Sentences with phrase «abstract painting look»

What would a nude abstract painting look like?
Here's what they will tell us: for abstract painting look elsewhere (narrative rules in this biennial); fashion — meets — art doesn't rate; LA, a city whose artistic vitality the curators see as ascendant, does; slipshod facture's out; the real world's not, just unwelcome in unmediated, text — based versions; performance figures in the planning; and film and video will «be selected from the point of view of two curators of contemporary art.»
One of America's finest abstract painters, Chris Martin (born 1954) explores the fertile areas between sophisticated formalism and the visionary joy of outsider art, making abstract painting look enviably effortless.
Recent displays of political art and abstract painting look tailor - made for global markets.
Bleckner's abstract paintings look as if they were viewed under black light.
At the same time, there is something else in Diebenkorn's art that is important for us to take account of - its west coast, Californian character, which gives to even his most abstract paintings the look and feel of something pastoral.
Scott Olson's abstract paintings look fragile and ethereal, even though they can be traced back to vigorous physical processes.
Grappling with the complex and often contradictory relationships between the body and mind, the artist's abstract paintings look to mathematical equations for their harmonious and inventive grid - based compositions.
The slyly appropriational abstract paintings look liveliest.
Oddly, although abstract painting looks on the surface to have more people doing a greater variety of things, the content doesn't seem to me to be all that diverse — i.e. the «field» for painting to operate in feels quite narrow.

Not exact matches

He'll let us paint our portraits of him, and I think he looks with delight on each one, whether they are finely honed photorealism, impressionism, or finger - painted abstract portraits that put an eyeball where a chin should be and use purple when he really should have been green.
When one looks at an abstract painting, he may be confused.
I guess if I were to pick just one to put on my wall it would be this abstract floral painting in acrylic, which is strongly inspired by a 1950s retro look, that I really love
We have one wonderfully creative child who doesn»» t see mess — it all looks like an abstract painting to her!
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I am always looking for art whether it's an abstract painting or vintage graphic print.
However, a lot of prints can make you look like an abstract painting gone wrong.
Artistically, the game looks like an abstract painting at times while other moments are like a clear, colorful breath of fresh air.
Looking closer, Everhart began to see echoes of Chinese ink paintings and the black - and - white paintings of abstract expressionists of the»40s and»50s, such as Franz Kline, Willem de Kooning and Robert Motherwell.
So I was not looking at abstract expressionist paintings, but I was looking at all that color and pattern and repetition in the tile work, and it gave me this insight into an experience that is not narrative.
The problem I found with most of these paintings is that they're all either the very traditional detailed oil paintings, or they're the modern abstract cartoonish looking paintings, which is fine if that's your thing, but that seems to be the extent of the Judaic art world.
Art fairs are often associated with abstract painting (much of it looking the same), stunt pieces (almost instantly forgettable), and neon sculptures (brightly and, in many cases, annoying), but, at this year's Armory Show in New York, some galleries had on offer works that explicitly addressed the political situation in the United States.
Brett Baker (BB): Your new small paintings look interesting - more abstracted [than earlier works] but still closely observed.
Lots of artists try to make abstract paintings that look primitive, but Walker is one of the few to succeed at it.
Anyone who has looked at a lot of abstract painting will suspect that, rather than transcending creative struggle, Lawlor has learned to camouflage it.
We began talking about it, and they were astounded because they had been painting abstract art, so I had twenty years they didn't remember, they didn't realize anybody remembered that they made collages with matchsticks and tried to look like Picabia.
In transmuted form it remains a fascination: how did this abstract painting get to look like this?
In 2013 NYTimes review, Holland Cotter praised Whitten for his restless energy: With a career grazing the 50 - year mark, Jack Whitten is still making work that looks like no one else's, which is saying something, given the flood of abstract painting in New York... read more... «Quick study»
Therefore, looking forward to Part 2, in which you will no doubt explain how abstract painting continues that amazing duality and its resolution!
A critic once wrote that my work asked the same question of its viewer that John Q. Public would ask when looking at an abstract painting.
What shocks us in part is the fact that it is a sculpture at all — it looks like an abstract painting created under the influence of, say, free - form jazz.
This exhibition, his first major museum show, covers a relatively brief yet vibrant period starting in 2011, from his abstract paintings on rawhide to sculptural figures decked out in beads, jingles, and a rainbow of fibers that look like Afrofuture kachina dolls.
Though Flack has become an artist with an impressive career as a representational painter, and later a sculptor of public monuments, her early experiments in abstract painting — like those of Pat Passlof, shown at Elizabeth Harris last year — mirror and impersonate the classic AbEx look.
The results often look like simple abstract painting, while calling to mind the plastic possibilities of photography, a medium that is perpetually evolving.
Looking at painters who came to prominence in the 1960s,»70s and»80s, this book shows how abstract painting has developed in the wake of postwar movements such as Art Informel.
But if you look at a lot of this abstract painting and you put it against the history of abstraction, or you look at this figurative painting and you put it against the history of straight - up, Modernist figurative painting, a lot of these artists are not really offering anything that adds much.
Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.
Gruin noted that she had already been preparing a «response» exhibition to Hirst's «Veil Paintings,» which will take place from May 16 through June 17 and include the work of Maringka, Gabriella Possum Nungurrayi and Polly Ngale, each of whom works in an abstract painterly style and whose works look similar to that of the 52 year - old British Hirst.
The result is a creative experience that viewers themselves undergo as they look at an abstract painting.
He notes that the artist's off - kilter, hand - painted geometry — unlike the hard - edge look created by applying and peeling off tape — places him in «a tradition that goes back to early abstract painting by Mondrian and Malevich,» adding, «I see his ties with Constructivist painting
We can say that it is abstract, non-objective, about colour and form and our perception of those things, but we live in an age of plastic, so much more baggage to look at paintings with.
A hefty square of mud from Italy (Arte Povera indeed) looks merely abstract, and Josh Tonsfeldt's painted wood with Simon Preston looks more aged than battered and neglected.
What's on view: Several puffy, abstract paintings that look like they're filled with colorful gel; sculptures assembled out of household - size objects in steel, sometimes coated with beads and materials that look like straw and resin; often, they're outfitted with holes in them
Okamoto Tarō photographs earthenware, but with the look of rugged abstract sculpture, and paints Law of the Jungle with a zipper running down the middle.
Arranged thematically, the exhibition looks at her surrealist paintings of the 1930s and the abstract works of the 60s, as well as her anti-war cartoons.
As someone whose job is at least in part to make these distinctions, how can you tell the difference between a genuinely good abstract painting versus, as you say, something that is very salable — something that simply looks like an abstract painting?
They were these weird, muddy paintings that looked half - abstract and half - figurative on these cheap, skinny canvases with visible tacks in them on the side.
The dancer, Amanda Pina from Chile, whose face and body are painted so that she looks like an abstract expressionist skeleton, is filmed in front of the Austrian National Bank, reminding us of the treacherous potential for connections between politics and economics.
THIERRY GOLDBERG Looking at Stas Volovik's small, abstract paintings, you might guess that they were made in the 1930s by a previously unknown follower of Kandinsky's late work.
Through layers of paint applied in an utterly abstract gestural style, which seem to cover instead of disclosing an image, the pictures record time, summing up the experience of looking, processing, and representing.»
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