Comics A Los Angeles Times article
about women in comics concludes that «women in comics» really isn't a topic for discussion any more; the number of women creators and...
There's been a lot of talk
about women in comics lately (just Google it!)
Not exact matches
Men can be interested
in things that they feel
women don't want to hear
about — sports, Star Trek, the whole nerdy gaming / SF /
comic scene, etc..
Marvel's had a busy week with announcements
about their universe, especially major changes for The Avengers as Thor is now a
woman, Captain America is getting a
comic reboot
in «The All - New Captain America» where the Falcon takes over as the Captain, and then Iron Man gets back to his darker Tony Stark roots
in «Superior Iron Man».
During our discussion, we talked
about how long she has to sit
in the make - up chair to apply Okoye's tattoos, how she got inducted into the Marvel Cinematic Universe, her relationship with the other
women in the film,
comic book research, and what Wakanda thinks
about the Winter Soldier.
This teaser was secretly debuted before Wonder
Woman in theaters this weekend, and it's the perfect launch, because it's
about the man and two
women behind the actual
comic book character of Wonder
Woman.
«Toast» enjoys what is likely the best
comic performance of veteran British actress Helena Bonham Carter
in the role of Joan Potter, a cleaning
woman who becomes the second wife of Nigel's dad, played by Ken Stott, and stepmother of nine - year old Slater who morphs suddenly
about two - thirds into the film as the older Nigel Slater, played by Freddie Highmore.
Egotistical, penny - pinching, delusional and deeply
in denial, he also (like the best
comic creations) remains endearing even as he's waffling on
about «minor Dickens» or boasting
about his prowess with
women.
The CW also renewed the Vertigo
comic book adaptation «iZombie» and picked up «Cordon,» an outbreak drama from Julie Plec («The Vampire Diaries»), and Rebecca Bloom's «Crazy Ex-Girlfriend,»
about a successful, driven young
woman who gives up her life
in New York City to pursue love
in West Covina, California.
Charles Dance plays her father, not as though he were
in a
comic zombie movie but as though this were Masterpiece Theatre, and there's nothing funny
about Douglas Booth as the handsome Mr. Bingley, except that
women keep having to rescue him from zombies.
By extension, McAdams»
comic turn
in Mean Girls can be linked to the broader trend of «
Women in Comedy,» as McAdams» onscreen mom Amy Poehler recently joked
about during the AFI Tribune to Steve Martin.
Akhavan upped sticks to the U.K. this year, developing a comedy
about a bisexual
woman for the BBC «s Channel 4 — let's hope we get to see it some time
in 2016, because she's one of the sharpest new
comic talents we've seen
in a long while.
The
comic writer recently spoke
about a new monthly series for the series Kick - Ass debuting February 14th, where Dave Lizewski passes on the title to a new hero Patience Lee, «a black
woman who served
in the military and is the mother of young children.»
Judging from her memoir, Dolezal genuinely can not understand why anybody would see anything remotely
comic about a white
woman deciding relatively late
in life that she's Black.
«Girls» was named best comedy and Dunham, who stars as Hannah Horvath
in the series
about young
women in their 20s navigating young adulthood
in New York City, was named best
comic actress.
Often included as the token
comic book adaptation by and
about women in numerous internet lists on the subject, it is one of the most remarkable feats of adaptation.
This news was revealed by the studio as part of its
Comic - Con International: San Diego plans
in a listing
about Wonder
Woman.
Wonder
Woman (Patty Jenkins, 2017), because it's the most powerful popular feminist statement
in mainstream cinema thus far, inspiring countless young
women and girls to dare to succeed; because Patty Jenkins more than deserved it after languishing
in the wilderness of episodic television after her masterful film Monster (2003), when any male director would have gone on to direct four of five features on the strength of that one film; because it's
about damned time that a female
comic book feature got made; because Jenkins still had to fight to get a fair payday to direct WW 2 — enduring months of fight - to - the - death negotiations to get a directorial fee comparable to that of Zack Snyder or J.J. Abrams for the sequel; and finally because she's better than either of those two directors, who are overrated hacks with little or no vision at all.
We're very excited for Angela Robinson's upcoming film
about the story behind the greatest female icon
in comics, Professor Marston and the Wonder
Women, which arrives
in theaters next week from Annapurna Pictures!
The
Women in Manga panel was interesting, especially JuYoun Lee's comments about not just women in Korean manhwa, but Korean comics in gen
Women in Manga panel was interesting, especially JuYoun Lee's comments
about not just
women in Korean manhwa, but Korean comics in gen
women in Korean manhwa, but Korean
comics in general.
Okay, well, let's say, instead of jumping
in and writing
comics designed to attract
women readers (Minx
comics discovered this is harder than it looks), how's
about writing
comics which don't actually put
women off?
«Strangers
in Paradise» creator Terry Moore's horror
comic «Rachel Rising,»
about a
woman who tries to unravel the mystery of her own death is
in development with Alcon Television Group.
Barnes & Noble, Inc. (NYSE: BKS), the world's largest retail bookseller, today announced that Patty Yumi Cottrell's Sorry to Disrupt the Peace (McSweeney's), a darkly
comic debut novel
about a young
woman seeking an explanation for her adoptive brother's suicide, and Jessica Bruder» sNomadland: Surviving America
in the Twenty - First Century (W.W. Norton), a finely reported narrative that follows a new generation of itinerant workers, are the winners of the 2017 Discover Awards for fiction and nonfiction, respectively.
It kept me excited
about comics at a time when I was ready to give up by giving me stories I was more interested
in, particularly those starring young
women.
With no cohesive plan or desire to actively expand that audience by advertising outside of the
comic world (like perhaps an ad
in women's magazines
about female centric characters might reach, you know,
women), an unwillingness to grow a new crop of fans by maintaining a consistent product for kids and a host of other issues like the economy and increasing competition form other areas of entertainment, it's no wonder things are
in such disarray.
As we all know, the people who write on the Internet
about comics are a tiny, tiny, tiny portion of the audience, and while they often clamor for diversity and Marvel responds to them, is there a large influx of young
women, minorities, queer, and trans people going into
comics shops and buying those diverse titles or at least getting them digitally or
in trade?
New York, New York — March 7, 2018 — Barnes & Noble, Inc. (NYSE: BKS), the world's largest retail bookseller, today announced that Patty Yumi Cottrell's Sorry to Disrupt the Peace (McSweeney's), a darkly
comic debut novel
about a young
woman seeking an explanation for her adoptive brother's suicide, and Jessica Bruder's Nomadland: Surviving America
in the Twenty - First Century (W.W. Norton), a finely reported narrative that follows a new generation of itinerant workers, are the winners of the 2017 Discover Awards for fiction and nonfiction, respectively.
IN MAPS & LEGENDS: A digital
comic about a
woman caught between two worlds, and her attempt to save them both.
What
about the advertising and
comic - strip palette of Pop Art, digital artists for whom Photoshop's Color Picker translates so easily into hexadecimal, the drab of camouflage
in political art, or many a
woman artist's grids of tapestry and tile?