Each of the vibrantly colored
abstract paintings in the exhibition measures 16 x 20 inches — a common canvas size that the artist has used extensively throughout his career.
In «The Swan, No. 17, Group IX / SUW» (1914 - 15)-- which is one of the most
abstract paintings in the exhibition — we see a circle in the center of a red ground.
Not exact matches
The
exhibition, the late Chicagoan artist's first institutional show
in New York, brings together a selection of
abstract paintings.
The
exhibition features a signature work from each major phase of Stamm's oeuvre including the «Dodger» and «Zephyr» series, a «Tag» drawing, and polaroids of Stamm's
abstract graffitti «Designators» - black forms from his
paintings that he spray
painted onto buildings
in New York.
3 Clyfford Still
painted a traditional portrait of his mother (PH - 420)
in 1946, the same year as his breakthrough
exhibition of completely
abstract paintings at Peggy Guggenheim's Art of this Century Gallery.
Tamar Zinn finds comfort from current events
in three
abstract painting exhibitions: Mark Rothko: Dark Palette at Pace Gallery, New York (through January 7), Carmen Herrera: Lines of Sight at the Whitney Museum (through January 9), and Agnes Martin at the Guggenheim Museum (through January 11).
In leaving the
exhibition, my thoughts keep returning to the three small
paintings and how
abstract painting has uniquely developed through the guidance of creator.
«We are privileged to showcase work from the extraordinary collection assembled by Preston and Joan Haskell through this
exhibition and publication, and
in doing so, we are asking our audiences to consider
abstract painting in a new light.»
His 2015
exhibition at the Albright - Knox Art Gallery, Buffalo, presented a group of multicolored
abstract paintings done
in bubblegum, bridging the gap between
Abstract Expressionism and sidewalk detritus.
Mark Dagley is equally renowned for being a publisher and for playing guitar
in the seminal punk bands the Girls and Hi Sheriffs of Blue during the 1970s and»80s, but given the strength of his current
exhibition, he should be best known for being a reductive abstractionist — that is, an
abstract artist who approaches
painting through its most basic means and language.
The
exhibition titled «
Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian
abstract art, bringing together fifty years of history over two floors.
Diebenkorn speaks of his family background and early life; his education and his service
in the Marine Corps; his introduction to modernism; his early
abstract work; the formation of the Bay Area figurative school and the relationship between art
in New York and
in the Bay Area; teaching; critical and public reaction to his work; important
exhibitions of his work; vacillating between the figurative and the
abstract in his
painting; his working methods.
In both solo and group shows, expect to find
exhibitions featuring modernist functional sculpture, scenes inspired by ocean waves, a distilled version of summer and
abstract paintings that burst with joy.
An
abstract foam sculpture, a group of bloated glow -
in - the - dark skeletons, and a rock - climbing
painting relief share little
in common with one another, yet they are all a part of Puff Pieces, an ongoing group
exhibition at Rachel Uffner Gallery.
Marty Walker Gallery presents deftly boisterous
abstract paintings by California artist Michael Reafsnyder for his first
exhibition in Dallas, Texas.
For her
exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for
paintings to now iconic «Cunt»
paintings that
in a more
abstract manner recall Courbet's «L'Origine du Monde».
«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an
abstract expressionist twentieth - century American that the
exhibition seeks to evoke, revealing the fellowship that the two artists share
in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.
The Irascibles were a group of American
abstract artists who,
in 1950, signed an open letter, to the president of The Metropolitan Museum of Art, rejecting the museum's
exhibition: American
Painting Today — 1950, and boycotting the accompanying competition.
She was the only woman to feature
in the Situation
exhibition at the RBA Galleries
in 1960, an important group show
in abstract painting.
SOULAGES:
In 1948 I was invited to participate in an abstract painting exhibition in German
In 1948 I was invited to participate
in an abstract painting exhibition in German
in an
abstract painting exhibition in German
in Germany.
Agnes Pelton,» Incarnation,» 1929
In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th centur
In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an
exhibition of
abstract paintings by four women who worked
in the deserts of the American Southwest and whose careers pretty much spanned the 20th centur
in the deserts of the American Southwest and whose careers pretty much spanned the 20th century.
And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art
in Washington, D.C., that two of Miller's
paintings by Norman Lewis would be included
in a fall 2015
exhibition of the
abstract artist's work.
In her first solo exhibition with Hollis Taggart Galleries, Chloë Lamb presents new abstract works in «Color Harmonies: New Paintings by Chloë Lamb.&raqu
In her first solo
exhibition with Hollis Taggart Galleries, Chloë Lamb presents new
abstract works
in «Color Harmonies: New Paintings by Chloë Lamb.&raqu
in «Color Harmonies: New
Paintings by Chloë Lamb.»
BEST
EXHIBITION SCHEDULE AT A MUSEUM
IN UPHEAVAL The Met's, which included shows of camera - phone images exchanged by 12 pairs of artists; the nearly
abstract etchings of the 17th - century Dutch artist Hercules Segers; Marsden Hartley's Maine
paintings; an astounding survey of Japanese bamboo art and basketry (through Feb. 4); and, of course, the recently opened shows of David Hockney's
paintings (through Feb. 25) and Michelangelo's drawings.
For an
abstract painter today experiencing for the first time, Monet's large scale
paintings in the room called: Studies: Water Lilies, Weeping Willows, and Irises 1914 - 1919, beginning the second half of the
exhibition there can only be a profound shock of recognition.
These important
exhibitions bring the faint hope that quality
in abstract painting might begin to re-emerge finally from the Duchampian eclipse of the past twenty odd years.
In 2015 - 6, the Courtauld Gallery, in its exhibition «Bridget Riley: Learning from Seurat», made the case for how Seurat's pointillism influenced her towards abstract paintin
In 2015 - 6, the Courtauld Gallery,
in its exhibition «Bridget Riley: Learning from Seurat», made the case for how Seurat's pointillism influenced her towards abstract paintin
in its
exhibition «Bridget Riley: Learning from Seurat», made the case for how Seurat's pointillism influenced her towards
abstract painting.
This November, VMFA presents a groundbreaking
exhibition that examines how Johns mined Munch's work
in the late 1970s and early 1980s as he moved away from
abstract painting towards a more open expression of love, sex, loss, and death.
This
exhibition, his first major museum show, covers a relatively brief yet vibrant period starting
in 2011, from his
abstract paintings on rawhide to sculptural figures decked out
in beads, jingles, and a rainbow of fibers that look like Afrofuture kachina dolls.
Louis Stern Fine Arts is pleased to present an
exhibition of Laurie Fendrich's vibrant
abstract paintings, her first solo gallery show
in Los Angeles.
While the first
exhibition in 2008 * focused on the iconic Estate
Paintings, White
Abstracts and History
Paintings which established Coventry's reputation
in the 1990s, Works 2002 - 2009 will include an extraordinarily wide range of work, much of it overtly figurative, including major new works that have never before been exhibited.
A work, futuredpast, by Franklin Evans is included
in a group exhibition, NEW NEW YORK: ABSTRACT PAINTING IN THE 21ST CENTURY, at the University of Hawaii at Mano
in a group
exhibition, NEW NEW YORK:
ABSTRACT PAINTING IN THE 21ST CENTURY, at the University of Hawaii at Mano
IN THE 21ST CENTURY, at the University of Hawaii at Manoa.
Peggy Bates October 20 — November 26, 2011 Presenting new acrylic
paintings on canvas by
abstract artist Peggy Bates
in an
exhibition entitled Channels inspired by the artist's recent observations of light and color
in California's Channel Islands.
Los Angeles painter Patrick Wilson presents a magnificent new body of his brilliantly constructed,
abstract acrylic on canvas
paintings in his highly anticipated third solo
exhibition Slow Motion Action
Painting at Marx & Zavattero, June 2 - July 14, 2012.
With almost 40 works, this
exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited
in Barcelona
in the early 30's, until his latest
abstract paintings of the 90's after going through the
abstract expressionist stage that became so relevant
in the United States during the 40s and 50s.
Becoming known for his
abstract paintings, Hofmann landed a solo
exhibition at Peggy Guggenheim's Art of This Century gallery
in 1944.
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Tucked away
in the back galleries are some of the
exhibition's greatest showstoppers, including a mesmerizing
painting by Ukraine - born Shimon Okshteyn; two red - drip
paintings by Israeli - born, East Hampton - based poet, musician and painter Haim Mizrahi; and an
abstract painting by another East End musician and artist, David Demers.
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Themed around the legendary Rumble
in the Jungle boxing match, their
exhibition assembles works of the 1960s and»70s including Phillip King's Barbarian Fruit (1964; # 80,000), an untitled welded metal sculpture from 1960 by Melvin Edwards ($ 200,000), and American
abstract and surrealist
paintings.
That
exhibition thematized the relationship between Liu's
paintings and his three - dimensional sculptural forms via explicit formal echoes: Black - and - white geometric
paintings were adroitly paired with rectilinear pseudotopiary sculptures
in which bands of foliage were interspersed with horizontal neon lights, while the oscillating static playing on stacked TV sets chimed with the
abstract canvases as well.
Bursts of pure red, yellow, blue, and green echo de Kooning's
abstract paintings of the 1970s, five of which were presented alongside Baselitz's early work
in the pivotal
exhibition «A New Spirit
in Painting» of 1981 at the Royal Academy
in London.
Characterized by intuitive and loose
paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the
abstract works included
in this
exhibition sing with rich fluid color and quiet energy.
David Richard Gallery will present an
exhibition of
abstract paintings from the 1970s by Leon Berkowitz (1911 - 1987) that features subtle and misty transitions of color evocative of the gradual shifts
in the forces of nature and the inspiration for the series.
Gruin noted that she had already been preparing a «response»
exhibition to Hirst's «Veil
Paintings,» which will take place from May 16 through June 17 and include the work of Maringka, Gabriella Possum Nungurrayi and Polly Ngale, each of whom works
in an
abstract painterly style and whose works look similar to that of the 52 year - old British Hirst.
Included
in the
exhibition are a series of
paintings, photographs and collages that use the crystalline
abstract structures of rocks and minerals to create visual relationships between seemingly disparate forms.
«I've explored the McDonald's logo
in the past but the difference with this
exhibition is that these new
paintings are much more
abstract.
Quogue Gallery co-owner Chester Murray explained that the motivation behind mounting this
exhibition was «to review the 14 shows we've had since opening the gallery — principally contemporary and
abstract photography,
paintings and prints —
in order to put them
in a more global context.»
ICA's
exhibition will focus on
paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration
Painting — movements
in art that relate to the pure pursuit of geometric and
abstract design.
A highlight of the new season
in London is an
exhibition of
paintings by Joseph Albers, a highly distinctive
abstract artist who died
in 1978.