems to verbalize their answers.

: Since we're talking about body language, this is a visual approach.

The visual language attached to male NPCs is very different since they are rarely designed to be sexually inviting or arousing, and they are not coded to interact with the player in ways meant to reaffirm a heterosexual fantasy about being a stud.

You will find out a lot about NintendOS, which looks like a modern phone interface but with Nintendo visual language (ie.

I started with an easy programming language, Visual Basic and it was from there I went on to learn more about programming.

I've been struck by the fact that contemporary advertising seems to know more about the kind of visual language Labille - Guiard utilized (and for that matter, Johannes Vermeer and other golden age Dutch painters) than they know about contemporary painting.

Fein's visual language frequently incorporates appropriated imagery and simple graphics taken from the mainstream or sub-cultures, in order to spark curiosity in the viewer about his historical and cultural discoveries.

The language you have been exploring in your paintings includes the spray, which seems to be about textures that burst open and at times create a similar atmospheric sense of touching, or a haptic experience, as much as it is visual.

I remember things he said about the mechanics of painting and how to use the visual language of painting to create an engaging image.

In this panel discussion, Susan Crile, Elizabeth Frank, Dorothea Rockburne, and Irving Sandler will talk about his legacy, examining the continuing importance of his contribution to abstract visual languages.

Works that are about the pleasures of paint, drawing, surface, material, color, feeling, sensuality, pure visual language, visual ideas, plastic space, beauty, and intuitive expressions are by and large left out.

However, beginning with Wassily Kandinsky's pioneering work in pure abstraction and his theorizing about «The Spiritual in Art,» many of the most spiritually ambitious visual artists of the modern age have found that their ambitions are best served by the stripped down, elemental language of abstraction.

Because his work from 1960 until the early 1970s was so filled with potential and presence, and engagement with it is both so visual and so bodily, the language to talk about it also had to be reinvented.

It's interesting, you talking about language, and these different modes of language, and even containers for its expression brings me to a question around visual language.

Two Reflections draws thematic connections and contrasts between the visual languages of these artists, each of whom portrays a common sense of anguish brought about by different fundamental and inescapable forces in life: nature and humanity.

And while sometimes that material was radically different from one to the other, I was overwhelmed to find commonality, for instance, the same book in both places, «The Poetics of The New American Poetry,» 1973... Which is emblematic of so much that each think about: America, place, politics, the creativity and fluidity of language, how the same words can to be constantly reconstructed to describe anew... While language is essential to both practices, they share an incredible ability to transform language or imagery with equal grace into the poetics of a purely visual yet rigorously embedded experience... The work is saturated with content.

But the recognition of African photographers and their unique visual language has come about only recently.

Forgoing the traditional narrative, these artists use their own visual language to convey a universal uneasiness about the future.

See how Martin Wong used American Sign Language in his paintings, then learn about this compelling visual language as you create your own art.

Dumas, a rare visual artist who also writes — «a dual talent, like Van Gogh,» her partner of nearly 30 years, the painter Jan Andriesse, said — likes to participate in the dialogue about her own work, and wanted to revisit as many critical texts as possible, both her own and others» writing, for the exhibition catalog, which is being produced in three languages.

«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.

This visibility is somewhat ironic, because Chan's art — and his persona — play the edge between the visible and the invisible, probing widespread assumptions about the nature of visual arts, and privileging a coded, language - based form of address.

New liberating questions about sensual recognition and the objects» condition are incorporated in the artistic process, as a way out of postmodernism's language play against a visual turn, where close contact with materials, matter and the object are given attention.

If such perception - events are more about ideas and concepts — our own, or those we glean through interactions with different communities or society at large — to what extent would notions such as popular visual tropes, specific cultural references, or language itself tend to be associated with physical sensations?

Talking about her work, Akunyili Crosby notes, «In much the same way that inhabitants of formerly colonised countries select and invent from cultural features transmitted to them by the dominant or metropolitan colonisers, I extrapolate from my training in Western painting to invent a new visual language that represents my experience - which at times feels paradoxically fractured and whole - as a cosmopolitan Nigerian.»

Bell will speak about Ursuţa's distinct visual language, which thrives on paradox and commingles the monumental and the forensic, as exemplified in Whites (2015), the artist's series of anthropomorphic white obelisks, and Conversion Tables (2015 — 16), her sculptures of dismembered female torsos adorned with coins.

«The visual, I have nothing to say about as to its regards to metaphor because metaphor refers only to language.»

About Rashaad Newsome: Rashaad Newsome's work examines the visual language of power and status, juxtaposing high and low references to challenge perceived notions of social protocol and hierarchy.

In an interview with Beautiful Savage he explained: «Crude is about creating my own visual language.

Throughout and continuing today, Baldessari's interest in language, both written and visual, raises questions about the nature of communication.