Contemporary developments in Russian avant - garde art and Bauhaus design, were to influence Kandinsky's
abstract language further and to have a major impact on his later works.
Not exact matches
When the Oliners affirm that the
language of care — of compassion, hospitality, and helpfulness — is overwhelmingly employed to express their motives, they clearly imply that face - to - face compassion is a
far more salient motive for sacrificial and heroic moral altruism than
abstract principles of equity and justice.
Dads use
far more
abstract language, which we know is really good for children's vocabulary development.
While the Skin Set series is already a distillation of a history of content, also included in the show is a newer body of work; Pope.L's cut - out panels are a
further evolution that take lists of some thousand plus titles from that series and materialize them, becoming their own concentrated and
further abstracted source of
language and poetry.
Far from being a limited expression, abstract art offers a powerful universal language - which by extension betrays utopian motives having far reaching societal and cultural consequenc
Far from being a limited expression,
abstract art offers a powerful universal
language - which by extension betrays utopian motives having
far reaching societal and cultural consequenc
far reaching societal and cultural consequences.
Unlike Richter and other better - known contemporaries such as his friend George Baselitz, he stayed
far longer in East Germany, developing away from western influence a faux - naïf
language, at once symbolic and
abstract, that addressed the experience of zero - hour Germany with utter individuality.
Instructor - led demonstrations will be geared toward providing the students with both a jumping off point - meant to address how one begins making
abstract work, as well as encouraging the student's
further development toward creating their own, unique artistic style of painting and visual
language.
The early Pictographs were created with a defined grid structure in order to organize theimages, often figurative and fragmented, in a utilitarian manner.Around 1948, Gottlieb began deconstructing the grid in an effort to find an alternative way to balance nature's interrelated forces: order and chaos.The earliest work on view, Inscription to a Friend, 1948, is an example of Gottlieb's initial attempts to integrate
abstract forms that could still be relatable to a larger universal
language, without the help ofthe grid.Inscription, 1954, demonstrates Gottlieb's
further progression into purely
abstract imagery using an evocative and highly developed lexicon.
In contrast, two of the artist's work intricately traces haptic gestures, with a nod toward disappearing landscapes and lost
language: Inga Dorosz» drawings track and map recognizable renditions of trees and other organic forms, yet the tiny line work pixilates and separates the scenes like disappearing data; Léonie Guyer's small works remove information
further — little
abstract shapes are like punctuation that has lost its conversation and therefore its purpose, yet they remain like memories of forgotten stories.