Sentences with phrase «abstract idea of painting»

Ortman is one of those artists who developed a point of view based on an abstract idea of painting that others would gradually take beyond the formal limits of painting and into other areas of sculpture, performance, or installation.

Not exact matches

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Robert Linsley explores the idea of improvisation in relation to abstract painting.

Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate color, and trying to create a complex painting space that appeared geometric, but alternately shifted into a deeper space.

In the most recent series of paintings Lorraine is the subject or figure, but the ideas of abstract painting and contemporary painting supersede the image.

Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th century.

If you think «Eight Movements,» the title of Liat Yossifor's latest exhibition of paintings, sounds more like the title of a Philip Glass recording or the latest release by Steve Reich, you're already onto the idea behind the Israeli artist's stark and highly textural abstract works.

There's a kind of large of embrace of land, space, ideas in abstract painting that's thrilling and satisfying, but in some ways a lack of specificity.

However, painting does seem partial and subjective, it describes events and ideas and abstract emotions, which are essential responses that are constantly connected to things and states of human nature.

Challenging and re-inventing ideas about pictorial space, the paintings on view relate to Color Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illusions.

While Butler's article focuses on abstract painting, many of her ideas and the ideas she cites can be applied to other mediums.

In the 1940s, abstract expressionists introduced the idea that painting was an action, and the completed object was not the art, but a record of the art.

The great grandfather of geometric abstract painting was Piet Mondrian but his ideas of great simplicity — few colors, fewer lines — have been expanded exponentially by his children, grandchildren, even great grandchildren.

I am reminded of some of those old black & white surrealist films but can't quite recall a specific one, and action painting, abstract expressionism, neo Dada, are all in here too, as are art - historical / art critical ideas of constructivism, all overness, and Leo Steinberg's «flatbed picture plane», in other words modernism, post modernism, and I want to say post-post modernism (Metamodernism even).

A new group show looks at the ways in which 17 contemporary artists are approaching the topic of gender through painting, picking apart the idea of the binary in ways that are figurative, expressive and abstract.

When British artists saw the first London exhibitions of American abstract painters such as Jackson Pollock and Mark Rothko in the late Fifties, they were astonished by the improvisatory freedom of their works, in which paint appeared to have been hurled on to the canvas without any preconceived ideas, and by the sheer size of the paintings.

The idea — erroneous, perhaps, but persistent — that all abstract painting is a form of distillation from life has stuck with me.

GLENN O'BRIEN — I think one of the key differences with abstract painting is that the idea of beauty was still very much there.

These ideas are further abstracted in vertical chicken - and turkey - bone towers and thrones and in paintings of spires, castles, and visionary buildings.

But subject matter came back in a really strong way with the Pop thing, and when subject matter came back, it seemed opposed to the idea of a more abstract or, say, mystical painting, and against the idea that other things were coming out of a painting rather than real imagistic pieces of information.

Over time, his stroke has softened, revealing underlayers of paint and infusing his minimalist, abstract images with a humanistic touch that expresses a wide range of emotions and ideas.

Peter Schjeldahl writes in the October 9th, 2017 issue of The New Yorker, «The happiest surprise in Trigger is a trend in painting that takes inspiration from ideas of indeterminate sexuality for revived formal invention... Christina Quarles... rhymes ambiguous imagery of gyrating bodies with dynamics of disparate pictorial techniques... The wholes and parts of bodies in Quarles's cheerfully orgiastic pictures entangle in alternating styles of line, stroke, stain, and smear... called to mind early nineteen - forties Arshile Gorky and Willem de Kooning, who fractured Picassoesque figuration on the way to physically engaging abstraction... Quarles playing that process in reverse, adapting abstract aesthetics to carnal representation.

Through a diverse selection of works in media ranging from painting to collage, this exhibition pursues an abstracted idea of mapping.

In his richly hued, minimalist works, Kim seeks to push the edges of what we understand as abstract painting by using the medium to develop an idea that typically gets worked out over the course of an ongoing series.

Although hyper - literal in their appearance, the paintings aim at the more abstract idea of an external narrative so the familiar objects in the paintings become important and evidential.

I have been chasing the idea of the unit, as the plastic underpinning of abstract painting, for the past 50 years.

Experimental musician turned abstract artist, Tatawa (Wei Tan) explores the idea of self - revelation through improvisation in fiercely honest and biographical mixed media paintings.

Minimal art rejected the idea of relational, and subjective painting, the complexity of abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of action painting.

Dashper's work focuses on the histories, theories and more general or popular ideas of abstraction (in particular abstract painting), conceptualism and minimalism as a working methodology.

By the early 1960s Minimalism emerged as an abstract movement in art (with roots in geometric abstraction via Malevich, the Bauhaus and Mondrian) which rejected the idea of relational, and subjective painting, the complexity of Abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of Action painting.

The very idea of abstract painting was not about logic; there was an individual anarchy about making truly abstract paintings, and of course Sam Francis was about that.

Henk van Vessem is a Dutch artist who paints with a grand gesture in strongly contrasting colors, employing the ideas of abstract expressionism.

SM One of the assignments I always have on my students» syllabus is to make something that is their idea of what an abstract painting is.

Based on the thoroughness of these class notes, and also on the syllabuses for the Asian art courses that Reinhardt took from Alfred Salmony at the IFA in the late 1940s, the essentializing of Reinhardt's published essays was intentional, part of a larger strategy to promote his own ideas about contemporary abstract painting by means of paintings from a foreign past.

With more than 100 illustrations, Sean Scully: Vita Duplex provides a comprehensive look at the artist's visual oeuvre, as well as his world of ideas, and defines its place in the history of abstract painting.

They are kind of abstract, even though there is usually still the idea of a table, or a base with things on it — which is something that was there in some of my furniture in the 1980s, and is in the still - lifes, and continues in the abstract paintings that I am working on now.

In many ways, these new abstract paintings are a distillation of themes and ideas Joffe has pursued throughout her career.

[14] Schneemann took the ideas found in her figurative abstract paintings of the 1950s, where she cut and destroyed layers of paint from their surfaces, and transferred them to her photographic work Eye Body.

Run by Hans Hofmann, whose reputation as an excellent teacher was well - established, the Hofmann School had become a vital space for nurturing and developing the talent and ideas that formed the foundation of abstract expressionism and the New York school of painting.

Tatsuno embraces abstract ideas and geometric forms creating lush paintings and one - of - a-kind prints.

You don't need to know this — from room to room it's very evident, you can see it with your own eyes in the varied ideas and artistic approaches: Roy deCarava's intoxicating photographs of Malcolm X and Ornette Coleman, or David Hammons's response to Black Panther founder Bobby Seale's trial in 1970, abstract expressionist paintings by William T.Williams and Frank Bowling, or Faith Ringgold's amplified vision of what she witnessed in New York, inspired by Guernica,

As with all of my abstract paintings, they start with a basic idea and color pallet.

It was while working in New York as a sign painter by day and an abstract painter by night that he had the idea to import the giant - scale, broadly painted representational pictures from outdoor advertising into the realm of fine art.

Despite the idea that a woman artist could literally have invented abstract painting, over the course of art history Klint's name has been all but scrapped from the record of abstract art, which has been cast, however falsely, as a genre driven by machismo and muscle.

Each painting carries a memory or a feeling from her past, albeit with abstract execution — more like representations of an idea of a place.

Early in the 1940s, artists in New York began to develop an expressive, abstract style of painting that was a stark departure from previous ideas, both artistically and historically.

Over at the Journal Gallery in Williamsburg, Brooklyn, painter Eddie Martinez is experimenting with this idea in an installation of his Matador paintings where a grouping of abstract forms occurs over and over again with messy alterations.

By the early 1960s Minimalism had emerged as an abstract movement in art (with roots in geometric abstraction via Malevich, the Bauhaus and Mondrian) which rejected the idea of relational, and subjective painting, the complexity of Abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of Action painting.

Mark Booth's drawings and paintings feature random fragments of ideas or memories surrounded by intuitively rendered abstract forms and shapes.