Sentences with phrase «about young contemporary artists»

In Jerry Saltz's recent New York Magazine piece, «Generation Blank,» he expresses some concern about young contemporary artists making «work stuck in a cul - de-sac of aesthetic regress, where everyone is deconstructing the same elements.»

Not exact matches

The website was devised and designed by a group of 16 - 25 year olds who wanted to develop an online resource that would give access and information about the contemporary art world and offer a platform for young artists to share and showcase their own work.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

Moderated by Artistic Director, Elizabeth Ferrill, Esteban del Valle takes us on a journey through his experiences as a young art student, to gallery representation, to supporting himself as an artist, and answers your most burning questions about becoming a vital participant in the contemporary art world.

2014 Absent - minded young typist, RONGWRONG, Amsterdam I»LL MAKE THE WORK EXPLODE, Buenos Tiempos Inc., Brussels @the Shrink, Shanaynay, Paris Galerie Neu a la Douane, Galerie Chantal Crousel La Douane, Paris The Reluctant Narrator, Museo Berardo, Lisbon The Library Vaccine, Artists Space, New York New Ways Of Doing Nothing, Kunsthalle Vienna, Vienna Black House, Museum of Contemporary Art of Estonia, Tallin Read the room / you've got to, Salts, Basel House, Hollybush Gardens, London Infinite Jest, Schirn Kunsthalle, Frankfurt UPSTAIRS DOWNSTAIRS, Galerie Neu, Berlin Everything Is About To Happen, Corvi - Mora and Greengrassi, London The Hawker, Carlos / Ishikawa, London Dead Reader, Idea Store Whitechapel, London Eight Poems by Karl Holmqvist, Gavin Brown's Enterprise, New York The Fifth Dimension, Logan Center Exhibitions, Chicago The Crime Was Almost Perfect, Witte de With, Rotterdam Poetry will be Made by ALL, LUMAS Editionsgalerie — Zürich, Zürich Looking Back: The Eighth White Columns Annual — Selected by Pati Hertling, White Columns, New York

We met at Café Boulestin in Mayfair to hear about his much - anticipated exhibition What's Up featuring fifty young contemporary artists.

While dealers sometimes complain about escalating auction prices for young artists disrupting their markets, Christie's contemporary specialist Saara Pritchard points out that auctions provide the only access to many talents whose galleries maintain a tight grip on waiting lists.

While an expressly national platform, «New Contemporaries» also crystallises global processes and concerns, and succinctly shows young UK artists to be pretty clued up about the world around them.

Contemporary Chinese art is gaining international recognition as young artists mold new perceptions about Chinese art abroad.

Hodgkin has spoken about the importance of Matisse and the Intimist work of the French painter Edouard Vuillard, but says that as a young artist, the key exhibitions he saw in London were of contemporary American art put on by the United States Information Service.

Together with a group of young artists — including Robert Longo, Barbara Kruger, Sherrie Levine, Richard Prince and Louise Lawler — Sherman was critical about contemporary image culture and the rise of image consumerism that both drove emerging mass media like television and was celebrated in it.

• For more about contemporary sculptors, see: Young British Artists (1980s).

His reflections serve as the starting point of a discussion about contemporary painting through the work of five young artists, who approach the canvas in very different ways.

The Contemporaries offers exclusive opportunities to learn about local, national and international contemporary artists in a social setting with other young professionals, graduate students, and art professionals.

The young curators will be given a travel budget to visit artists, critics, and institutions throughout Italy, allowing them to conduct extensive firsthand research about the contemporary Italian art scene, as well as «promote a collaboration between emerging Italian artists and young curators working in a site - specific context,» as explained by Francesco Bonami, Fondazione Sandretto Re Rebaudengo artistic director.

- Richard Shiff, Professor of Modern and Contemporary Art of Europe and America, University of Texas at Austin «The great number of young artists who set out each year to become painters should long ago have put to rest conversations about the so - called death of painting.

Bilderarchive der Unsichtbarkeiten, Sixth Esslingen International Photo Triennial Galerien der Stadt Esslingen am Neckar, Esslingen am Neckar 2003 Urban Aesthetics 2003 California African American Museum, Los Angeles The Night of the Hunter Brigitte March Gallery, Stuttgart Selections from the LeWitt Collection New Britain Museum of American Art, New Britain 2002 What About Hegel Brigitte March Gallery, Stuttgart 2001 Installation of Airplanecrashclock Museum of Contemporary Art San Diego, La Jolla 2000 Deep Distance - Die Entfernung der Fotografie Kunsthalle Basel, Basel A Selective Survey of Political Art John Weber Gallery, New York 1999 Mixed Media: Selections from the Segura Publishing Archives Scottsdale Museum of Contemporary Art, Scottsdale Pictures of Other People's Bodies Richard Heller Gallery, Santa Monica More than Meets the Eye: Triennale der Photographie Deichtorhallen, Hamburg Landschaft — Stadtlandschaft (Landscape — Cityscape) Brigitte March Gallery, Stuttgart Landscape Memories organized by Steven Hull Rosamund Felsen Gallery, Santa Monica Touring the Frame organized by Charles Gaines Rosamund Felsen Gallery, Santa Monica 1997 Die Magie der Zahl Staatsgalerie Stuttgart, Stuttgart 1992 Coming Unraveled Otis College of Art and Design, Los Angeles 1990 Drawing 1990 Brigham Young University Museum of Art, Provo 1986 Work from the Collection of Sol LeWitt Museum of Art, Fort Lauderdale 1985 Selections from the William Hokin Collection Museum of Contemporary Art, Chicago 1980 Artists From The John Weber Gallery University of South Florida Contemporary Art Museum, Tampa 1978 Works on Paper Margo Leavin Gallery, Los Angeles Numerals 1924 - 1977 Leo Castelli Gallery, New York 1975 Whitney Biennial 1975 Whitney Museum of American Art, New York

«If you think about the contemporary landscape, you see a lot of younger artists experimenting with this sort of deconstructivist style of abstraction, which is considered sort of post-canvas and about prying apart the physical elements of the canvas,» DiQuinzio says.

He talks about her range of knowledge, «whether it's modern masters, young contemporary artists, or 19th - century art.»