Sentences with phrase «abstract classical painting»

Not exact matches

Influenced by an unusual combination of abstract expressionist painting and classical music, he fuses the two mediums together into a unique body of artwork.

Both classical symphonies and abstract expressionist painting are abstract art forms, and I have experienced the connection between them intensely since my twenties.

Throughout the paintings, the women are found in various Classical poses and setting that are abstracted version of Arcadian landscapes and mythological environments.

It was also in New York that Thompson quickly arrived at his mature style, taking Dody Müller's advice to heart by reworking the compositions of European Masters such as Piero della Francesca, Nicolas Poussin, and Jacopo Tintoretto into simplified, abstracted forms painted in threatening and seductive tones that were hot and violent or deep and dark — seizing on the dynamism of these classical scenes and often transforming them into contemporary allegorical nightmares.

Eisenman's work is variable, ranging from colored abstract compositions to realist works created in the classical style, and she has consequently proven herself compotent in and comfortable with all facets and styles of painting.

Umbach's abstract paintings reveal his classical training in the juxtaposition of people or objects rendered in realism in fields of abstraction of both color and texture.

He believed that the main issue of painting was the subject matter that in the case of abstract art, deprived of any classical standards for making art, touching the most basic human emotions.

During this period Piet Mondrian's painting Composition No. 10, 1939 — 1942, characterized by primary colors, white ground and black grid lines clearly defined his radical but classical approach to the rectangle and abstract art in general.

Painting styles range from Classical Painting styles to abstract figuration and paintings that make use of surrealism.

Xie Molin combines two traditions in his machine - generated abstract paintings: his classical training in fine arts and his use of a tri-axial linkage painting machine, continuing his father's legacy as an engineer.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

Adam Caldwell «s elaborate paintings and drawings juxtapose elements of abstract expressionism and classical figuration.

Although focused on classical drawing and painting, she soon began dabbling in more abstracted works, clearly influenced by the likes of Willem de Kooning, Egon Schiele and Robert Rauschenberg whom she came to know briefly in his later years.

His primary work is in figurative art; portraiture, classical studies of nudes and landscape painting, although commissioned work has included large scale abstracts.

Several galleries are offering two - and three - person booths, with Luis De Jesus Los Angeles presenting expressive, figurative paintings and sculptures by Erik Olson and and process oriented abstractions by Andre Hemer; New York's Albertz Benda featuring dynamic abstract ceramics by Brie Ruais and John Mason; NYC's Magenta Plains displaying mythically minded canvases by Bill Saylor and Zach Bruder; and Nathalie Karg Gallery, another New York venue, presenting minimalist paintings by Nathlie Provosty and Nancy Haynes and classical realism with a twist by Jesse Mockrin.

Virginia Jaramillo's meticulously formed abstract pulp paintings draw on a rich variety of sources spanning history and crossing cultures, from pre-Hispanic civilisation to classical geometry.

Adam Caldwell My paintings and drawings juxtapose elements of abstract expressionism and classical figuration.

Attila Richard Lukacs fuses an almost classical style of painting with gritty and raw brushwork reminiscent of the abstract expressionists.

In fact, Katz, whose parents were of Russian origin, and who grew up in Queen's, emerged in 1950 from art school where he had produced detailed drawings of classical sculpture and painted from life, into a hysterical New York where the new heroes of abstract expression, Jackson Pollock and Barnet Newman, were throwing everything up in the air and riding a wave of popularity.

He references nature, literature, classical history and mythology through poetic, gestural painting and abstracted sculptures.

It features sixteen oversized formalist paintings that are nothing if not classical examples of second - generation abstract painting.

Thus an almost entirely abstract painting like Stil (Style)(1977) hangs adjacent to one of Lüpertz's reworkings of a classical subject, Satyr + Nymphe II (Satyr + Nymph II)(2014); and one of his many portrayals of the human back, Nacht (Night)(2013) hangs next to a painterly treatment of building materials, Holzschindeln — dithyrambisch (Wood Shingles — Dithyrambic)(1966).

But while he maintains the word's classical and philosophical echoes he uses it to identify his own highly egocentric art philosophy and an undisciplined painting style which commentators quickly dubbed neo-expressionist and which Lüpertz himself maintained was neither representational nor abstract.

Her abstract paintings on canvas and paper employ gestural mark - making and colors that are influenced by the palette and forms of the Chilean landscape, the country's pre-historic rock art, and its classical music.

As seen in this meditation on art and interpretation, Indian abstract painter Paramjit Singh's landscape paintings of the Kangra Valley open a free play of imagination, evoking diverse Eastern and Western, classical and folk associations, from Sanskrit poet Kalidasa and local myths and legends to haiku and Alice in Wonderland.

Her works begin with realistically rendered landscapes of nature, executed in classical painting techniques reminiscent of the mid-19th century American landscape painters, which she then circumscribes with an uncomfortably enforced abstract geometry.

They range from figurative to abstract paintings, from assemblage to photography, and from conceptual to classical in their approach.

Her passion for plein air painting — a fundamental practice for the Impressionists — in tandem with her deep reverence for Classical and Renaissance painting, spills onto her canvases to create abstract works that interweave echoes of history with the contemporary in a fresh and enduring way.

To kick off the exhibition in the right tone, a classical concert and two artist talks on the process accompany the exhibition presenting figurative abstract paintings inspired by classical and recorded jazz improvisational music selected by Moverman.

Given my involvement as a geometric abstract painter over the years, I have indelibly respected and admired Ortman's block - like paintings, each built in a hybrid manner related to a kind of folk constructivism — a way of working that recalls some strains of classical music, such as Bartók and Dvorak, and to a lesser extent, the folk - style sculpture of H. C. Westermann and the faux - systemic paintings of Alfred Jensen recently shown at Pace.

Thomasos's training as a classical abstract painter, as an MFA student at Yale and then in her apprentice years in Philadelphia, where she taught at Tyler alongside the established abstractionists Dona Nelson and Stanley Whitney, gave her a fluid confidence with paint, an ability to make a convincing mark, generally a straight, fast line, that could convey decisiveness and sensuality all at once, like the handwriting on a novelist's love - letter.

As dance moved away from the classical forms of ballet and its codified notation system for choreography, dance, like abstract painting, came to emphasise the individual gesture and improvisation.

I am inspired by two long - standing influences: abstract expressionist painting and classical music, which I orchestrate into landscape art using 3D animation software.»