At sites across Africa, our direct ancestors were making shell beads and etching
abstract designs into egg shells and minerals 80,000 years ago and more.
Not exact matches
Using a toothpick, drag and pull the polish
into an
abstract design.
Printed in our
abstract strokes
design, exclusive to Jigsaw, further details include a V - neckline opening with soft gathers at neck and center back and long sleeves which softly gather
into a slightly fluted cuff for an on - trend finish.
Make it outcomes - focused and practice - oriented (as close to what the person will do in their day - to - day role)
designed with key competencies and with practice tasks, not
abstract or theoretical e.g. fully simulated tasks chunked up
into manageable steps and practiced in «walled garden» environment so people can make mistakes safely, practice as much they need and learn from and build on mistakes and stages.
As I grew up, I thought I would keep making cartoons, but instead, my artistic vision morphed
into surreal and
abstract video game
design.
I have come out of this big soupy not - very -
designed world of videogames, and entered
into a world of highly
abstract, usually grid - based, procedurally generated systems, with designer boardgames as an inspiration, but always with the great gods Chess and Go looking down on all of it.
The show presents more than 75 works chronologically, grouping time periods
into five major categories, beginning with «The Sensual Body» — her 1970s feminist explorations through neon colored
abstract nudes — and ending with «Landscape: The Power of Native Place» — works from the 2000s that pair native
designs with images of the lands that specific tribes have lost to colonization.
Over the past four decades, Richard Tuttle has thrown
into question nearly every conceivable artistic convention and critical category to create an enormously inventive body of
abstract work — one that embraces and intermingles drawing, painting, collage, book - making, sculpture and
design.
She explains, «Having run away from seemingly inadequate definitions for
abstract painting, I find myself immersed in a relationship that tracks, exchanges, and shreds the world of news, front - page photography,
design, and pictorial memory
into a subject-less pictorial mash - up.
Also navigating translucency as a motif, a curtain titled Don't be an actress (yellow) constructed of semi-transparent fabric printed with
abstract forms hangs over the entrance doorway to the gallery, telling of both the artist's father's background in stage
design as well as her interest in the amount of information carried
into a large - scale digital print from an analogue source.
The former — an
abstract collection of images created by inputting a series of numbers corresponding to frequencies, amplitudes, and color values
into a custom -
designed program — plays with the role technology plays in photographic representation; the latter, staged scenes from a imaginary emergency situation of power loss in New York City, explores what happens to human emotions in such scenarios.
The pictographs of the San Luiseño tribe are maze - like images adapted from Christian imagery
into «spider boxes,» which are
designed abstract drawings and used in Shamanistic practices.
For fun, let's run this in reverse: Below left is a 1957 painting by
abstract artist James V. Harvey that would fit perfectly
into Deitch's Armory booth, and on the right the circa 1959 Brillo Pad box that Harvey himself
designed on his day job.
In their converted power station gallery in St James's this evening, 47 year - old Beijing artist Liu Wei will present recycled materials transformed
into complex architectural sculptures, and large digitally
designed abstract paintings which are priced between $ 78,000 and $ 680,000 each.
Jonathan Jones: Tate Britain delves
into the great painter's late
abstract phase, as we take a tour a bizarre amusement park in China and revel in the Soviet pooches that became
design heroes
In «Elysian Redux», a vast no man's land of 80's
design minutia is translated
into abstract references that when picked apart contain a gamut of historic, sexual, cultural and socio - economic references, via Ad Minoliti's discombobulating genderqueer abstractions, Dominique Pétrin's discomforting «virtual» spaces, and Leah Guadagnoli's seductive upholstered works.
Richter, having been a member of the board of trustees since 2009 and
designing covers for their annual CDs since 2014, was involved with some of his
abstract works that were digitally cut and edited
into a 32 - minute film that accompanied the performance of music by Markus Schmickler, highlighting the connections between art and music.
In a labor - intensive process, Wadden works on a floor loom, weaving yarn and wool
into geometric,
abstract designs.
Tate Modern, London, until 9 August 2015 Sonia Delaunay's first retrospective in Britain throws
into relief the
abstract artist's deft use of colour across a wide range of media, from painting to textiles
design.
Extracting the content of his artistically
designed writings from lyrics, Stohead weaves tags in the rhythm of densely crowded letter strings
into each other, often transporting socio - critical content as
abstract interpretations.
But she believed also that
abstract art did not simply reach its own natural if small audience, but gained some of its validity by feeding back
into the broader visual life of the nation as fashion and architecture and
design.
I think one of the great weaknesses of
abstract expressionism was that it tended to fall
into design.
The decay of the materials and their conversion
into abstract patterns quite un-associated with the branding for which they were specifically
designed is at once a purely chance procedure, yet also highly controlled by the artist, who carefully considers the present and future interaction of the materials before constructing each work and meticulously records with photographs the order in which he gathered each object.
Really impressed with the way the show looks, Sean Barton known for his amazing sign painting and
design work is able to step
into these
abstract paintings and have a very strong impact.
Highlights include a circa - 1800 barn that was adaptively repurposed
into a charming residence, the Eliphalet Sturges / George Hand Wright house, which was originally built in 1764 as a simple two - room farm house and extensively remodeled in the colonial revival style by the dean of Westport artists, George Hand Wright, in 1910; «Duck Haven,» a house and cottage on the Saugatuck River adjacent to the historic low - tide crossing point; the David Judah House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail, piece of timber and window; a circa 1840 Italianate house whose owners uncovered an original back staircase hidden by 20th century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by
abstract artist Frank Stella; a reproduction saltbox circa 1966
designed and built by well - known architect George White, which won a Historic Preservation Award this year.
Conflating painting and sculpture, his works inveigle viewers
into tactile environments that amount to giant three - dimensional avant - garde paintings; yet their «
abstract»
designs work to reveal and reassert — rather than disguising — their component materials, whether carpets or clothes or goalposts.
Her work focuses on the transformation of materials, especially plastic bags, which she crochets
into a range of forms representing domestic objects or
abstract structures referencing the environment, the home, textile
design and culture, and hand - made traditions.
In doing so, Pica produces a monochrome reminiscent of Louise Nevelson's
abstract expressionist assemblages, recasting the most basic mechanisms through which people seek to be heard
into a frieze
designed to be seen.
Yet they are
abstract paintings, not representing anything in particular but a concept — the seductive power of industrial
design and how it feeds human desire and emotion, deluding us
into thinking we really need the newest high - tech consumer gadget or product.
To complete the transformation, the
design carved openings
into the solid concrete walls, on top of which galvanized steel cladding was added, creating a curtain of
abstracted forms, windows and balconies that give the rehabilitated façade a sharp new look.
- Resourceful artistic visionary who is skilled in translating
abstract concept
into practical solutions using computer graphic and artistic
design.
This one - of - a-kind nursery
design featured on Apartment Therapy combines mid-century style furniture, funky accessories, and
abstract art
into a single fun and modern
design.
>> > SOURCES << < wall colour: Red Earth, ceiling colour: Nancy's Blushes, alcove colour: Picture Gallery Red, velvet curtains: AuDelaVintage, fabric for sheers: bettiecouture, curtain tassels: FabricsTrimsPillows, curtain hardware: Cozzy Coverings, 3 pink and purple signed and numbered prints from Montreal's St. Michel flea market, vintage radio converted
into a Bluetooth speaker by my husband: Daff
Design, purple vase on radio & glass owl vase on dining table & most of the vintage ceramics on buffet: Vanier Moderns, plate with semi-circle hanging on wall in alcove & bowl below it & 2 small bowls leaning against books: Le Lou Ula Atelier, plate with flower: L'Arbre et la Rivière, brass reed sculpture & brass plant stand: The Pale Blue Dot, wooden stool plant stand & purple vase on dining table: Highjinx, rug: eCarpetGallery, Hay Denmark blanket and Ferm Living orange pot: The Modern Shop, framed canvas
abstract painting: Andrea @hunt.
Traditional decoration patterns, floral
designs, geometric objects, stripes and
abstract designs blend
into amazing artworks, adding drama to empty walls and giving them strong character.