An abstract foam sculpture, a group of bloated glow - in - the - dark skeletons, and a rock - climbing painting relief share little in common with one another, yet they are all a part of Puff Pieces, an ongoing group exhibition at Rachel Uffner Gallery.
Not exact matches
Scattered around were a number of wall and floor pieces — the well - known automobile parts crammed and jammed into muscular,
abstract conglomerates, lacquered metal shards, a big twisted urethane
foam work from 1966, and a room filled with the newer collapsed galvanized zinc
sculptures made from
In this soft
sculpture, Neto uses sea
foam green lycra tulle and polypropylene pellets to create an
abstract entity.
Comprising five
abstract sculptures produced in dense
foam, this poignant and powerful work renders in three dimensions the interior spaces of carved wooden
sculptures by the British sculptor Barbara Hepworth (1903 - 75), including Wave (1943 - 44), which is held in the National galleries of Scotland collection.
The
abstract collages, paintings, and
sculptures on view, made of neutral - colored, plain materials (brown and blue carpets painted in white, beige scraps of paper, clear tape and light brown masking tape, white
foam core, discarded aluminum, plywood) echoed long - established tendencies in abstraction, such as Robert Rauschenberg's experiments with nontraditional materials and Richard Tuttle's casual approach to art making.
Comprising five
abstract sculptures produced in a dense
foam this poignant and powerful work renders in three dimensions the interior spaces of carved wooden
sculptures by the British sculptor Barbara Hepworth (1903 - 75), including Wave (1943 - 44), which is held in the SNGMA's own permanent collection.