Sentences with phrase «abstract painting practice»

Her process - led, abstract painting practice employs a tempered gestural language where fluidity is a defining material concern and the process of erasure has equal importance to the intuitive application of paint.

How does nature influence your abstract painting practice?

Works such as Das Rätsel, 1976 and Nevada, 1977 (both Private Collection) point towards the artist's interest in American abstract painting practices in their simultaneously expressionistic and minimal motifs and chromatic execution.

Not exact matches

When I'm not in the kitchen you can find me practicing ashtanga yoga, exploring the outdoors or painting abstract watercolors.

But Assayas also refers specifically to Hilma af Klint (1862 - 1944), a recently rediscovered Swedish pioneer of abstract art who claimed that her paintings were directly dictated by spirit forces, and to 19th - century French literary titan Victor Hugo, who practiced «table turning» sessions to contact the dead (Assayas fabricates an «extract» from an apocryphal French TV film of the 1960s, featuring actor - singer Benjamin Biolay as a solemn Hugo).

Corwin writes: «In the tradition of Klein and Dubuffet, Strobert chooses to site her artistic practice within the confines of painting, while literally doing everything she can to reconfigure that discipline through a re-orientation of mediums and with an expressionistic yet pragmatic eye... Strobert's painting isn't abstract painting but the abstraction of painting.

His screen - printed shadows, his camouflage paintings, and his 1980s renderings of Rorschach blots were all representational endeavors in practice that, on the surface, appear abstract.

Park had the guts and conviction to go against the New York School abstract «hegemony» and re-invent his own painting practice.

The artists in Amerika coagulate around textile and conceptual sculpture, photography, painting, installation and performance to interrogate discursive practices that undertake the body that is formed - objectified - abstracted.

But my bigger point here, which Buchloh also cursorily notes, as does anyone who's seen Corinna Belz's film Gerhard Richter Painting, is that overpainting is central to Richter's abstract practice.

Again, Winters writes: «Each painting is an organization of varying speeds and intensities — a pragmatic practice of the abstract mixing and rearranging of data.»

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

During the 1940s and 50s, New York became the centre for abstract art, with a group of artists such as Jackson Pollock and Willem De Kooning practicing action painting.

The exhibition will present a number of large, heavily textured and abstract paintings, forming a contextual backdrop to the ceramic and bronze works which have played a crucial role in the artist's practice since the mid-1990s.

Known for large - scale abstract works including paintings made up of multiple panels, Prvački also maintains a prolific drawing practice.

Hone your skills to take meaningful and concise strides in your practice of abstract painting.

Having abandoned painting for over two decades, Mack resurrected his practice in 1991 and began his Chromatische Konstellation (Chromatic Constellation) series of large - scale paintings and works on paper that explore colour, tonal scale, light, rhythm and abstract patterning, which he continues to this day.

Chronicling an abstract personal account of his relationships, studio practice, and his sense of history through a spectrum of techniques, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all means.

A long - term dialogue with Japanese painter Kenzo Okada also guided her practice and bolstered her interest in Zen Buddhism, as well as her intuitive approach to abstract painting.

Focusing on the period 1964 — 79, the exhibition includes abstract painting, Conceptual art, performative actions, poetry, sculpture, installations and land art, thus demonstrating the diversity of her artistic practice.

With roots in landscape painting as practiced by both members of the Group of Seven and Emily Carr, by the end of his career Jock Macdonald had become one of the pioneers of abstract painting in Canada.

His methods contain notable convergences with abstract painting, and increasingly abstract elements are evident within the tree paintings that have been a consistent focus of his practice in recent years.

Fuelled by the Southern California surf culture of his youth, and the history and contemporary practices of abstraction, John Bauer produces abstract paintings that channel the infinite potential of both the Pacific Ocean and abstraction itself.

A clearly defined group by the mid-1940s, they gained the name Automatistes from an exhibition in 1947, the name alluding both to the freedom of gestural abstract painting and to the longstanding surrealist practice of automatic writing and drawing.

Lapin and Miller both practice abstract painting, as the distillation of perception, although Lapin's moody palette, with erasure, smear, and blur, was a departure from her earlier, landscape paintings.

Clayton Colvin Clayton Colvin has developed a practice of painting that is both challenging and seductive, using a hybrid of figurative and abstract approaches to create delicate, fantastic, and concrete spaces - the immediate and intimate nature of drawing infusing his paintings and ceramics with an hypnotic mix of familiarity and mystery.

Diverse artistic practices, concerns, and themes are presented ranging from the minimalist sculpture of Sol LeWitt and Carl Andre, abstract painting and drawing of Helen Frankenthaler and Gego, to films by Walter de Maria and Michael Snow, and politically charged works of the Art Workers Coalition and Martha Rosler.

Insogna's devotional ceramic cauldrons reference scrying - an ancient form of divination, are paired with colorful abstract and symbolic figurative paintings to evoke a history of ritual practice.

In this exhibition six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their recent paintings to be shown alongside works by other artists who have had a significant impact on their thinking and the development of their practice.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

These practices do not imply that Clarkson has lost faith in abstract painting, but rather reflect his understanding of the limits of abstract painting's materials, formats and vocabulary.

While the method of the paintings included in the exhibition relates to electronic art and new media, they share an interest in rich materiality that characterizes modes of abstract painting not ordinarily associated with those practices.

His practice combines traditional motifs, symbolism, and ornamentation from the Moghul tradition with conceptual thought and contemporary abstract painting.

While one of the most important artists of the postwar period and a pioneering figure within the field of abstract painting, Ryman's drawings, and their profound significance within his practice, have never been examined before in a focused exhibition.

Julije Knifer (1924 - 2004) was a Croatian painter who grew from the Russian school of Suprematist painters but applied proto - conceptual practices to abstract painting.

In her painting practice Earnest uses unconventional materials such as aluminum tape, carpet fuzz, insulation, drywall tape, cement, contact paper, latex gloves, and joint compound, and she seeks to explore how abstract spaces such as «home» can be defined through the complex relationship between objects and memory.

She maintained her practice as an abstract painter and sculptor spanning six decades, often painting over weekends in her Long Island studio.

Holyhead's practice is abstract painting and the presentation of his watercolour drawings in this show provides a kind of language through which he explores what seem to be compositional and colour strategies for the larger works on canvas.

His concurrent practices of painting and drawing reflect on specific places and experiences — from the deeply symbolic to the notational — translating sensations and memories into abstract compositions.

The liberal beliefs, social tolerance, and general promiscuity that characterize popular images of the city likewise distinguish the Los Angeles — based artist's own permissive practice, which swings from abstract paintings to collages and from haunted - house sculptures to a series of narrative paintings depicting sexually ambiguous men whom Hawkins refers to as «hallucinations from a Viagra overdose.»

Conceiving of the exhibition as a series of conversations on and around abstract painting, curator Gary Garrels invited Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl and Christopher Wool to each exhibit one or two of their paintings alongside their own selection of works that have informed their practice.

His Surrender Flag with Dollar Skull, or Surrender Flag with Zombie Abstraction, 2015, appears as a sort of battle standard in the face of a whitewashed art market that has embraced a brand of politically neutered, highly salable abstract painting, many of whose trappings Vélez reworks into his own practice — airbrushed lines, torn canvases, messy brushstrokes.

His practice manifests itself in various forms, including paintings, unique photographs of paintings, found objects infused with abstract images and -LSB-...]

I've been learning and practicing abstract painting and I hope to be on the same level as you someday!

Recognized for a diverse practice that draws inspiration from architectural space and natural materials, Moyer fashions compelling hybrids that abstract the languages of painting and sculpture.

Stingel's abstract paintings from 1996 - 1997 may also be understood in relation to another significant strand of his practice: his exploration of the ornamental.

Her essay situates Kusama's work in the context of European abstract painting, and discusses the remarkable new silkscreens and sculptures in relation to Kusama's earlier practice.

With heavily textured abstract gray monochromes, Richter introduced abstraction into his practice, and he has continued to move freely between figuration and abstraction, producing geometric «Colour Charts», bold, gestural abstractions, and «Photo Paintings» of anything from nudes, flowers, and cars to landscapes, architecture, and scenes from Nazi history.

''... The found object quality of these works draws on histories and practices in painting such as abstract minimalism of the»60s and»70s, quietly positioning an apparent similarity to these real world objects which are rudimentary tools for identification,» according to Karma.

His practice manifests itself in various forms, including paintings, unique photographs of paintings, found objects which he infuses with abstract images, various multiples plus limited edition CD and 12 ˝ poly - carbonate recordings of impromptu performances he has been involved with or heavily orchestrated.