Sentences with phrase «abstract kind of image»

Not exact matches

Gradually she began abstracting from the still - life images, pulling apart the compositions, re-introducing the grid, and arriving at a kind of abstraction where the original image has almost completely disappeared and small geometric units remain supreme, producing an illusion of subtle gradations and nuanced change across the surface.

Strauss - Kahn takes the perp walk in Angel Vergara's Belgian pavilion, in which TV news flashes across seven screens while a gentle paintbrush dabs away at the luminous glass surfaces, as if trying to make sense of the onslaught of appalling images of lust, violence, greed — the seven deadly sins in grim total — turning television into both the base and the source for a new kind of helplessly beautiful abstract expressionism.

The result is a kind of three - dimensional collage that combines and layers the images of the expressive sculptures with sleekly abstract metal forms.

Both a fan and a critic of all - over painting, Kelley spoke of how he «liked the goopy, slightly disgusting surfaces of Abstract Expressionism and I thought such surfaces could be used to great advantage in combination with various kinds of more loaded images, images that didn't lend themselves so easily to abstract equivalency» (Quoted in José Lebrero Stals, (ed.)

Encouraged by his insistence that he has never been an abstract painter, and by certain suggestive colours and forms - an arrow, say, or an overcast grey - the viewer would begin to discern all kinds of figurative images, even scenarios, where none was available at first.

Gibson introduced Baziotes, Gottlieb and Stamos as a branch of abstract expressionism working in a pictographic, image - specific manner — all doing these kind of Jungian essential archetypes.

A Fishtown native who's studio is in the Crane Arts Center, Browning obviously takes full advantage of the large work space to create massive paintings, this color field of speeding urban images, like you see out of the corner of your eye as you zoom down the Expressway, is abstract expressionist yet a kind of contemporary cubism with obtuse angles and cracked spacial warps.

However, Kelley was clear that his work should be interpreted as a reaction against the movement: «I liked the goopy, slightly disgusting surfaces of Abstract Expressionism and I thought such surfaces could be used to great advantage in combination with various kinds of more loaded images, images that didn't lend themselves so easily to abstract equivalency» (M. Kelly in José Lebrero Stals, ed., Mike Kelley 1986 - 1996 exh.