Sentences with phrase «abstract painting techniques»

Painting a heart or multiple hearts in the style of Jim Dine is an excellent place to start experimenting with abstract painting techniques, particularly if you have a fear of abstract painting.

His paintings use the by - now venerable abstract painting technique of pouring to risk a certain loss of control, and yet by using blown - up stencils to interrupt these random flows with fragments of words, images, or hand - me - down decorative motifs, he constantly keeps a discursive, referential function in play.

Through his partially abstract painting technique, Wood uses overlapping colour and form to flatten out interludes of space within his intricate compositions.

Not exact matches

Painted in 1939, just before the outbreak of World War II, it then represented a new line for Picasso, whose abstract techniques have done more to influence 20th century painting than that of any other artist.

The sudden fusion of these disparate schools of thought and technique would birth a wide body of new works and approaches to painting and sculpture, with artists like Klee and Miró driving forward radical new ideologies in the creation of abstract works.»

(This was a decade before Gerhard Richter began his heralded abstract paintings using a similar technique.)

Rothko to Richter explores how changes in process and technique, specifically in mark - making, signal broader changes to abstract painting.

Perfecting his computer - based technique into what he calls «frictionless drawing», blue monochromatic works on display demonstrate how these abstract and vector - like gestures are meticulously transposed onto canvas using acrylic, tape, UV ink and spray paint.

It is generally recognized that Jackson Pollock's abstract drip paintings, executed from 1947, opened the way to the bolder, gestural techniques that characterize Action Painting.

Paul Jenkins was a prolific American abstract artist, known for his unusual chance - based, paint - pouring and fate - tempting painting technique.

Under their influence, Kline began to move away from the figuration, exploring the new abstract gestural technique on the large scale paintings.

For them, the debate around abstract painting largely concerned process and technique, specifically the artistic gesture and mark - making.

These successes launched Hoptman back to MoMA in 2010 as curator of contemporary art in its painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previopainting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previoPainting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previopainting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previous eras.

Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy.

Having built a diverse body of work since her early career ranging from portraits to abstract paintings of the universe, today Cindy's works exhibit a more impressionistic technique.

Through a fiercely individual approach and persistent experimentation with technique and materials, Snyder has extended the expressive potential of abstract painting... read more... «Joan Snyder receives MacArthur genius award»

He later invented his Texturologies — abstract paintings which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers of tiny droplets of paint, and combined it with materials including collaged elements and sand.

A technique in which paint, or another liquid medium, is poured to create a flowing, (most often) abstract composition.

Martin Basher works in a variety of different media — from photo - realist paintings, large - scale abstract canvases, and assemblage sculptures to collage techniques.

At Wharf Road, Hernández is showing abstract paintings that continue his investigation into gesture and form while extending the innovative techniques of accumulation and...

The choice of playful titles permits viewers to read some content into the abstract and technique - focused paintings, making his work quite approachable.

California - based painters Greg Gong and Jon Pestoni have, through unifying abstract forms over a variety of ground materials and techniques, developed complementary methods that result in layered, petrified paint.

Drawing inspiration from the rawness and decay of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.

Over the last thirty years, Wool has explored many different methods for creating abstract images, often utilizing printmaking techniques in combination with painting.

Extending the post-painterly abstract techniques of pouring and staining, Saccoccio creates skeins of crisscrossing drip lines, often adding pure dry pigment to the wet paint, imbuing them with colors not normally seen in daily life.

Tom seamlessly fuses academically realistic painting techniques with looser, more abstract marks.

The artist uses the technique of automatic drawing to create the small painting, which is an abstract drawing made in a short period of time and in a spontaneous manner.

Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.

Panel II: Digital Abstraction This panel will hone in on abstract painting influenced by digital imaging techniques, digital technologies, and new / post media theory.

Other shock tactics are used: emptiness (large canvases painted a solid color, with a thin line running down the side), pornography and scatology, lack of painting technique, or abstract non-representation carried to an extreme (see page 57).

Four of the paintings in the show are encaustic on newspaper; Johns revives the ancient technique of wax - painting in a way that again calls attention to the surface, which is both veined and suave, almost like skin over membrane, rather than harsh and rough like the surfaces of the abstract expressionists (or for that matter, Rauschenberg's surfaces).

In her series, De Luca was invoking the tenants of modernist art history and employing her own abstract techniques to the paintings.

This print translates Abts's characteristically precise, meditative, and abstract painting style into a new medium, employing multiple printmaking techniques to create a complex, layered composition that balances linear, geometric elements with fluid, sinuous strokes.

For his first solo exhibition with Sean Kelly, McCloud has created eleven new, abstract works, mixing unconventional industrial materials — aluminum sheeting, silver aluminum butane paint, and black liquid tar — with traditional pigment and woodblock printing techniques.

The aesthetic of Flip Art is recognizable and can be summed up to three principles: abstract composition, cheap - painting techniques and mass - production.

Chronicling an abstract personal account of his relationships, studio practice, and his sense of history through a spectrum of techniques, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all means.

Ahn Hyun - Ju is a Korean abstract artist, who takes an experimental approach in her research of painting techniques and colour associations.

Peter Schjeldahl writes in the October 9th, 2017 issue of The New Yorker, «The happiest surprise in Trigger is a trend in painting that takes inspiration from ideas of indeterminate sexuality for revived formal invention... Christina Quarles... rhymes ambiguous imagery of gyrating bodies with dynamics of disparate pictorial techniques... The wholes and parts of bodies in Quarles's cheerfully orgiastic pictures entangle in alternating styles of line, stroke, stain, and smear... called to mind early nineteen - forties Arshile Gorky and Willem de Kooning, who fractured Picassoesque figuration on the way to physically engaging abstraction... Quarles playing that process in reverse, adapting abstract aesthetics to carnal representation.

March 2013 - Since 1997, Jeff Elrod has been using basic software programs to create abstract paintings with a technique he calls «frictionless drawing.»

Chinese artist Sherman Lin discusses his style, technique, and inspiration from humanity and nature in his abstract paintings.

This exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

Learning from Monet's masterful techniques and somehow using them would need a new structure and organisation within an abstract painting to take the place of objects.

On view in PC — G's Reilly Gallery, this group exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

Hiroshi Senju's sublime, large - scale paintings of waterfalls and cliffs are renowned for combining the techniques of abstract expressionism with Japan's centuries - old nihonga style of painting.

Taking this premise as his point of departure, Rondinone creates mixed - media installations that run the gamut of artistic genres and techniques — including landscape drawing, abstract painting, photographic portraiture, realist sculpture, and video — and reflect the belief that

The paintings created between 1989 and 1994 are widely considered to represent the purest articulation of Richter's abstract technique, and represent the culmination of a rigorous investigation into the possibilities of painting.

Anne Russinof seems to use a wet - on - wet painting technique in which she — from what I have gleaned from her web page — uses gestural, abstract expressionist techniques accompanied with a more minimalist concern for structure.

Her painting styles itself add texture too, especially in her abstract canvases, combining older silkscreen techniques with digital imaging technologies like Microsoft paint, impasto brushwork with newspaper ads.

This print translates Abts's characteristically precise, meditative, and abstract painting style into a new medium, employing multiple printmaking techniques to create a complex, layered composition that balances dynamic linear elements with loose, jagged forms.

Abstracted womb - like forms open out beneath a relatively realistic moorland landscape — echoing both mining tunnels and the birth of Lanyon's first child — the brooding reds and blues given an incised, sculptural quality by the scraping away of wet paint with a razor, a technique learned from Nicholson.