Made of oil, acrylic, enamel and paper on birch panel, the work features a background of deep red geometric shapes and countless rows of tiny
abstract ink markings.
Not exact matches
ink, acrylic, gouache on paper 22x30 Angelo Monserat's Diligence series is inspired by the
abstract expressionists of the 50s and references the movement and
mark - making of thei...
ink, acrylic, gouache on paper 22x30 inches Angelo Monserat's Diligence series is inspired by the
abstract expressionists of the 50s and references the movement and
mark - makin...
26x40 inches
ink, acrylic, gouache on paper Angelo Monserat's Diligence series is inspired by the
abstract expressionists of the 50s and references the movement and
mark - making of their work in response to the rapid movement of present - day international trade and communication and the confluence of mid century social ideas still at play in this contemporary economy.
26x40 inches
ink, acrylic, gouache on paper Angelo Monserat's Constraint series is inspired by the
abstract expressionists of the 50s and references the movement and
mark - making...
26x40 inches
ink, acrylic, gouache on paper Angelo Monserat's Diligence series is inspired by the
abstract expressionists of the 50s and references the movement and
mark - making...
Il Lee Il Lee draws with ballpoint pens, creating
abstract forms through hours of
mark making with these inexpensive tools that are modified to adjust
ink flow.
Two drawings, covered with
abstract ink designs on either side are presented in a light - box manner so as to show Opalka's predilection for «all - overness» — a term the critic Harold Rosenberg once used to describe Jackson Pollock's
mark - making process.
«Mehretu's
abstract paintings, which are created with layers of acrylic on canvas followed by
marks in pencil,
ink and more layers of paint, were already fetching six figures in 2006.
She builds up layers of acrylic paint and narrative content, such as map grids and
abstracted images of war, which she then overlays with
mark making using pencil, pen,
ink, and more paint.
From
ink drawings made as a student, through charcoal works that are
marked as much by erasure as by charcoal, to luminous exploratory watercolours, the exhibition traces his commitment to a rigorous
abstract language.
Mehretu's familiar
abstract layerings of acrylic with
ink markings reminiscent of pre-historic cave paintings verge on the desolate.
26x40 inches
ink, acrylic, gouache on paper Angelo Monserat's Constraint series is inspired by the
abstract expressionists of the 50s and references the movement and
mark - making of their work in response to the rapid movement of present - day international trade and communication and the confluence of mid century social ideas still at play in this contemporary economy.