PD: I had
an abstract creative period from the 70s to the 80s.
Not exact matches
Hoyland (1934 — 2011) is one of Britain's most renowned
abstract artists and this sensitively curated show covers works produced between 1964 and 1982, a key
period in the artist's career that saw variation and experimentation in the
creative process and visual impact of his work.
The international recognition accorded to his
abstract - gestural canvases from this
creative period is also reflected in his three appearances at documenta: I (1955), II (1959) and III (1964).
While the Royal Academy's current
abstract expressionism show reiterates that North American painting took the world by storm in an «age of anxiety», at the other end of the Strand, in a gutted carapace of a brutalist building, this blockbuster exhibits the
creative versatility of moving image and sound in our post-Y2K age — a
period not without anxieties of its own.
During this
creative period, the
abstract Expressionists heavily influenced him.
During this
creative period, the influence of the
abstract Expressionists is unmistakable.
The international recognition accorded to his
abstract - gestural canvases from this
creative period is also reflected in his three appearances at documenta: I (1955), II (1959) and III (1964)-- an exceptional distinction for any artist.
In Diebenkorn's deeply felt admiration of Matisse, Cezanne, Picasso and Hopper; his longtime practice of sketching nudes; his love of process and «chance discoveries» and the internal presence of landscape in his
abstract works, Burgard finds a «
creative continuum» that links the two seemingly distinct phases of the Berkeley
period.