As a child he paid Sunday visits to the Louvre with his mother each week, and this prompted his lifelong passion for art — a passion that ultimately pushed him to the forefront of the Bay Area
abstract painting movement.
Herr, a gifted painter who lives in Lancaster, PA, was part of the vital
abstract painting movement centered in Philadelphia in the late 1940s and 1950s around the Philadelphia Museum School of Art.
Through his time at the school, he also encountered major African American artists like Romare Bearden and Jacob Lawrence, not to mention Willem de Kooning, Franz Kline, Mark Rothko, and Barnett Newman, who were core members of
the abstract painting movement in the city.
André Lanskoy was a Russian painter and printmaker who lived in France, linked to the School of Paris and Tachisme,
an abstract painting movement.
Not exact matches
De Stijl as modern art
movement had a huge impact, mainly on architecture,
abstract painting and modern design.
By linking the Minimalist sculptures of artists like Donald Judd to the Russian supremacist
paintings of Kasimir Malevich and readymades of Duchamp, she extends the determinist history that formalism relies on into sculpture and
movements beyond
abstract expressionism.
Many artists in the Abstract Expressionist
movement were technically not
painting abstracts.
Some of the new styles and
movements that appeared in the early 1960s as responses to
abstract expressionism were called: Washington Color School, Hard - edge
painting, Geometric abstraction, Minimalism, and Color Field.
These approaches to
abstract art
paintings spanned across several
movements, including German Expressionism, Orphism, Suprematism, Surrealism, and
Abstract Expressionism.
Paul Jackson Pollock born 1912 in Cody, Wyoming was an influential American painter and a major figure in the
abstract expressionist
movement well known for his unique style of drip
painting.
If you think «Eight
Movements,» the title of Liat Yossifor's latest exhibition of
paintings, sounds more like the title of a Philip Glass recording or the latest release by Steve Reich, you're already onto the idea behind the Israeli artist's stark and highly textural
abstract works.
Of the dozen or so
paintings of Ryder's in the 1913 Armory Show it was said by critic Charles Caffin: In his unobtrusive sincerity he, in fact, anticipated that
abstract expression toward which
painting is returning and may almost be said to take his place as an old master in the modern
movement.
With encouragement from Greenberg, Bush became closely tied to two
movements that grew out of the efforts of the
abstract expressionists: Color Field
Painting and Lyrical Abstraction.
In the early 1960s several and various new
movements in
abstract painting were closely related to each other, and superficially were categorized together; although they turned out to be profoundly different in the long run.
Inspired by the CoBrA
movement and
abstract expressionism, Reafsnyder's
paintings are thick with
paint, exuberant gestures, and vibrant color.
His gestural
paintings of the 1950's along with Willem de Kooning, Philip Guston, Jackson Pollock and Franz Kline formed the basis for the
abstract expressionist
movement in the United States.
Working up the surfaces of her large canvases into almost a fetishized frenzy, the
paintings are
abstract, yet indicative of
movement.
Much of his work relates to
abstract expressionism and minimalist
painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights
movement.
The faded surface of «Corrupt Diptych» is haunting, like the distinct sensation of déjà vu, the dirt and gravel is metaphorical not material, moving this artwork away from hyphenated arts (art - and - environment) towards something more mysterious with its
abstract lines that race past the corner of the gallery's gyprock wall; themes of time and
movement that have more in common with land art than
abstract painting.
Right from the very start, he reacted against the popular expressive use of
paint by most artists of the
abstract expressionist
movement, instead claiming that opting for flatter surfaces normally found in the arsenal of Barnett Newman or Jasper Johns.
And as early as 1943 the principal tenet that was to distinguish the new abstraction from earlier, pre-war
abstract art was clearly formed, as evidenced in a brief «manifesto» of the rising
movement crafted by Mark Rothko, Adolph Gottlieb, and Barnett Newman for The New York Times in response to a negative review of the new style: «There is no such thing as good
painting about nothing.
Looking at painters who came to prominence in the 1960s,»70s and»80s, this book shows how
abstract painting has developed in the wake of postwar
movements such as Art Informel.
This
painting is from the artist's Hollywood
abstract series, where she instills the character on the lower half of the composition and depicts
abstract colors and
movements around t...
ICA's exhibition will focus on
paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration
Painting —
movements in art that relate to the pure pursuit of geometric and
abstract design.
Born in 1952 in Seoul, Korea, Il Lee studied
painting in the 1970s with seminal figures of South Korean contemporary art, including those in the vanguard of the
abstract monochrome
painting movement (Dansaekhwa).
He founded the suprematist school of
painting, one of the first geometric
abstract art
movements.
While the
movement is closely associated with
painting, and painters such as Arshile Gorky, Franz Kline, Clyfford Still, Hans Hofmann, Willem de Kooning, Jackson Pollock, and others, collagist Anne Ryan and certain sculptors in particular were also integral to
abstract expressionism.
The painterly style also emerges from expressionist
painting movements of the time, including CoBrA Group and Art Informel, important
movements in art in Europe near the time Golub lived in Paris, and
abstract expressionism lurks in the strokes and the scrapes too.
Brandon is also a self taught
abstract painter inspired by natural
movement and the street working mostly with acrylic
paint, canvas and salt.
This period coincided with the blossoming of the
abstract expressionist
movement and the pinnacle of Still's 20 - year quest to redefine
painting in which «space and figure,» the artist wrote, «had been resolved into a total psychic entity.»
Upon moving to New York City, he reacted against the expressive use of
paint by most painters of the
abstract expressionist
movement, instead finding himself drawn towards the «flatter» surfaces of Barnett Newman's work and the «target»
paintings of Jasper Johns.
The three artists share an interest in depicting — in hard - edged artworks of pulsating
abstract painting — the vibrating, undetermined power of the universe and the
movement of the world as reflected in everyday life, according to the gallery press release.
The continuation of
abstract expressionism, color field
painting, lyrical abstraction, geometric abstraction, minimalism,
abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist
movements in both
painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.
The
abstract drip
paintings were made during the climax of his career and pushed Pollock to the forefront of
Abstract Expressionism — the first American art
movement to wield international influence.
Unlike with some other
movements, there are no formulas for making an
abstract expressionist
painting.
His
painting took an enormous leap when he came into contact with the American
abstract expressionist
movement, attending their exhibitions and meeting their members - artists such as Franz Kline.
Considered a forefather of the Pop Art
movement, Stuart Davis translated the visual imagery of New York City and the jazz music of the mid-20th Century into iconographic
abstract paintings of squiggly lines and flashy colors.
Abstract Expressionism, the first great US art
movement, sought to instil
abstract painting with an emotional, expressive edge.
Men receive much of the attention in
abstract expressionism, a
movement from the 1940s and 50s known for large, bold
paintings, and for big names like Jackson Pollock and Clyfford Still.
David Park and Milton Avery — who bucked the trend and
painted the human figure in
abstract - expressionist times — receive deserved attention in a gallery show highlighting their substantial influence on two major postwar art
movements.
Manipulating screens, transparency, free - standing board, fabric and
paint, Kunz asks the viewer to experience
abstract painting through their
movement, sight and sound.
There have been persistent murmurs in the art world about the imminent (market) demise of the so - called Zombie Formalism
movement, a kind of colorful, undemanding type of
abstract painting that's commanded astronomical prices for the past few years.
With his gestural
abstract painting, K. O. Götz was the most important representative of the German Informel
movement.
Action Paining is
painting movement widespread in New York art scene from late 1940s to mid 1960s and is often seen as synonym of the
abstract expressionism.
Collapsing History For my generation, the three great
movements of post-war
painting —
abstract expressionism, minimalism and pop — are not so much antithetical to each other (i.e.,
movement / counter-
movement, assertion / repudiation) as they are part of a larger ongoing redefinition of the form of
painting itself.
After years of Clement Greenberg - decreed
movements toward resolute flatness and «purity,» an impurification of
abstract painting was underway.
Margaret Garrett's richly colored
abstract paintings capture the elusive qualities of rhythm and
movement.
PORT CLYDE, Maine — Kenneth Noland, one of the main proponents of the rigorously
abstract Color Field
painting movement in the 1950s, has died of cancer.
Lyrical abstraction, a term connected to a number of
abstract artists working between 1945 - 1960s, was used to describe the work of Meyer along with others
painting all - over compositions (with no singular focal point) that exhibited a nearly patterned organization with vibrational
movement.
In his opinion, the revived concept of
abstract art is a combination of formalist methods in
painting and the zombielike return of the discarded aesthetics of Clement Greenberg, art critic responsible for the promotion of the American
abstract expressionist
movement.