Sentences with phrase «above image on the right»

In the above image on the right, we see that the three Pac - Man shapes «underneath» the triangle cause little brain activity (coloured blue), but the separate Pac - Man on the right causes more activity.

Not exact matches

Fortunately, the BitPay wallet makes it easy to encrypt private keys with a spending password, as shown in the image above on the right.

The devil has blinded the leaders of the churches of today when they serve carved images of the flag of any nation... In Exodus and Deuteronomy God said, not to serve or bow down to any carved image in the likeness of heaven above or in the likeness of the earth below... When you pledge your allegiance to the flag, you are pledging your allegiance to the carved images of the flag... The founding fathers made carved images in the likeness of heaven above and in the likeness of the earth below and set the carved images on a flag and the flag is high and lifted up on a flag pole... Some nations are serving the stars, the moon, and the sun, and others are serving the eagle, the bear, and the tree... The U.S. is serving the stars of heaven and the eagle of the earth... Canada is serving the leaf of a tree... Mexico is serving the eagle and the serpent... When you put your right hand to your heart or to your forehead, and pledge your allegiance to the flag, you are committing fornication with the carved images of the flag, God calls this IDOLATRY... The mark of the beast in the right hand or forehead is spiritual and identical to when you put your right hand over your heart or over your forehead... There is no way to go around God and the carved images of the flag, unless the devil has blinded the minds of the believer, like when he deceived eve and Adam in the garden of Eden.

As the Possession chart with heat map on the right of the image above, Sweden attacked very centrally going from right to left, the action when Sweden were on the ball occurred in the centre of midfield with 64.78 % of the Swedish possession coming in the two most central areas of the pitch, around where Ibrahimovic spent most of the game.

Above right: A dark matter map — created by Jean - Paul Kneib, Richard Ellis, and Tommaso Treu of Caltech — is based on observations of 39 regions within the image.

The readings clustered on the right side of the globe in the above image represent some of the 1,000 - plus seismic stations deployed in North America.

If ya click on individual images above, it'll take ya right to the product page — so long as you have early access to see the merchandise!

We see a determined Silver Surfer atop his board like we do on so many covers, but he is flanked by an image of his former master Galactus on the left and the High Evolutionary to his right as he flies above the Earth.

(Tap on images above to scroll left or right.)

«There is a lot of NOISE right now about the Common Core Standards...» Four Minutes of Clarity: click image below to VIEW a timely YouTube PODCAST with Dr. Vickie L. Markavitch, Superintendent of Oakland Schools: CLICK on image above to VIEW PODCAST TEXT of PODCAST from Dr. Markavitch: There is a lot of noise right -LSB-...]

Right above the video on their website are images of a diverse group of AAPI TFA fellows who look much different from Gerhart.

Right now, Apple CarPlay looks about the same on a $ 25,000 Chevrolet Cruze (image above) and a $ 60,000 Audi, to the annoyance of all automakers.

Right now is as good a time as any, as you can see from the image above AT&T has gone ahead and made the device live on their site so that folks can sign up to find out more info closer to when the device is set to release.

From the image above, it looks like the Galaxy Tab S2 features a physical home button (which may also double up as a fingerprint sensor), with the power and volume buttons on the right hand side.

You can check it out on the Author Website Toolkit page or just click the image above to download it right now.

This can be acheived by tapping on the «gear» icon up in the top right hand corner, as highlighted by the red arrow in the above image.

In the above image, you can see some buttons placed up on right side of the device, and there's big speaker grill on the back side, and a microphone on front side.

Lastly, on the right side of the image above, you can see a dragonfly doji that appears after a small downtrend in price.

In the images above, note the ventricular space enlargement (V arrows) and hippocampus tissue shrinkage (H arrows) seen in the older dog image on the left, compared to the younger dog image on the right.1

The image above shows regular vision in a hunting lodge on the left and what you see in the same room with thermal vision enabled on the right.

In the image above, both Kuroko and Uihara are on the right side of the screen, with Kuroko closer to the center.

«My method was to attach a number of texts to a number of images without having to think about whether something would be better positioned to the left or the right, above or below,» Richter told an interviewer, for a New York Times feature on the publication.

There's two different types of watercolor, dry cakes (in the image above, it's on the left) or tubes (top right, these are full of concentrated liquid).

On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronOn the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronon canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronOn the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze

Images Above: LEFT Shiraz Bayjoo, «Overwhelmed» Digitised collage, acrylic ink on paper with archival lithograph (2014) RIGHT Matthew Krishanu, «Questioning Oneself» Golly (detail), Oil on canvas (2013)

Lot 199 Jasper Johns 1 1975 Intaglio on Barcham Green paper # 74 of 100 Published by Petersburg Press, New York; printed by Atelier Crommelynck, Paris Signed and dated in graphite lower right edge of sheet; edition lower left margin beneath image; retains Craig F. Starr Associates label verso Image: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisimage; retains Craig F. Starr Associates label verso Image: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisImage: 2.375 ″ x 2 ″; Sheet: 8.375 ″ x 6 ″; Frame: 12.75 ″ x 10.375 ″; (Image: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisImage: 6 x 5 cm) Together with copy of original invoice from Craig F. Starr Associates dated October 12, 2005 Provenance: Craig F. Starr Associates, New York, New York; Private Collection, Encino, California (acquired directly from the above, 2005) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

Lot 198 Jasper Johns Flag (Moratorium) 1969 Offset color lithograph on wove paper # 77 of 300 Published by the Committee Against the War in Vietnam Edition lower left margin beneath image; signed lower right margin; printed «© Jasper Johns 1969 ″ lower right edge of sheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisimage; signed lower right margin; printed «© Jasper Johns 1969 ″ lower right edge of sheet Image: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisImage: 17.125 ″ x 26 ″; Sheet: 20.5 ″ x 28.5 ″; Frame: 21.125 ″ x 29.25»; (Image: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue RaisImage: 43 x 66 cm) Provenance: Leo Castelli Gallery, New York, New York; Private Collection, Beverly Hills, California (acquired directly from the above) Literature: The Prints of Jasper Johns 1960 - 1993: A Catalogue Raisonné.

Two of the images above were taken by MODIS on August 18th (Left) and August 19th (Right), 2014.

The image illustrated above shows the composite RGB image on the left, with information from the alpha channel shown on the right.

The update connects the new Weight Management (three images above left) and Fitness Program (above right) features to the Samsung Health app on phones.

Portrait Mode, on the other hand, is legitimately great and produces beautiful images — like the above right photo, if I do say so myself — but you can take similar close - ups without using Portrait Mode.

Up above you'll see the left and middle images as good examples, but avoid those Dragon Ball Z characters on the right;)

To access VSCO's camera, tap just above the white image gallery on the viewfinder, then tap on the circle with two arrows around it in the bottom right to access selfie mode.

Although the image above clearly shows off what looks to be a curved edge - to - edge screen, apparent from the drop shadow on the top - right of the panel, allegedly heading to the iPhone 8 model, it also shows that there is no cut out on the rear for a fingerprint sensor, indicating that this will be embedded under the glass on the front panel.

As you can see in image above, this prompt is displayed when you right - click on a file, and the pick up Choose default program.

The Jabra Storm (featured on the right in the image above), is a Bluetooth headset designed to blackout wind noise that might result when you're talking on the go.

Unfortunately, the images above show that the fingerprint scanner will be positioned on the right side of the cameras just like on the Galaxy S8, which a lot of users don't really like.

As you can see from the image above, you can right - click on a folder or file and choose «Always keep on this device» to store it offline, and when you're done with it, right - click again and choose «Free up space».

As you can see in the image above, the new module (on the left) now has a greyish white tab that reportedly allows users to safely eject the S Pen if inserted backwards without damaging the device, while the original module (on the right) does not have this tab.

I now keep most of my favorite blogs right on my iGoogle Home page, which you can see in the above image.

For a few of them I used the Color Bloom option, the last option shown on the right in the image above.