Sentences with phrase «about women artists of color»

NMWA writes an article for Hyperallergic about the challenges in collecting data about women artists of color.

Not exact matches

What about the advertising and comic - strip palette of Pop Art, digital artists for whom Photoshop's Color Picker translates so easily into hexadecimal, the drab of camouflage in political art, or many a woman artist's grids of tapestry and tile?

CV: Your activity of late, I would say in the late seven to eight years, I'm just being very general, you've pretty much picked a path in which you started looking at the work of artists of color and I know that in your travels you started seeing work by women and I'm wondering what they've been saying about the cannon.

While it may be easy to paint the «creative differences» between Vergne and Molesworth as one of the director favoring blue - chip white male artists, and the curator wanting to create a more inclusive platform for women and artists of color, what can be said about the urged retirement of the long - term senior curator of color, who had been doing that work all along?»

MS. RICHARDS: This exodus has nothing to do with the exodus of - that other Guerrilla Girls that have talked about - of Asian artists or of women of color from the group?

I am infinitely grateful that I have survived exclusion, and yet I'm aware of many artists of color, queer artists, and / or women artists of my generation who did really good work that you just don't hear about anymore.

Other select projects include: Artistic Producer for the 4th annual Chicago Home Theater Festival, a 10 - day festival of artistic exchange within neighborhoods that have experienced systemic disinvestment featuring narratives by and about artists of color, women and femmes, migrants and immigrants, LGBTQ artists, and artists with disabilities (2016), and Project Coordinator for Our Miss Brooks: A Centennial Celebration, a national a year - long multidisciplinary celebration on the occasion of the 100th birthday of Pulitzer Prize winning poet Gwendolyn Brooks (2017).

They added, «This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.»

As artist Coco Fusco would rightly point out later, the ensuing debate brought to reality the Scanlan character's «castration fantasy about white male erasure» at the hands of a newly empowered group of younger, politically savvy artists and critics who read the works not from Scanlan's vantage point, but as women of color.

«This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.»

A large color photo graph of the artist lying at the edge of an algae - covered swamp with red flowers sprinkled about joins the current craze among photographers, especially women, for girl - in - the - landscape melodrama.

That's how we did our exhibition about the Whitney Museum's pathetic record of not showing women and artists of color.

Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African - American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011 - 2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010).