Katarzyna Kobro (1898 - 1951) Regarded as one of the most outstanding female Polish sculptors of the first half of the 20th century, she is is noted for her early Cubist nude studies and
abstract kinetic forms hanging in space.
• Katarzyna Kobro (1898 - 1951) Considered to be the most outstanding female Polish sculptor of the first half of the 20th century, she is best known for her early Cubist - style nudes and
abstract kinetic forms hanging in space.
Not exact matches
Marcel Wanders» total environment will include several bodies of work: large
abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and
kinetic piece, balancing a sculptural ovoid
form that
abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.
In the fall of 1931, a radical shift in Calder's artistic career occurred when he created
kinetic abstract sculpture and gave
form to an entirely new type of art.
Calder remained committed to abstraction during the 1930s and introduced biomorphic
forms into his
kinetic sculptures, synthesising Constructivist methods and materials with
abstract forms that recall Surrealist imagery.
* Cropped closely to exclude the horizontal plane, they focus on the all - over
abstract patterns
formed by the arrested motion of the cascading water, capturing a
kinetic energy reminiscent of twentieth century American
Abstract Expressionist painting.
Optical and
kinetic art developed hand in hand, in an
abstract, geometrical language of
form, using new industrial materials and techniques, and share a strong interest for the anti-static and the direct sensory experience.
(1898 - 1976) was an American sculptor who conceived a unique
form of wire sculpture, known as «drawings in space,» as well as his signature «mobiles,» which incorporated suspended
abstract elements to create a
kinetic sculpture.
Utilizing early
forms of IBM PC basic computer language, which he taught himself to program, he created over 30
kinetic films of
abstract patterns.
In the post-war era, interest in and connections between the UK and Latin American art shifted away from surrealism and muralism towards
abstract geometric,
kinetic and op art movements and then towards
forms of conceptualism.
Following a visit to the studio of Piet Mondrian in 1930, where he was impressed with the environment - as - installation, Calder created
abstract, three - dimensional,
kinetic forms and suspended vividly coloured shapes in front of panels or within frames hung on the wall.
Other modern sculptors like Jean Arp (1886 - 1966) as well as Henry Moore (1898 - 1986) and Barbara Hepworth (1903 - 75)- leaders of modern British sculpture - were experimenting with new
forms of biomorphic / organic abstraction, while the American Alexander Calder (1898 - 1976) was pioneering mobile sculpture and
kinetic art, and David Smith (1906 - 65) was developing
abstract metal sculpture.