Sentences with phrase «abstract painting on view»

Not exact matches

There are more than a dozen works on view in Trump's apartment, including a series of prints by conceptual artist John Baldessari, a massive work by art - market juggernaut Christopher Wool, a small piece by the up - and - coming artist Will Boone, prints by photographer Mariah Robertson, and a small, colorful abstract painting by the young art - world star Alex Da Corte.

There are important works in the permanent collection (almost always on view) by Mondrian, Chagall, Picasso, and Warhol, as well as a large number of abstract paintings by Makevich, which are well - worth seeing if you have an interest in Russian avant - garde.

On view from May 9 — June 1, 2014 «Strange Times», features Elrod's abstract paintings of interior spaces, close - up views of objects and events, all captured in a luminous light.

Contributed by Sharon Butler / In «Of Earth and Sky,» on view at Susan Eley Fine Art, Rachelle Krieger presents a new series of elegant abstract paintings in which winding brushstrokes float throughout tightly - cropped square spaces.

NEW YORK — Opening June 26, paintings by Philip Hanson and Rebecca Shore will be on view at David Nolan Gallery as part of a group exhibition of abstract paintings.

The subject matter may not be as compelling as Katz's earlier figurative work, but these paintings, on view through July 7, aren't about garden design or abstract composition.

Contributed by Sharon Butler / What you can't see clearly in online images of Carrie Moyer's new paintings, on view at Mary Boone (in conjunction with DC Moore) through April 21, is the remarkable fusion of flat, opaque abstract form with a masterful illusion of three - dimensionality.

I was made aware of this helpful piece of writing by renowned photographer Carl Chiarenza, whose work is included in a small group exhibit of abstract paintings and photographs currently on view at Main Street Arts Gallery.

through May 25th Julie Langsam This exhibition features several recent paintings from Langsam's long - running series of banded montages that set nearly monochromatic, tightly rendered views of iconic modernist buildings on top of a band of gridded abstract motifs inspired by classic modernist paintings and beneath ominously lit skies that invoke Romantic landscape painting.

Currently the official story of avant - garde abstract painting and sculpture in America that is on view at the Whitney Museum, denies works of scores of artists that demonstrate that American painters and sculptors by the late sixties went beyond minimalism creating a new expressionism.

Challenging and re-inventing ideas about pictorial space, the paintings on view relate to Color Field painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking abstract forms and mesmerizing optical illusions.

The reinstallation triumphs despite the loss of a pivotal long - term loan of a major, privately owned Jackson Pollock painting, The Blue Unconscious (1946), which was on view at the MFAH from 2007 until the recent Henry Ossawa Tanner survey, which the abstract expressionist collection was temporarily removed to accommodate.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

What's on view: Several puffy, abstract paintings that look like they're filled with colorful gel; sculptures assembled out of household - size objects in steel, sometimes coated with beads and materials that look like straw and resin; often, they're outfitted with holes in them

While abstract expressionists such as Jackson Pollock, Franz Kline and Willem de Kooning had long been outspoken in their view of a painting as an arena within which to come to terms with the act of creation, earlier critics sympathetic to their cause, like Clement Greenberg, focused on their works» «objectness.»

This exhibition features several recent paintings from Langsam's long - running series of banded montages that set nearly monochromatic, tightly rendered views of iconic modernist buildings on top of a band of gridded abstract motifs inspired by classic modernist paintings and beneath ominously lit skies that invoke Romantic landscape painting.

On view are new abstract paintings by Jacqueline Ferrante.

The works on view at the exhibition evokes conversations between abstract forms and a variety of human or animal protagonists, as locations strike up to have a conversation with the people, recognizable images chat with paint smears while looping gestures address spectators within his imageries.

This aesthetic, of individuated parts and segments organized across a field, is recurrent in the abstract painting and sculpture on view.

In the 1960s Inokuma began to paint works based on imagined aerial views of cities, reducing three dimensional topography to two dimensional patterns which at once suggest the energy and visual complexity of the urban fabric yet remain completely abstract.

The San Francisco gallery Altman Siegel will present new abstract paintings by local San Francisco artist, Liam Everett, and never - before - seen watercolors by Milton Avery will be on view from Yares Art, alongside major paintings by the influential artist.

On the other end of the spectrum was Spanish artist Miguel Angel Garcia's pigment print View from the Empire State building Looking South, a scenic photograph abstracted by the painted red highlights of water towers throughout the city vView from the Empire State building Looking South, a scenic photograph abstracted by the painted red highlights of water towers throughout the city viewview.

Since its founding in 1982, the gallery has focused on furthering the understanding of abstract painting from a contemporary point of view.

Bradford's monumental painting My Grandmother Felt the Color, 2016, is currently on view at the BMA in a gallery dedicated to social abstraction, alongside other artists who have turned to abstract imagery to convey the humanity, complexity, and ongoing impact of specific cultural experiences, such as Jack Whitten and Ross Bleckner.

Before the gift to Stanford, man - size abstract paintings by Philip Guston, William Baziotes and Ellsworth Kelly confronted one another across that corridor, making it impossible for the collectors and visitors alike to get any viewing distance on them.

By freeing figures from conventional associations, Baselitz concentrates attention on the abstract elements of the painting, such as the hatched network of lines that surrounds, defines and penetrates the figure in the linocuts and woodcuts on view.

On view is her most recent work, which consists of abstract paintings and three - dimensional work, fabric interceptions and installations.

Some more recent paintings are also on view, like a 1974 abstract by the artist Max Weiler.

Through the exhibition Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980 (2006)-- which highlighted numerous black artists working in abstract painting or sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly figurative or representational.

On view in PC — G's Reilly Gallery, this group exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

ORANGES AND SARDINES: CONVERSATIONS ON ABSTRACT PAINTING OPENS AT THE HAMMER MUSEUM On view at the Hammer November 9 - February 8, 2009 Los Angeles, CA - Oranges and Sardines examines art through the eyes and minds of artists and is a testament to the persistence of the visual art object, particularly abstract paintinON ABSTRACT PAINTING OPENS AT THE HAMMER MUSEUM On view at the Hammer November 9 - February 8, 2009 Los Angeles, CA - Oranges and Sardines examines art through the eyes and minds of artists and is a testament to the persistence of the visual art object, particularly abstract pABSTRACT PAINTING OPENS AT THE HAMMER MUSEUM On view at the Hammer November 9 - February 8, 2009 Los Angeles, CA - Oranges and Sardines examines art through the eyes and minds of artists and is a testament to the persistence of the visual art object, particularly abstract pPAINTING OPENS AT THE HAMMER MUSEUM On view at the Hammer November 9 - February 8, 2009 Los Angeles, CA - Oranges and Sardines examines art through the eyes and minds of artists and is a testament to the persistence of the visual art object, particularly abstract paintinOn view at the Hammer November 9 - February 8, 2009 Los Angeles, CA - Oranges and Sardines examines art through the eyes and minds of artists and is a testament to the persistence of the visual art object, particularly abstract pabstract paintingpainting.

The painting is one of the more striking on view in the Norman Lewis retrospective, a 1953 abstract on untreated canvas, the title is unknown (shown above).

This exhibition also draws attention to works in the Museum's collection such as Frank Stella's (b. 1936) Moby Dick prints, currently on view in the adjacent Connecting Chaos exhibition, in which he layers cut paper onto multiple print processes, and Keltie Ferris's (b. 1977) The Wrestler (2009) in the Museum's atrium, which incorporates oil, acrylic, and spray paint into an abstract layering of color and shapes.

On view are mushroom collages, abstract paintings, a mirror maze, a children's environment made of dice and more.

Taking inspiration from Warhol's late prints on view in the museum's Andy's Toy Box gallery, Rudnick created three new large - scale abstract paintings, installed in The Warhol Store's street - facing windows.

Bureau 178 Norfolk Street May 3 — June 18, 2017 What's On View: Seven large, colorful abstract oil paintings from Patricia Treib.

On view are ink paintings by the late David Slivka, a sculptor and painter who was part of the first generation of abstract expressionists.

Quiñones has put an interesting twist on work that otherwise could be viewed as a footnote to the long career of photographer Aaron Siskind, whose curling paint images posited him well within abstract expressionism.

The Corcoran Gallery of Art and College of Art + Design presents Richard Diebenkorn: The Ocean Park Series, a retrospective on view JJune 30 — September 23, 2012, of one of the most important bodies of work in American abstract painting.

So when Wright has completed the painstaking process of painting one of his neat abstract patterns on to a wall, ceiling or piece of coving in the gallery space, he insists that after an appointed viewing time, it must all be painted over again.

The performance will take place on the spacious second floor gallery at MARC STRAUS on 299 Grand Street, Lower East Side in New York, where the exhibition of abstract paintings by German artist Anna Leonhardt is currently on view.

These paintings, which have not been on view together previously, reveal Judd's transition from figuration to abstract compositions of color and lines that manifest his prevailing interest in structure and space.

The portrait paintings, drawings, and assemblages on view highlighted Washington's vast technical ability to successfully make work in both figurative and abstract styles.

The artwork on view spans the first four decades of the twentieth century, from a scene of majestic beauty painted in 1902 by Thomas Moran to the abstract Modernist composition of Raymond Jonson, created in 1940.

Shane Campbell has a strong exhibition of new works by John McAllister on view, and Kavi Gupta's exhibition of new «abstract» paintings by the aforementioned Clare E. Rojas makes a strong case for why artists should take chances.

Natalia Wrobel's abstract expressionism paintings will be on view at the gallery from April 5 - May 1, 2016.

The Des Moines Art Center will exhibit American abstract expressionist artist Jackson Pollock's 1943 painting, Mural, on view April 5 — July 15, 2012 in the Blank One Gallery.

The youngest gallerist in the valley showed works by Urs Fischer (including a slow - burning sculpture of Bruno and Yoyo Bischofberger, made completely of wax), Sterling Ruby's enormous black stoves, Julian Schnabel's plate paintings and Ron Gorchov's abstract works that are currently on view.

In the post-war period New York had produced abstract painting of a certain scale and ambition, and this context, along with the size of Bowling's New York studio, allowed him to work on the larger, often monumental scale works on view at IMMA.

A must - visit is the combined rare - books shop and contemporary art gallery Harper's Books, featuring work by Irish painter Genieve Figgis, whose dark, witty parodies of Old Masters and 18th - century paintings are on view through August 10, followed by a group show featuring abstract and near - surreal paintings by Katherine Bradford, Sarah Braman, Al Freeman, and Adrianne Rubenstein (August 13 to September 25).