Sentences with phrase «abstract organic forms»

The Albuquerque Period paintings — with abstract organic forms filled with bright colors — established Diebenkorn on the American art scene.

«Seated Figure» still retains vestiges of primitivism, but displays a growing interest in abstract organic forms.

The 1950 bronze «Bett,» depicting an abstract organic form stuck in a vice, sold for $ 1 million with fees at Sotheby's New York in 2008.

Not exact matches

Vannes, France, Europe About Blog Inspired by natural forms, Stéphanie Kilgast grows colorful organic sculptures on abstract backgrounds, celebrating the beauty of nature and opposing it with abstraction, often a metaphor for the brutal impact of human activities on Earth's biodiversity.

Vannes, France, Europe About Blog Inspired by natural forms, Stéphanie Kilgast grows colorful organic sculptures on abstract backgrounds, celebrating the beauty of nature and opposing it with abstraction, often a metaphor for the brutal impact of human activities on Earth's biodiversity.

Under the tutelage of the émigré Bauhaus painter Josef Albers and the weaver Anni Albers, she learned that art, craft and design were inseparable; that all materials were potentially art materials; and that natural and abstract forms could be comparably organic.

She designs and digitally simulates movement of organic and abstract forms such as trees, flowers, and floating fabrics.

The accidental black of the unexposed outlines of the other masks — a range of abstract and organic forms that suggest mountain horizons, planets, pools, and Smithson's Jetty, appear to be traced by hand.

A large oil on canvass depicting an stylized, almost abstracted to the basic organic forms, landscape.

A major American and Japanese sculptor and designer, Isamu Noguchi spent over six decades creating abstract works based on both organic and geometric forms.

By 1940, Falkenstein was living in San Francisco and working predominantly in wood and ceramics, creating abstract, organic three - dimensional forms with moveable parts.

Taking the plunge into a fascinating imaginative world, Sigethy will again team up with sculptor Liz Lescault for «Fathom Full Five: Going Deeper,» a sequel to their May 2013 «Fathom» exhibition that featured beguiling forms, abstract but undeniably organic, started by one artist and completed by the other — with the promise, this time, of two large - scale installations.

Dr. Selz, author of 15 books on 20th century art, wrote in 2010: «Arthur Dworin's paintings... abstract as they are,... bring a new sense of visual order to organic forms of nature.»

The selected abstract paintings in the North Gallery are drawn from his Morphic series of biomorphic and organic forms, and his Del Mar series, featuring a more linear style, suggesting striations or waterways.

These organic forms were crucial for the birth of abstract sculpture.

«I am not what you would describe as a strictly «abstract» painter, I am looking at organic forms, repeating and conjuring the minute parts of nature again and again.»

Her abstract compositions combine elements of both urban skylines and organic forms found in...

Featuring a vibrant spectrum of colors and abstract, organic forms, these large - scale paintings are all - encompassing.

Widely believed to be the first American abstract painter, he was very close to Georgia O'Keeffe, who credited Dove's work with being crucial to her developing style of merging the geometric with the organic, of using intensely colorful and dynamic forms.

Axel Salto experimented with wild, organic forms and colors that were a radical departure from the prevailing, cool abstract styles of modern ceramics.

Explore the colorful and unpredictable medium of alcohol inks and create abstract, organic, floral forms.

His abstract paintings have been inspired by popular cultures, often reflected in forms that balance organic and geometric forms with native pictographs.

Throughout his sixty - year - artistic - career Hayes created sculptural forms abstracted from organic forms encountered in daily life.

John Lyon Paul's (NY) sculptural devices reference abstract, organic and geological forms, suggesting the burden of human suffering and hope.

Flow Interrupted, an exploratory exhibition of abstract new media art, is curated by LiveBox and includes artists who use computer code, animation, and video editing techniques to create works that celebrate the elegance of mathematical form and the unpredictability of seemingly organic systems.

Merging the movements and weight of her body with hunks of clay, Brie Ruais stomps, kicks, stretches, wedges, rakes, and pulls clay into abstract, organic forms that serve as records of her actions.

Many recall organic yet clearly «abstract» skeletal forms.

The series entitled Hanging & Weighting (2010) presents bulbous plaster sculptures that, although abstract, refer to organic forms or suggest a figure.

Dominating the lower portion of a four - panel, untitled piece (the show's largest, at over 8 feet square) are crude renderings of abstracted flowers and other organic forms, plus collaged paper rectangles with black - and - white polka dots.

His work is simultaneously abstract and representational, incorporating basic geometric and organic forms in a «visual purity» that is both subtle and monumental.

Meanwhile, the early - 20th - century tradition of Brancusi's organic abstract forms was inventively exploited in midcentury by Henry Moore and Barbara Hepworth in England and by Jean Arp in France, while the Swiss Alberto Giacometti and the Italians Giacomo Manzù and Marino Marini each achieved a distinctive sculptural style.

Above all, his forms pay tribute to the works of other modernist sculptures, echoing the organic and abstracted shapes of Barbara Hepworth's, or the deliberately disproportional, undulating and imperfect reclining forms of Henry Moore.

Wonne expresses natural forms in unexpected media, such as industrial materials that amplify the organic intensity of the abstracted shapes.

Photographed straight from below the clothes drying in the wind are transformed to organic and abstract forms silhouetted against the sky.

«Predominantly abstract, Doorsen's images range from repeated patterns to brightly coloured organic forms.

His work ranged from public art installations to home furniture and merged abstract modernism with traditionalism, fusing geometric and organic forms.

Jennie Jieun Lee is known for her evocative, visceral ceramics composed of organic freely thrown forms, encased in layers of oozing glaze; often times bringing forth conversations about abstract painting in relationship to the history of ceramics.

Leonardo Drew @ Vigo Gallery These abstract forms made from wood and other organic and inorganic materials «grow» out of the gallery walls to form schematics that seem familiar yet unrecognisable.

The works are composed of layers of sterile and simplified abstract forms, removed from any natural or organic references, they become reliant on the chain relationship between one basic modular unit linked to another, questioning notions of singularity.

The work features vibrant, geometric shapes, organic forms, and abstracted elements and patterns, drawn from memories, dreams, and impressions, painted over glimmering panels of mica.

While still staying true to his abstract line forms, Grant is introducing organic shapes into his complex combinations of color, shape and texture.

Self taught, Dorn works with acrylic in large - scale to convey a range of raw emotion through soft organic shapes and abstract forms.

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

Milcah Bassel's newest work incorporates traditional printmaking and ceramics, employing abstract geometric forms as compartments of body interiors and exploring the perpetual human need to measure and quantify the organic world.

Already, we see the young artist negotiating between the abstract and figurative, reducing organic forms into geometric configurations and using the branches of trees as a way to frame or delineate space.

Line of Cut focuses closely on Nash's sculpture which has evolved from an abstract idea, as distinct from the invitation or prompting of organic form.

Senza titolo from 1963 was created at the height of this period, characterized by its organic forms and abstract applications of media.

Her sculptures recall the work of Eva Hesse in their pendulous, organic abstract forms, acted upon by gravity so as to be in a constant state of tension.

Scent of Apricots on the Fields (1944), an erotically charged canvas of voluptuous organic forms in liquid pools of reds and oranges, is typical of Gorky's works from the 1940s in merging studies of plows, flowers and insects drawn plein air into abstracted compositions that plumb the artist's memories and fantasies.

His forms turned toward organic specimens and fossils, but always from the vantage point of a personal abstract vocabulary.