And, in the adjacent gallery, Jasper Johns, now 87, is represented by over 30 years of his peripatetic late style, from «Between the Clock and the Bed» (1981), with its intimations of a figure and spreading light amid
abstract hatch marks (its identically titled inspiration, by Edvard Munch, is on view at the Met Breuer) to «Regrets» (2013), a large, dark, dense work that circles back toward abstraction.