Sentences with phrase «abstract square painting»

Eating Someone's Lunch is an original abstract square painting by Maine native Matt Demers.

Not exact matches

She can bow in three different ways, play basketball, steal a checkbook out of a pocket, wave a flag, play piano, paint abstract art, count, say «yes» and «no,» smile, stick out her tongue, honk a horn, fetch a hat from another person and bring it to me and then take it back, square up and stretch out, stand on a pedestal, lie down, etc..

A must - see for abstract painting devotees, Xylor Jane «s show at Parrasch Heijnen is aptly titled «Magic Square for Earthlings.»

Contributed by Sharon Butler / In «Of Earth and Sky,» on view at Susan Eley Fine Art, Rachelle Krieger presents a new series of elegant abstract paintings in which winding brushstrokes float throughout tightly - cropped square spaces.

Like Fontana's slashes, Hirst's spots and Richter's abstract paintings, the Homage to the Square series ticks several important boxes for a global art buying audience.

Here a collage made from dried leaves by Josef Albers, an abstract textile by Anni Albers and a marvelous early Ray Johnson painting called «Calm Center» of nested colored squares — along with affectionate letters exchanged between all four colleagues — together help explain where Asawa's magic came from, and how it would spread.

The deer sculpture complements an Amish quilt, included in this context as a reminder that the square is not a shape unique to abstract painting.

Albers's connection with Mexico, which he described to Kandinsky as «the land where abstract art existed for thousands of years», was long and inspiring: in 1935 he produced his first oil abstract painting after making his first trip there with his wife, Anni, and his first Homage to the Square while teaching in Mexico City in 1949.

A hefty square of mud from Italy (Arte Povera indeed) looks merely abstract, and Josh Tonsfeldt's painted wood with Simon Preston looks more aged than battered and neglected.

Last October Albers became the unexpected focus of market attention with the sale of three 16 - inch - square, colourful, geometrical abstract paintings from the late 1960s from the collection of dealer, Leslie Waddington, who had recently died.

One can think of him as a sculptural equivalent of Josef Albers in the abstract painting of Homage to the Square.

Kenneth Noland's Gift 1961 — 2 is a six - foot square abstract painting of concentric rings centred on a subtly tinted background.

As you square up to the best of the bigger pieces — # 79 and # 116 are the ones to look for — you're plunged into the final moments of a quest narrative with a happy ending, in which Diebenkorn discovers his version of the true grail in Ocean Park, Santa Monica, and American abstract painting takes another bow.

Using his now - familiar method of transposing photographic portraits onto canvas with a polychromatic grid, Close's recent paintings have matured to the extent that each two - inch square is an independent abstract painting worthy

I myself once compared her paintings to those of Josef Albers, seeing them as «fundamentally abstract, the house [being] not so much a house as the form of a house, a given shape, a certain geometry,» like those endless squares painted by the ex-Bauhaus colorist.

Abstract painting large pink, abstract art print, abstract painting print, large square abstract art, pink and grey, abstract canvas art

Powerful dualities — circle and square, spirit and body, light and substance — are the central subject of his radiant abstract paintings.

WalkingStick, a citizen of the Cherokee Nation, is best known for her distinctive approach to painting and for her diptychs, side - by - side square paintings in which she portrayed landscapes inspired by her home and travels alongside abstract panels representing spiritual or «mythic» memories.

A citizen of the Cherokee Nation, she is best known for her distinctive approach to painting and for her diptychs, side - by - side square paintings in which she has portrayed landscapes inspired by her home and travels alongside abstract panels representing spiritual or «mythic» memories.

One of the pioneers of Color Field Painting, Rothko's abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers» communion with the canvas in a controlled setting.

With a palette of pink, turquoise, purple, black (and more) drawn from a 1970s abstract painting Murray found at 1stdibs, the 4,100 - square - foot house now teases its sense of style right from the

This tradition, carried forth, expanded, and transformed over the course of the 20th century, continues into the present with innovative approaches to the genre by: Patrick Wilson Ruth C. Horton Gallery Los Angeles artist Patrick Wilson creates luminous, sumptuously colored abstract paintings composed of richly layered geometric forms — lines, squares, and rectangles.

The book includes large - scale reproductions of rare early drawings, photographs, stained - glass assemblages, Structural Constellations, and a range of abstract paintings, including examples from his Homage to the Square series.

Wilson's paintings are abstract constructions of squares, rectangles, and thin lines cutting between forms.

Influenced by the emergence of abstract expressionism, the New York School, Color Field Painting and the Washington Color School, Gilliam's early style developed from brooding figural abstractions to large paintings of flatly applied color and paintings of diagonal stripes on square fields.

In 1910 Kandinsky made the first modern abstract painting; in 1911, the Italian Futurists Bruno Corra and Arnaldo Ginna made the first abstract films; in 1913, inspired by the Futurists, Wyndham Lewis made his first Vorticist abstractions; in 1915, Malevich painted his «Black Square»; in 1916, Mondrian and Van Doesburg founded De Stijl; and in 1921, Man Ray made his first photograms.

When Bridget Riley first started to make abstract paintings — beginning in 1961 with her chequerboard composition Movement in Squares — she banished colour from her art, using only black and white.

A straight or tilted square hangs above a vertical canvas, as Kopfbilder (or «Head Paintings»), in a compendium of abstract styles from primitivism to Brice Marden.

Homage to the Square is a notable series of hundreds of abstract paintings that Albers started creating around 1950.

It has painting after abstract painting, from a largely white square by Piet Mondrian to debris from the front by Kurt Schwitters and Kazimir Malevich.

With its bird's - eye view of smooth, swelling hills and nearly abstract banded squares of green grass and plowed earth, this painting and the few others like it can pull you equally toward Walt Disney, Josef Albers, photography and folk art.

This display will also demonstrate development of Josef's work in the years that precede the «Homage to the Square» paintings, which had such a huge influence on abstract painting and colour theory.

It also brings the 50th anniversary of Movement in Squares (1961), the break - through black and white painting that marked her out as one of the world's leading abstract painters.

abstract expressionist oil painting on canvas in black frame 24 x 24 inches framed, oil painting on stretched canvas This modern, square abstract expressionist style painting was paint...

abstract expressionist oil painting on canvas 24 x 24 inches framed, oil painting on stretched canvas, signed on front and dated on reverse This modern, square abstract expressionis...

30 x 30 inches Acrylic paint on canvas This square abstract expressionist painting was created by Hudson Valley - based artist Ragellah Rourke in 2017.

If you paint a vase of flowers, the vase of flowers is not measurable — more abstract than the red square.»

Bound by their 50 x 50 cm paper and defined by their pencil planometrics, the evocative title of the series pays a debt to Frank Stella, but they also make nods to other abstract expressionists, notably Barnett Newman, to the earlier suprematist paintings of Kazimir Malevich, to Sol LeWitt and Agnes Martin, to ancient Chinese cities as squares, to Islamic caravanserai and Italian cloisters, to the houses within houses of Oswald Mathias Ungers, and even to the composition of Greek chorus and 1970s CBGB punk — that is to say, to all the good things in life.

What is most surprising about Sean Scully's abstract images composed of stripes and squares of colour is not their considerable emotional power, but the fact that the most delicate watercolours or tiniest etchings can evoke a mood just as well as the large - scale oil paintings.

They have been filling Hauser & Wirth's massive 25,000 square foot space with a suite of Dieter's Clothes Pictures — paintings made with the late artist's hand - tailored suits (he lost 75 pounds in the early 90s)-- and two abstract murals painted on the white siding of portable classrooms in Aesche, Switzerland.

Blue Still Life On Squares is an original, one - of - a-kind abstract painting signed by artist Pol Ledent.

Mark Rothkoâ $ ™ s search to express profound emotion through painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled setting.

The turn of the month means a new Midnight Moment in Times Square, which delves into the abstract paintings of Emilio Perez.

Cubism led the way for Suprematism, exemplified in Malevich's Black Square, 1915, a simple «pure» abstract painting invested with spiritual meaning.

The London exhibition of work by Paul Klee in 1945 seems to have had a big impact, with Pasmore's first 1948/9 abstract works of small coloured triangles and squares looking very similar to Klee's painting from two decades before.

Here's a good example, from a recent exhibition statement by the London abstract painter Cuillin Bantock (who is by no means an unintelligent writer): «Sixty years ago the British painter Patrick Heron pointed out that non-figuration was an ideal impossible of achievement, commenting further that Ben Nicholson's painting of four greyish circles in a greyish square eventually came to resemble the hob of an electric oven.

Josef Albers» «Homage to the Square» and «Study for Homage to the Square» now hang on the walls, alongside abstract paintings by African - American expressionist Alma Thomas.

For a new group of square paintings he pours paint, wet - on - wet, into resin — creating lush, flowing, abstract fields.

Morley depicts details: each calibrated digital image as a whole is fragmented into a grid of small squares or «cells» as the artist calls them, from which Morley paints one discrete component at a time, turning the canvas upside down and sideways so that the abstract shape and color tonality of each part is addressed.

As was the case for many Korean abstract artists, his technique was painstaking: he painted on stretched cotton rather than canvas and allowed dots of color to spread out, which he then surrounded with squares.