Sentences with phrase «about voice performances»

Not exact matches

Though Vanity Fair's Richard Lawson admitted that the voice initally sounds «too synthetic and effortful for a movie that's about some very dire real - world things,» he suggests that the actor's performance will win audiences over.

Wenger said at the start of the season that this is one of the best squads he has managed... look at the table, look at the results (shamed), and look at our performances... wenger is gulty for this, and the suporters in england habe to grow up their voices... its impossible that people were demanding for chenges and the board and wenger were taking a laugh of you and continuing with their reign... its unacceptable that those guya even care about us fans and you are capable to look to anotger side and bought alll that sh about «a great change on the squad and a promised new wenger, its bs... wenger has to go and for that you england arsenal fans have to grow up some balls and do ur job... what was that bellerin episode?

Mertz should never have been our captain in the first place... who has ever heard of a team that makes 11th hour transfer buys (Arteta & Mertz) then seemingly places those same individuals into prominent leadership positions from the get - go... indicative of the problems that have permeated our clubhouse for the better part of 7 years under the Kroenke & Wenger... what is wrong with the players chosen and / or the management style of Wenger that doesn't develop and / or encourage strong leadership from within... Mertz was the fine collecting lackey from year one... this is what happens when you don't get world - class players because many times they want to have a voice on and off the pitch and this can't happen when you play for a fragile manager who has developed a coddling wage structure where everyone is rewarded for simply wearing the shirt and participating in the process... not enough balance between performance and pay, combined with the obvious favoritism shown to some players regardless of their glaring lack of production... remember that Ramsey has played in positions that make no sense considering his skill - set (out wide) and has forced other players off the field or into equally unfamiliar positions with little or no justification (let's remember when you read articles about how Ramsey's goals this upcoming season being the potential X-factor for our success that this is the same individual who didn't score a goal until the final week last season)... this of course is just one example of many... before I hear another word from Mertz I want this club to address the fact that no former player of any real consequence has any important role in the management structure of this club, yet several former Gunners have expressed serious interest in just such an endeavor (Henry, Viera, Adams, Bergkamp... just to name a few legends)... there is only one answer: an extremely insecure manager!!!

The voice acting was touted as one of the selling points of the game but after playing through it I'd hardly be bragging about the performances.

The second insurmountable problem is the difference between Parker's performance as a fortysomething banker, wife, and mother musing (in voice - over) at her computer and her previous performance as a single, thirtysomething girl - about - town in «Sex and the City»: There is none.

Alas, Streep disappoints by turning in a human performance as an Anna Wintour manqué, drifting about as «Miranda Priestly» in Cruella DeVil mane and couture, operating a publishing empire (fictional RUNWAY MAGAZINE substituting for VOGUE, though Madonna's «Vogue» features prominently in the soundtrack for the terminally dim) with a soft voice and a sibilant brittleness.

The main thing that anyone will talk about in relation to Darkest Hour is Oldman's performance: labouring under half his weight in prosthetics and operating in a voice that sounds like a caricature — because, at this point, Churchill's iconography has become a parody of itself.

So many of our most interesting creative voices have dealt with mental illness (certainly a subject in open discussion right now with the recent passing of Robin Williams), and, while Lenny Abrahamson's «Frank» has been billed as a wacky comedy about a guy with a fake head (which it partially is), it's also a dissection of this intersection, driven by a remarkably physical performance by Michael Fassbender.

Over the course of a couple of phone chats — one interrupted by a dead cell phone battery — one can hear the earnest joy in her voice, usually followed by that laughter, when talking about her journey from M. Night Shyamalan's The Village, her feature film debut, to the massive success of Jurassic World despite her character's penchant for running in heels from dinosaurs and, most recently, her 2017 Screen Actors Guild Award - nominated performance in an episode of Netflix's Black Mirror.

HONORABLE MENTIONS: ANIMATION «Kubo and the Two Strings» — Laika's most daring, innovative film yet «My Life as a Zucchini» — About little kids but not for little kids; a bold, 70 - minute feature from Switzerland «Sing» — Delightful and triumphant, with terrific voice performances and song renditions «Trolls» — I can't stop the positive feelings I've had about this DreamWorks musical since I saw it 3 months ago «Zootopia» — Disney's live - action crime drama / social commentary disguised in animated form has one of the year's best screenAbout little kids but not for little kids; a bold, 70 - minute feature from Switzerland «Sing» — Delightful and triumphant, with terrific voice performances and song renditions «Trolls» — I can't stop the positive feelings I've had about this DreamWorks musical since I saw it 3 months ago «Zootopia» — Disney's live - action crime drama / social commentary disguised in animated form has one of the year's best screenabout this DreamWorks musical since I saw it 3 months ago «Zootopia» — Disney's live - action crime drama / social commentary disguised in animated form has one of the year's best screenplays

Actress Holmes tells a charming story about toads and how they proliferated the set (shades of Herzog's experience with monkeys in Aguirre and rats in Nosferatu), and I was somewhat stricken that Leonardo DiCaprio's «grizzle» voice from The Revenant owes a debt to Holmes's performance in this.

The voice acting performance by Ashley Burch is instrumental in establishing Aloy as a protagonist the player should care about.

It's about much more than that as well, grounded by the performances of Joaquin Phoenix and Scarlett Johansson, who successfully sell that a man can, under the right circumstances, fall in love with a voice.

But between its wonderful voice performances and eye - popping animation, there isn't too much to complain about, especially as a follow - up to Pixar's nadir.

The Post — This is a moving story of a shy socialite finding her voice (Meryl Streep as Katharine Graham in one of her all - time best performances) as her small, local paper, The Washington Post, discovers its voice, too, the compelling, inspiring story of journalists who will risk everything to make sure Americans learn the truth about their government.

But whatever you want to say about the conceptual crudity of «The Croods,» Sanders and De Micco certainly elicited solid voice performances out of their cast, and led their animation team to a place of wonderment and joy.

The film ultimately belongs to Riggan, who suffers repeated humiliations (learning a drunk Carver probably wrote a prized note, having to wander Times Square in his underwear after a mishap with a stage door, and getting a lambasting from Lindsay Duncan's cruel critic) while the voice of his movie alter - ego prattles in his head about the actor's failures, and Keaton, whose performance finds the right balance between longing determination and outright insanity.

These interruptions can be feedback about strong performances or ways to improve, lessons about conversation strategies, highlighting impressive questions or insights, muting dominant voices, soliciting reserved voices, and / or pausing the dialogue so that students can self - assess and adjust moving forward.

There are lots of organizations out there dedicated to youth voices and performance poetry, and in addition to linking to a few of those, I've collected some articles and lesson plans about using spoken word in the classroom.

Against a backdrop of the opportunities provided by the Every Student Succeeds Act (ESSA) and the challenges for education posed by the new federal administration, the Annenberg Institute for School Report has released an issue of Voices in Urban Education (VUE) and an online supplement that proposes performance assessment as a personalized and rigorous alternative Read more about Performance Assessment: Fostering the Learning of Teachers and Students (updatperformance assessment as a personalized and rigorous alternative Read more about Performance Assessment: Fostering the Learning of Teachers and Students (updatPerformance Assessment: Fostering the Learning of Teachers and Students (update)-LSB-...]

Summary: In this article, Angela Duckworth speaks about her research into Grit and other performance values and voices a concern about the prospect of using testing measures to determine how schools approach character and social - emotional learning.

This also means that developers must support multiple versions of the Android platform, however, and it also means the overwhelming majority of Android users do not have access to the latest features, security updates and other improvements brought about by newer versions of Google's mobile platform — nearly 99 % of current Android device owners are using a version of Android that does not support great new features like Google Now, enhanced voice search support and «Project Butter» performance enhancements.

By 2007, Dover's outside shareholders had become increasingly concerned with the Company's performance and strategy, voicing concerns about the Company's prospects as a stand - alone entity.

In L.A. Noire, we can actually talk about true performances; not just the voice acting, but the facial acting as well.

Danai Gurira who brought Michonne to life on the TV series did not reprise her role in the game, therefore Michonne is voiced by Samira Wiley who has starred in Orange is the New Black and The Handmaid's Tale delivers a stunning performance that can range from light - hearted dialogue with Pete to action and even emotional scenes when Michonne hallucinates about those who she has lost which provides a guaranteed emotional response from the player, while Malik Yoba voices Pete who made his debut as Yul Brenner in Cool Runnings followed by Detective Carson in Cop Land and TV series such as New York Undercover, Alphas and Empire.

Danai Gurira who brought Michonne to life on the television series has not reprised her role in the game, therefore Michonne is voiced by Samira Wiley who has starred in Orange is the New Black who delivers a stunning performance that can range from light - hearted dialogue with Pete to action and even emotional scenes when Michonne hallucinates about those who she has lost which provides a guaranteed emotional response from the player.

The voice acting performance by Ashley Burch is instrumental in establishing Aloy as a protagonist the player should care about.

Troy Baker is an exceptional voice actor, having made me cry already with the scene from TLOU about «treading on thin ice», who combines with Nolan Drake, sorry North, to give a power packed performance.

While the soundtrack itself isn't anything special at all (it's just there), one positive note about it is the game's narrator's voice, provided by actor Peter Serafinowicz, who delivers a very entertaining performance toppled up with his characteristic British suave.

If it's anything like the last Allied Productions performance I saw back in April, which juxtaposed voices of the ACT - UP movement with the corporate Pride machine, I'll be thinking about this for months to come.

Last year, she planned a provocative performance in Havana, in which she created a soapbox for individuals to voice their grievances about the communist Cuban government.

In May 2015 the Art Assassins and REcreative Editorial Board programmed a weekend of free talks, performances, screenings and workshops which took place across south London for young people to come together and voice their opinions about politics today.

The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley's own work, ranging from texts in «voices» that grew out of scripts for performance pieces to expository critical and autobiographical writings.

2016 THE BLUECOAT, LIVERPOOL, and SHOREDITCH TOWN HALL, ELECTRONIC VOICE PHENOMENA Live Tour of two performance works TINTYPE Gallery, London Essex Road III A TALE I KNOW NOTHNG ABOUT (film commission, December) Acts - Reacts festival March, Enhanced Monitoring Event Performance / viperformance works TINTYPE Gallery, London Essex Road III A TALE I KNOW NOTHNG ABOUT (film commission, December) Acts - Reacts festival March, Enhanced Monitoring Event Performance / viPerformance / video, London

By voicing and embodying these multiple male perspectives, the performance engages long - standing debates about gender and women's liberation, and in doing so it recalls some of the key concerns of feminist movements past and present.

Los Angeles, CA About Youtuber Emily Davidson, baroque cellist, is a fresh voice in the new generation of historical performance.

Family Voices: Piloting a New Qualitative Measure of Family Engagement for Head Start and Early Head Start Staff and Families (PDF - 2,468 KB) Aikens, Bandel, Akers, Lyskawa, & Jerald (2014) U.S. Department of Health and Human Services, Administration for Children and Families, Office of Planning, Research and Evaluation & Mathematica Policy Research Focuses on the development of qualitative instruments designed to better understand family engagement in Head Start and Early Head Start; draws on pilot data collected during the 2012 - 2013 program year; and provides information about the performance of the piloted interview protocols, revisions made to instruments based on their performance, and the best methods for gathering qualitative information about family engagement experiences from families and staff in future studies.

It was my very first radio show audience taping (although I've been a radio show guest via phone... oh, and used to voice the ads for Woman's Day — talk about being a two - for - one editor) and it was good fun, with an amazing vocal performance by two of the shimmery singers from Marcia's musical, Velvet.