Sentences with phrase «abstract painting exhibition»

Seen from a distance, Stitch might be mistaken for an abstract painting exhibition, and in a sense it is.
Ryan has co-curated a range of projects, including the celebrated abstract painting exhibition, Painter Painter (2013); and two residencies at the Walker, Pedro Reyes» Baby Marx (2011), and Goshka Macuga's It Broke from Within (2010).
SOULAGES: In 1948 I was invited to participate in an abstract painting exhibition in Germany.
Tamar Zinn finds comfort from current events in three abstract painting exhibitions: Mark Rothko: Dark Palette at Pace Gallery, New York (through January 7), Carmen Herrera: Lines of Sight at the Whitney Museum (through January 9), and Agnes Martin at the Guggenheim Museum (through January 11).
Xico Greenwald visits two abstract painting exhibitions: Thornton Willis: Steps at Elizabeth Harris Gallery (through April 13) and Al Held: Alphabet Paintings at Cheim & Read (through April 20).
In 1923, when Mainie Jellett and Evie Hone staged one of the first abstract painting exhibitions seen in Ireland at the Society of Dublin Painters, critics were horrified at the show's absence of realism.
You know, I was never cool enough for a lot of abstract painting exhibitions in the Eighties.
Surprisingly, one of 2014's most impressive historical abstract painting exhibitions was at the Getty Center.

Not exact matches

The exhibition, the late Chicagoan artist's first institutional show in New York, brings together a selection of abstract paintings.
We're fascinated by Deborah Paswaters» abstract figure paintings, which are often accompanied by «living model sculptures» at shows and exhibitions.
The current exhibition of work by the late Alan Uglow (1941 - 2011) at David Zwirner highlights the way Uglow's abstract paintings engage with each other and the viewer to create subtle, shifting apprehensions of flatness and illusion.
The exhibition features a signature work from each major phase of Stamm's oeuvre including the «Dodger» and «Zephyr» series, a «Tag» drawing, and polaroids of Stamm's abstract graffitti «Designators» - black forms from his paintings that he spray painted onto buildings in New York.
3 Clyfford Still painted a traditional portrait of his mother (PH - 420) in 1946, the same year as his breakthrough exhibition of completely abstract paintings at Peggy Guggenheim's Art of this Century Gallery.
In leaving the exhibition, my thoughts keep returning to the three small paintings and how abstract painting has uniquely developed through the guidance of creator.
«We are privileged to showcase work from the extraordinary collection assembled by Preston and Joan Haskell through this exhibition and publication, and in doing so, we are asking our audiences to consider abstract painting in a new light.»
Royale Projects opens an exhibition featuring two Los Angeles based artists that create powerful works, atypical of west coast abstract paintings.
Tagged with abstract, abstract painting, abstraction, Alfred Korzybski, art, art exhibitions, Beers Lambert, Benjamin Brett, Blake Daniels, Charles Biederman, Dancer, figure / ground, Floorswamp, Mapping the Abstract, rhomboid chequerboard, Robert Fry, Wassily Kandinsy
His 2015 exhibition at the Albright - Knox Art Gallery, Buffalo, presented a group of multicolored abstract paintings done in bubblegum, bridging the gap between Abstract Expressionism and sidewalk detritus.
At the Indiscipline of Painting exhibition at the Mead Gallery some of the abstract paintings on show question the relationship between abstraction and representation.
Mark Dagley is equally renowned for being a publisher and for playing guitar in the seminal punk bands the Girls and Hi Sheriffs of Blue during the 1970s and»80s, but given the strength of his current exhibition, he should be best known for being a reductive abstractionist — that is, an abstract artist who approaches painting through its most basic means and language.
The exhibition titled «Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian abstract art, bringing together fifty years of history over two floors.
Joanne Greenbaum's exhibition consists entirely of wildly colored, cacophonous abstract paintings measuring 16 × 12 inches, which are installed salon - style, with some paintings paired and others lined up diagonally, with the bottom left corner of the upper painting nearly touching the top right of the one below.
This exhibition focuses on her early abstract metal sculptures and paintings as a starting point for future examination of a long and continuously inventive career.
Diebenkorn speaks of his family background and early life; his education and his service in the Marine Corps; his introduction to modernism; his early abstract work; the formation of the Bay Area figurative school and the relationship between art in New York and in the Bay Area; teaching; critical and public reaction to his work; important exhibitions of his work; vacillating between the figurative and the abstract in his painting; his working methods.
In both solo and group shows, expect to find exhibitions featuring modernist functional sculpture, scenes inspired by ocean waves, a distilled version of summer and abstract paintings that burst with joy.
An abstract foam sculpture, a group of bloated glow - in - the - dark skeletons, and a rock - climbing painting relief share little in common with one another, yet they are all a part of Puff Pieces, an ongoing group exhibition at Rachel Uffner Gallery.
Marty Walker Gallery presents deftly boisterous abstract paintings by California artist Michael Reafsnyder for his first exhibition in Dallas, Texas.
For her exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for paintings to now iconic «Cunt» paintings that in a more abstract manner recall Courbet's «L'Origine du Monde».
We are pleased to be part of a group exhibition showing a number of paintings alongside 1960's abstract painter Ian Stephenson at Clerkenwell Gallery, London EC1 next week.
Known for her abstract painting and conceptual art, this exhibition features «her oblong and un-stretched canvases, as well as her experimentation with hole - punched dots, hand drawn arrows, printed text, and personal postcards.»
«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an abstract expressionist twentieth - century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.
The Irascibles were a group of American abstract artists who, in 1950, signed an open letter, to the president of The Metropolitan Museum of Art, rejecting the museum's exhibition: American Painting Today — 1950, and boycotting the accompanying competition.
She was the only woman to feature in the Situation exhibition at the RBA Galleries in 1960, an important group show in abstract painting.
Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th century.
NEW YORK — Opening June 26, paintings by Philip Hanson and Rebecca Shore will be on view at David Nolan Gallery as part of a group exhibition of abstract paintings.
If you think «Eight Movements,» the title of Liat Yossifor's latest exhibition of paintings, sounds more like the title of a Philip Glass recording or the latest release by Steve Reich, you're already onto the idea behind the Israeli artist's stark and highly textural abstract works.
And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art in Washington, D.C., that two of Miller's paintings by Norman Lewis would be included in a fall 2015 exhibition of the abstract artist's work.
In her first solo exhibition with Hollis Taggart Galleries, Chloë Lamb presents new abstract works in «Color Harmonies: New Paintings by Chloë Lamb.»
HIGH NOON's current exhibition, Ryan Crotty: Never the Less, featuring photographic abstract paintings covered with translucent layers of paint, is open through February 4.
BEST EXHIBITION SCHEDULE AT A MUSEUM IN UPHEAVAL The Met's, which included shows of camera - phone images exchanged by 12 pairs of artists; the nearly abstract etchings of the 17th - century Dutch artist Hercules Segers; Marsden Hartley's Maine paintings; an astounding survey of Japanese bamboo art and basketry (through Feb. 4); and, of course, the recently opened shows of David Hockney's paintings (through Feb. 25) and Michelangelo's drawings.
Bringing together more than 90 works from pubic and private collections, the exhibition features paintings and works on paper spanning the early 1930s through the late 70s, from his early depictions of African masks and figurative works to the abstract images for which he is most recognized.
This part of the exhibition is thin and is unfortunately also typical of how contemporary abstract painting has been treated by The Whitney since 1973.
«Lyrical Abstraction... a Definition» is a proposed exhibition of important, exciting, beautiful and high quality abstract paintings.
For an abstract painter today experiencing for the first time, Monet's large scale paintings in the room called: Studies: Water Lilies, Weeping Willows, and Irises 1914 - 1919, beginning the second half of the exhibition there can only be a profound shock of recognition.
These important exhibitions bring the faint hope that quality in abstract painting might begin to re-emerge finally from the Duchampian eclipse of the past twenty odd years.
In 2015 - 6, the Courtauld Gallery, in its exhibition «Bridget Riley: Learning from Seurat», made the case for how Seurat's pointillism influenced her towards abstract painting.
This November, VMFA presents a groundbreaking exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from abstract painting towards a more open expression of love, sex, loss, and death.
Highlights of the exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new abstract paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert sculpture based on his childhood drawings of toy soldiers; a large - scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.
This exhibition, his first major museum show, covers a relatively brief yet vibrant period starting in 2011, from his abstract paintings on rawhide to sculptural figures decked out in beads, jingles, and a rainbow of fibers that look like Afrofuture kachina dolls.
Louis Stern Fine Arts is pleased to present an exhibition of Laurie Fendrich's vibrant abstract paintings, her first solo gallery show in Los Angeles.
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