Sentences with phrase «about women in art»

Talk: «How to be a wo (man)» at Artists Space Books and Talks With its Greene Street exhibition space closed for the coming four months, Artists Space is channelling its energy into its talks for now, starting with «WE (Not I),» a series of readings, panels, and meetings about women in the art world.

The book Women Artists: The Linda Nochlin Reader, edited by Maura Reilly, is the definitive anthology of Linda Nochlin's writing about women in art, bringing together twenty - nine essential essays from throughout her career.

The British painter Celia Paul talks to Jackie Wullschlager about women in art and the beauty of melancholy

I also wasn't trying to pass judgment on her either, I completely respect her decision not to have children, but I just didn't like how she turned her personal view into a generalization about women in the art world.

Then, after being featured in Vogue and Elle magazines in spreads about women in the arts, she is appointed co-curator of the 2019 Whitney Biennial in December.

And when we talk about women in the arts, we need to think about all the sub-categories — women of color, queer women — that create disparities again.

Kerry Morgan, Minneapolis College of Art and Design Director of Gallery and Exhibition Programs, will moderate an informative dialogue about women in the arts, Native arts within the context of today's art world, and the significance of the Guerrilla Girls movement and the Sinew exhibition.

A tribute to sculptor Augusta Savage, the above work is among several Walker created about women in the arts, including Nina Simone, Billie Holiday, Dinah Washington and actress Louise Beavers.

Not exact matches

Equally passionate about gender equality and the arts, AlHusseini supports several NGOs advancing social and cultural change in societies that adversely impact women and girls.

«I recommend routinely tracking what the industry analyst firms like Gartner are reporting about your industry, as well as trade associations and advocacy groups,» says Becky Sheetz - Runkle, author of Sun Tzu for Women: The Art of War for Winning in Business.

In Italy, women will enjoy free entry to the country's museums and cultural sites, which will devote themselves to exhibitions that «celebrate the feminine world» by highlighting art by and about women.

We needed revolutions in the 20s and 30s just to allow women to wear shorts, and again in the 60s and 70s just to allow people to talk about it in music and other art.

I'd taken at least five art history classes in college, but then I enrolled in one where I learned about the great women artists of the world.

here in New York, women who can absolutely afford ob / gyn and state of the art hostpitals choose homebirth and free standing birth centers because they've been lied to about the safety of homebirth due to confusing Canada's model of care to the unregulated / uninsured unaccountable lay midwives model of care.

The data also tell a story about variables that influence the success of women who earn doctorates in S&E: they are more likely to have attended a liberal arts college rather than a university as undergraduates.

About Sweet Briar College Sweet Briar College is consistently ranked among the nation's top liberal arts colleges.ÿ Founded in 1901 as an independent undergraduate college for women, Sweet Briar continues its commitment to the education of women, offering a full range of liberal arts majors, including subjects traditionally considered male domains.

As I talked about in yesterday's post, Vacay is a San Francisco - based clothing brand redefining the art of women's travel wear.

Minx took the world of nail art by storm back in 2007 with their polish - free nails and made every woman and salon fall in love with their shimmering metallic hues... and they are about to do it all over again!

im very adventurous and outgoing i am somewhat of an artist i have a degree in game art and animation i am very open minded i stand about 6» 3» tall muscular and dark skinned i love meeting new people and learning new things and have always been attracted more more mature and experienced women...

I will like to tell you little about my self, i am pretty easy going and a good listener, what you are about to read may inspire you, denture you, make you sad or even anger you but i think, that honesty is the best policy.say it and let the chips fall where they may, i am single with no child, I'm a down to earth kind of woman, i believe in living your life the best you can with the tools that are given to you, treat others as you would like to be treated, I'm a hard worker, i get that from my Dad but i also like to have a good time, I love music, art, sports and life sunny days great but Rainy days makes me feel alive..

i love women, white women.women who seek inner depth and are not shallow about it.women who listen good non lamestream music, women who seek art to fill a void in their souls, women who constantly love and learn, women who change fashion all the time keeps things fresh and constant

They are known for their «art» in bed: This is something that most of the people always say about Russian women — they are excellent in bed and know how to give their best!

Russia can claim a long tradition of dividend in many aspects of the arts, especially when it comes to literature and Russian Brides Cyber Guide is the first website about Russian women, created by a Russian woman.

Indeed, in the Q&A that followed the screening of In the Fade that I attended at New York's Museum of Modern Art, Akin went so far as to say that he wanted Katja to be a blonde - haired, blue - eyed avatar of himself; he wanted to cast a woman who would be a Nazi's ideal as the sworn enemy of Nazis, and to inject his own anger about the way he is treated as an «other» by neo-Nazis and their ilk into the character of an Aryan - looking woman who would otherwise be embraced by thein the Q&A that followed the screening of In the Fade that I attended at New York's Museum of Modern Art, Akin went so far as to say that he wanted Katja to be a blonde - haired, blue - eyed avatar of himself; he wanted to cast a woman who would be a Nazi's ideal as the sworn enemy of Nazis, and to inject his own anger about the way he is treated as an «other» by neo-Nazis and their ilk into the character of an Aryan - looking woman who would otherwise be embraced by theIn the Fade that I attended at New York's Museum of Modern Art, Akin went so far as to say that he wanted Katja to be a blonde - haired, blue - eyed avatar of himself; he wanted to cast a woman who would be a Nazi's ideal as the sworn enemy of Nazis, and to inject his own anger about the way he is treated as an «other» by neo-Nazis and their ilk into the character of an Aryan - looking woman who would otherwise be embraced by them.

Almost non-stop hackneyed dialogue about the nature of art, delivered with bizarre accent and performance choices, in a cumbersomely arced dual narrative about the power of one - dimensional women to inspire and enable spectacular men.

It's a simple film — about a woman getting over one relationship and into another, while also dealing with the delayed gratification that often comes when one pursues a life in the arts — but that simplicity can be deceiving.

And yet the scene, which also marks a turning point in the central relationship, falters when some of Emma's supposedly sophisticated friends make eager remarks about art and female sexuality that seem to mirror the director's problematic approach toward the representation of women.

Finally, for those wondering about the «nude image» mentioned in the MPAA's rating descriptor, it refers to a fascination young Jane has for a painting of a reclining nude woman (the work of art is seen in close - up).

Scott Bates chats with Daphne star Emily Beecham... Manchester - born actress Emily Beecham is perhaps most recognised for her role in AMC's martial - arts themed Western series Into The Badlands, but this weekend the 33 - year - old can be seen as the titular lead in Daphne, a Fleabag-esque, London - set drama about an ordinary young woman who begins to reassess -LSB-...]

Among the high - profile premieres this year are «Antz,» the new Dreamworks animated film; James Ivory's «A Soldier's Daughter Never Cries,» with Kris Kristofferson playing a character inspired by novelist James Jones; «Dancing at Lughnasa,» starring Meryl Streep in the film of Brian Friel's celebrated play; John Waters» «Pecker,» with Edward Furlong as a fast - food worker whose photos are embraced by the New York art world; Helena Bonham Carter and Kenneth Branagh in «The Theory of Flight,» about a work - release prisoner assigned to a woman with Lou Gehrig's disease; Ben Stiller as a drug - addicted TV writer in «Permanent Midnight»; Christina Ricci in «Desert Blue,» about slim prospects for a teenager in a town of 89 people; «The Imposters,» the new film by Stanley («Big Night») Tucci, starring Tucci and Oliver Platt as cruise - ship stowaways; «Rushmore,» with Jason Schwartzmann as a prep schooler who is a lousy student but hyperactive in campus activities; Cameron Diaz in «Very Bad Things,» about a bachelor party that ends in murder; Cate Blanchett as «Elizabeth,» the story of England's 16th century monarch, and «The Judas Kiss,» with FBI agent Emma Thompson on the trail of the kidnapper of a computer genius.

She is currently working on books including 1000 Women in Horror, a book on art and intertextuality in giallo cinema, and co-editing a collection about the film work of Elaine May for Edinburgh University Press's ReFocus series.

Compare that list with «North Country» (2005), a hard - hitting movie about men harassing women in an iron mine, starring Charlize Theron, that earned $ 25 million; or Neil LaBute's «In the Company of Men,» an art - house hit about rogues torturing a deaf female colleague that took in $ 3 millioin an iron mine, starring Charlize Theron, that earned $ 25 million; or Neil LaBute's «In the Company of Men,» an art - house hit about rogues torturing a deaf female colleague that took in $ 3 millioIn the Company of Men,» an art - house hit about rogues torturing a deaf female colleague that took in $ 3 millioin $ 3 million.

ABOUT THE ACADEMY The Academy of Motion Picture Arts and Sciences is the world's preeminent movie - related organization, with a membership of more than 6,000 of the most accomplished men and women working in cinema.

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Let's talk about the vast art trove we've lost by not giving women, people of color, people with disabilities, and the LGBTQ + community opportunities — let's talk about that loss for all of us in art,» she continued.

Great art it's not — but it's frisky, in charge of itself, and about as keenly felt a vision of this S&M power game we could realistically have expected to see... The film's single biggest asset is Johnson, who has worked hard with Marcel and Taylor - Johnson to perform a three - woman salvage job on the character of Anastasia.

In particular, enriching field trips contribute to the development of students into civilized young men and women who possess more knowledge about art, have stronger critical - thinking skills, exhibit increased historical empathy, display higher levels of tolerance, and have a greater taste for consuming art and culture.

Famous women - artists, in their sourced quotes and stories - telling about the modern art they created and about their individual artistic life.

Along with autograph sessions and interviews, the two manga artists will be participating in live art demonstrations and a panel about women working in the manga industry.

This sensual jazz - age story is about the relationship between real - life Art Deco painter Tamara de Lempicka and her muse, Rafaela, the woman famously depicted in the portrait Beautiful Rafaela (and on that stunning book jacket).

The story is about the real - life Art Deco painter Tamara de Lempicka, and the relationship she strikes up with her muse, Rafaela, the woman depicted on the jacket in the painting Beautiful Rafaela.

On a more serious note, The Blazing World is a novel about gender - bias in the art world; in other words, the unfair difference in the way men and women's artistic endeavors are received and perceived due to prejudice and sexism.

I love art, music, film, cooking, astronomy and on and on... For Pinterest, I'm able to pin images that speak to my brand: I write in the fantasy genre about self - rescuing women so I focus on female empowerment.

San Diego About Blog ATOS offers world renowned instruction in the art of Brazilian Jiu - Jitsu and submission grappling along with martial arts programs for women and children.

The unconscious aura of titillation that arises from a visual representation of an aspiring woman artist in the mid-19th century, Emily Mary Osborne's heartfelt painting, Nameless and Friendless, 1857, a canvas representing a poor but lovely and respectable young girl at a London art dealer, nervously awaiting the verdict of the pompous proprietor about the worth of her canvases while two ogling «art lovers» look on, is really not too different in its underlying assumptions from an overtly salacious work like Bompard's Debut of the Model.

The following is a response to Maura Reilly's article «Taking the Measure of Sexism: Facts, Figures, and Fixes» about the current statistics of Women in the Art World.

A month ago, Francoise Mouly, art director for the New Yorker covers, asked illustrator Malika Favre to work on ideas for an upcoming issue about women in the tech industry.

This landmark collaborative art project explored feminist concerns about women's place in the professional and art worlds.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

So, for example, when we view the Metropolitan Museum of Art's Johannes Vermeer, «Woman in Blue Reading a Letter» (1663 − 1664) we may speculate: is this a love letter, a note about practical business, or perhaps something even less exciting?