Sentences with phrase «abstract language even»
The new results strengthen the idea that this machinery is predisposed to abstract language even without being taught.
https://www.scientificamerican.com/ Not exact matches
Concerning God, Clement pursued two fundamental principles: that God is beyond the reach even of abstract human language and therefore must be identified by what God is not, but that, at the same time, God must be understood as «the omnipotent God» (Stromata, 1.24): «Nothing withstands God, nothing opposes Him: seeing He is [42] Lord and omnipotent» (1:17).
Even worse, the characters talk in deliberately abstract language, being careful never to actually say what they're talking about.
Even if your topic is more abstract, like computational theory or the Slavic languages, there must be a picture that will capture it and grab the shopper's attention.
Placed against a neutral backdrop with their labels inscribed below, Wylie's hard - won forms play on the language of ancient art as well as modernism and the abstract compositions of painters like Franz Kline and Ad Reinhardt, who attempted to divorce image - making from even the most fundamental visual associations.
The paintings can unfold in the way due to the suggestive nature of Rosa's pictorial language, which, though abstract, approaches meaning or even symbolism.
Michelangelo, with an eye trained to the material weight of color, might have been comfortable with this form of sculptural painting, even if Tsao's abstract language is more akin to the late 1950s New York School, with Pollock's spattering giving way — at certain turns of mood or emotion — to sublime color fields reminiscent of Helen Frankenthaler or Ellsworth Kelly.
Comprised of brusquely rendered abstract and representational pictographs, the expressive, even primitive appearance of A.R. Penck's pictorial language belies the paintings» deeply conceptual underpinnings.
Indeed, he is an artist who has discovered a direct languaging function of even highly abstract electronic processes, both in the sudden emergence of speech - like sounds and in the liminal and quasi-semiotic configuration of live imaging.
Even now, at this stage in her long career, Godwin is still reinventing the language of abstract painting in her studio.
Challenging our perceptions of what we even consider a portrait, yet also resisting what many misunderstand to be abstract art, Hodgkin's pieces, spanning a 60 - year period, explore a language of representation that captures the «emotional response and feeling of memory when we encounter someone, not just the physical experience»
While there has been much discussion about Magritte's interest in, and use of language in his work, this exhibition seeks to highlight the evolution of his word - pictures in the context of their metaphorical function; as figurative, and even abstract gestures that stand in for conceptual tropes, forcing the recipient of the message to complete an unbridgeable gap using their imagination.
Forceful and energetic, they suggest the origins of Mitchell's abstract language and her mastery of color — which would inspire the Minimalist artist Brice Marden to note that she could even «make yellow heavy.»
A lyrical and open interaction between form and space creates rhythmic movement of a musical, even jazzy kind, achieving modern art's frequently declared intention to create visual analogies with the abstract yet palpable language of music.»
Wróblewski's practice can be characterised as a unique language of figuration, with some abstract or surreal tendencies, relying on what has been termed the «eye of the soul»; not drawn or painted from life, but experienced even if not seen.
His recent paintings too - weird pixilated abstracted canvases - are very typical of what painting is doing these days in that it is not so much about anything other than the language - it does not even matter how it is arranged, it is almost symbolic.
The kicker is the five assembled artists aren't all young (Gary Stephan and Andrew Spence are some four decades older than Rachel Malin), yet they are continually reworking the language of abstract painting, even within their own evolving styles.
Rather than articulate universal visual codes for collective mobilization, these works reduce the specific lives and experiences of those represented in the images to a pictorial field for the artist to play upon; the fetishized beauty of documented protest rendered even more beautiful, and even less capable of stimulating social change, by its sublimation through the commercially - viable language of abstract painting.