Rooney Mara gave my favorite female performance of the year, and she probably has the most raw screen time of any of the actresses in this category (being
the absolute lead of the film will do that for you).
Not exact matches
IndieWire gave the
film an A - review and called McDormand an «
absolute force
of nature» in the
lead role.
This is the kind
of film that was all the rage in the early «60s: aging male star, once a romantic
lead, is cast as head
of a really annoying family that puts him through
absolute hell, until the denouement that insists that family life is in fact splendid and really the ONLY THING WORTH EXISTING FOR.
The fact that this all happens while its
lead characters spend most
of the time sitting around and talking is an achievement
of its own, but while Howard may be the one calling the shots, it's the people in front
of the camera (namely, Frank Langella and Michael Sheen) that make «Frost / Nixon» one
of the
absolute must - see
films of the year.
Wilder keeps the
film zipping along, and has three
absolute comic hurricanes in his
leads — Curtis cool as anything as he darts between identities, Lemmon gloriously funny in his interaction with smitten millionaire Joe E. Brown, and Monroe endlessly endearing and dunder - headed (no matter how many takes it legendarily took Wilder to get the performance out
of her).
Of course you take that prediction with a grain of salt, but just let me say it leads to the film's absolute funniest sequence in which our hero must essentially reinvent himself in a way that won't be revealed here other than to say the Basic Instinct parody alone is worth the price of admissio
Of course you take that prediction with a grain
of salt, but just let me say it leads to the film's absolute funniest sequence in which our hero must essentially reinvent himself in a way that won't be revealed here other than to say the Basic Instinct parody alone is worth the price of admissio
of salt, but just let me say it
leads to the
film's
absolute funniest sequence in which our hero must essentially reinvent himself in a way that won't be revealed here other than to say the Basic Instinct parody alone is worth the price
of admissio
of admission.
Rebelling against the rigidity
of Modernist painting in the linear, reactionary mode
of developing new art movements that was at the time à la mode, Breer decided to take change as his own modernist
absolute, a choice which would
lead him through kinetic sculpture to
film.