Seen from a distance, Stitch might be mistaken for
an abstract painting exhibition, and in a sense it is.
Ryan has co-curated a range of projects, including the celebrated
abstract painting exhibition, Painter Painter (2013); and two residencies at the Walker, Pedro Reyes» Baby Marx (2011), and Goshka Macuga's It Broke from Within (2010).
SOULAGES: In 1948 I was invited to participate in
an abstract painting exhibition in Germany.
Tamar Zinn finds comfort from current events in three
abstract painting exhibitions: Mark Rothko: Dark Palette at Pace Gallery, New York (through January 7), Carmen Herrera: Lines of Sight at the Whitney Museum (through January 9), and Agnes Martin at the Guggenheim Museum (through January 11).
Xico Greenwald visits two
abstract painting exhibitions: Thornton Willis: Steps at Elizabeth Harris Gallery (through April 13) and Al Held: Alphabet Paintings at Cheim & Read (through April 20).
In 1923, when Mainie Jellett and Evie Hone staged one of the first
abstract painting exhibitions seen in Ireland at the Society of Dublin Painters, critics were horrified at the show's absence of realism.
You know, I was never cool enough for a lot of
abstract painting exhibitions in the Eighties.
Surprisingly, one of 2014's most impressive historical
abstract painting exhibitions was at the Getty Center.
Not exact matches
The
exhibition, the late Chicagoan artist's first institutional show in New York, brings together a selection of
abstract paintings.
We're fascinated by Deborah Paswaters»
abstract figure
paintings, which are often accompanied by «living model sculptures» at shows and
exhibitions.
The current
exhibition of work by the late Alan Uglow (1941 - 2011) at David Zwirner highlights the way Uglow's
abstract paintings engage with each other and the viewer to create subtle, shifting apprehensions of flatness and illusion.
The
exhibition features a signature work from each major phase of Stamm's oeuvre including the «Dodger» and «Zephyr» series, a «Tag» drawing, and polaroids of Stamm's
abstract graffitti «Designators» - black forms from his
paintings that he spray
painted onto buildings in New York.
3 Clyfford Still
painted a traditional portrait of his mother (PH - 420) in 1946, the same year as his breakthrough
exhibition of completely
abstract paintings at Peggy Guggenheim's Art of this Century Gallery.
In leaving the
exhibition, my thoughts keep returning to the three small
paintings and how
abstract painting has uniquely developed through the guidance of creator.
«We are privileged to showcase work from the extraordinary collection assembled by Preston and Joan Haskell through this
exhibition and publication, and in doing so, we are asking our audiences to consider
abstract painting in a new light.»
Royale Projects opens an
exhibition featuring two Los Angeles based artists that create powerful works, atypical of west coast
abstract paintings.
Tagged with
abstract,
abstract painting, abstraction, Alfred Korzybski, art, art
exhibitions, Beers Lambert, Benjamin Brett, Blake Daniels, Charles Biederman, Dancer, figure / ground, Floorswamp, Mapping the
Abstract, rhomboid chequerboard, Robert Fry, Wassily Kandinsy
His 2015
exhibition at the Albright - Knox Art Gallery, Buffalo, presented a group of multicolored
abstract paintings done in bubblegum, bridging the gap between
Abstract Expressionism and sidewalk detritus.
At the Indiscipline of
Painting exhibition at the Mead Gallery some of the
abstract paintings on show question the relationship between abstraction and representation.
Mark Dagley is equally renowned for being a publisher and for playing guitar in the seminal punk bands the Girls and Hi Sheriffs of Blue during the 1970s and»80s, but given the strength of his current
exhibition, he should be best known for being a reductive abstractionist — that is, an
abstract artist who approaches
painting through its most basic means and language.
The
exhibition titled «
Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian
abstract art, bringing together fifty years of history over two floors.
Joanne Greenbaum's
exhibition consists entirely of wildly colored, cacophonous
abstract paintings measuring 16 × 12 inches, which are installed salon - style, with some
paintings paired and others lined up diagonally, with the bottom left corner of the upper
painting nearly touching the top right of the one below.
This
exhibition focuses on her early
abstract metal sculptures and
paintings as a starting point for future examination of a long and continuously inventive career.
Diebenkorn speaks of his family background and early life; his education and his service in the Marine Corps; his introduction to modernism; his early
abstract work; the formation of the Bay Area figurative school and the relationship between art in New York and in the Bay Area; teaching; critical and public reaction to his work; important
exhibitions of his work; vacillating between the figurative and the
abstract in his
painting; his working methods.
In both solo and group shows, expect to find
exhibitions featuring modernist functional sculpture, scenes inspired by ocean waves, a distilled version of summer and
abstract paintings that burst with joy.
An
abstract foam sculpture, a group of bloated glow - in - the - dark skeletons, and a rock - climbing
painting relief share little in common with one another, yet they are all a part of Puff Pieces, an ongoing group
exhibition at Rachel Uffner Gallery.
Marty Walker Gallery presents deftly boisterous
abstract paintings by California artist Michael Reafsnyder for his first
exhibition in Dallas, Texas.
For her
exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for
paintings to now iconic «Cunt»
paintings that in a more
abstract manner recall Courbet's «L'Origine du Monde».
We are pleased to be part of a group
exhibition showing a number of
paintings alongside 1960's
abstract painter Ian Stephenson at Clerkenwell Gallery, London EC1 next week.
Known for her
abstract painting and conceptual art, this
exhibition features «her oblong and un-stretched canvases, as well as her experimentation with hole - punched dots, hand drawn arrows, printed text, and personal postcards.»
«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an
abstract expressionist twentieth - century American that the
exhibition seeks to evoke, revealing the fellowship that the two artists share in
paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.
The Irascibles were a group of American
abstract artists who, in 1950, signed an open letter, to the president of The Metropolitan Museum of Art, rejecting the museum's
exhibition: American
Painting Today — 1950, and boycotting the accompanying competition.
She was the only woman to feature in the Situation
exhibition at the RBA Galleries in 1960, an important group show in
abstract painting.
Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an
exhibition of
abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th century.
NEW YORK — Opening June 26,
paintings by Philip Hanson and Rebecca Shore will be on view at David Nolan Gallery as part of a group
exhibition of
abstract paintings.
If you think «Eight Movements,» the title of Liat Yossifor's latest
exhibition of
paintings, sounds more like the title of a Philip Glass recording or the latest release by Steve Reich, you're already onto the idea behind the Israeli artist's stark and highly textural
abstract works.
And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art in Washington, D.C., that two of Miller's
paintings by Norman Lewis would be included in a fall 2015
exhibition of the
abstract artist's work.
In her first solo
exhibition with Hollis Taggart Galleries, Chloë Lamb presents new
abstract works in «Color Harmonies: New
Paintings by Chloë Lamb.»
HIGH NOON's current
exhibition, Ryan Crotty: Never the Less, featuring photographic
abstract paintings covered with translucent layers of
paint, is open through February 4.
BEST
EXHIBITION SCHEDULE AT A MUSEUM IN UPHEAVAL The Met's, which included shows of camera - phone images exchanged by 12 pairs of artists; the nearly
abstract etchings of the 17th - century Dutch artist Hercules Segers; Marsden Hartley's Maine
paintings; an astounding survey of Japanese bamboo art and basketry (through Feb. 4); and, of course, the recently opened shows of David Hockney's
paintings (through Feb. 25) and Michelangelo's drawings.
Bringing together more than 90 works from pubic and private collections, the
exhibition features
paintings and works on paper spanning the early 1930s through the late 70s, from his early depictions of African masks and figurative works to the
abstract images for which he is most recognized.
This part of the
exhibition is thin and is unfortunately also typical of how contemporary
abstract painting has been treated by The Whitney since 1973.
«Lyrical Abstraction... a Definition» is a proposed
exhibition of important, exciting, beautiful and high quality
abstract paintings.
For an
abstract painter today experiencing for the first time, Monet's large scale
paintings in the room called: Studies: Water Lilies, Weeping Willows, and Irises 1914 - 1919, beginning the second half of the
exhibition there can only be a profound shock of recognition.
These important
exhibitions bring the faint hope that quality in
abstract painting might begin to re-emerge finally from the Duchampian eclipse of the past twenty odd years.
In 2015 - 6, the Courtauld Gallery, in its
exhibition «Bridget Riley: Learning from Seurat», made the case for how Seurat's pointillism influenced her towards
abstract painting.
This November, VMFA presents a groundbreaking
exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from
abstract painting towards a more open expression of love, sex, loss, and death.
Highlights of the
exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new
abstract paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert sculpture based on his childhood drawings of toy soldiers; a large - scale
painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.
This
exhibition, his first major museum show, covers a relatively brief yet vibrant period starting in 2011, from his
abstract paintings on rawhide to sculptural figures decked out in beads, jingles, and a rainbow of fibers that look like Afrofuture kachina dolls.
Louis Stern Fine Arts is pleased to present an
exhibition of Laurie Fendrich's vibrant
abstract paintings, her first solo gallery show in Los Angeles.