Perkins outlines the key components of the cycle, namely: ironic detachment, a blank and apathetic tone, an episodic structure (as opposed to traditional act - based structure), strong musicality, wry sarcasm, economy of storytelling and an overwhelming focus on
the abstract idea of family.
Not exact matches
So it is possible to define the
idea of a modern dwelling in the
abstract while allowing for the infinite variations necessary before that
idea can be made specifically useful for a particular
family.
The artist related the
idea back to her pre-war
abstract work: «It is an extension
of the same
idea which started in November 1934, but extended gradually from within outwards; through the
family group and its close knit relationship out to larger group related architecture» (Herbert Read,