The earliest works in the exhibition, a series of works on paper in the Concretist tradition, illustrate the indebtedness of Clark's early practice to
the abstract traditions of Modernism that had come to be assimilated into Brazilian culture in the 1940s.
While some emphasize the power and spiritual intensity felt when viewing Sime's works, others note the figurative and
abstract traditions of Ethiopia's modern history, evident in the objects Sime creates.
In fact, Jinchi's mystical aesthetic is traceable to
the abstract tradition of qit «a, an Islamic pictorial genre based in the word or verse fragment, and originating in the late 15th century.
Behnke quotes Floyd Herman who wrote of Hine's work: «His abstractions synthesized a keen sensibility of an accomplished draughtsman with the poetry and inventive structure that linked his work to the American
abstract tradition of Stuart Davis, Al Held, Barnett Newman and Mark Rothko.
Untitled (P 492), from 2005, is a beautiful example from the oeuvre of Christopher Wool, the seminal figure at the forefront of the new generation of
the abstract tradition of the New York School.
Consistently inventive, Stella, now 74, is one of the most significant artists to work in
the abstract tradition of painting, sculpture and print making over the past 50 years.
Not exact matches
This would assume an «imaginative,» not a historical, disposition: a divine intent in history, God - gifted immutable laws
of morality, to which man has a duty to conform; order as a first requirement
of good governance, achieved best by a restraint and respect for custom and
tradition; variety as more desirable than systematic uniformity and liberty more desirable than equality; the honor and duty
of a good life in a good community as taking precedence over individual desire; an embrace
of a skepticism toward reason and
abstract principle.
In defending the specialness
of the American regime, Bercier also defends the particularity
of any people or
tradition that gets obfuscated by excessively
abstract or universal categories
of description; while he concedes that «the Logos is universal» he denies that this is a «universality that legitimizes any human claim to universal rule».
On the positive side, I am sure you are right that Catholicism goes beyond all other religious
traditions, Christian and non-Christian, in the dignity it confers on matter and the human body; on the negative, we must indeed get rid
of «infinitely contrary poles
of existence» and the successive swapping
of abstract forms by parcels
of intrinsically featureless matter.
Unlike systematics, it
abstracts itself from faith commitment, and is «principally concerned to show the adequacy or inadequacy
of the truth - claims, usually the cognitive claims,
of a particular religious
tradition» (AnIm 57 - 58).
erience that ONLY my friends who are not attached to a particular
tradition, and understand the phrase «religion in the
abstract,» will usually have read more than one
of those book, taken more than one seriously, or shown any intellectual honesty or maturity about the subject at all...
While these notions seem terribly
abstract, nevertheless, in the case
of Christianity, we see them operating as we acknowledge the disharmony as well as deprivation
of greater richness in the sexism, racism and anti-Judaism
of its inherited
tradition.
It's my experience that ONLY my friends who are not attached to a particular
tradition, and understand the phrase «religion in the
abstract,» will usually have read more than one
of those book, taken more than one seriously, or shown any intellectual honesty or maturity about the subject at all...
These are not merely
abstract commands, they are made in the name
of God, not
of any particular national
tradition.
Although drawing on this
Tradition, as well as on the Hindu advaita - vedanta and the Buddhist pratityasamutpada (the interrelatedness
of all beings), he eventually comes up with an
abstract form
of «Trinity» as a figure — a unity in triple diversity, but detached from the economic manifestation
of God as Father, Son and Holy Spirit.
Kaplan can help us to learn what that means; he can help us to understand that the catholicity
of the biblical
tradition is not an
abstract Greek universal, but a concrete Hebraic wholeness that is universal in its implications.
When moral rules and selves are
abstracted from the normative
traditions that give them substance and the social contexts that makes them concrete, «values» become little more than sentiments, moral judgments, expressions
of individual preference.
To
abstract from the prehension or feeling
of the past only its intellectual component is to strip the
tradition of its very reality.
Nor will I demonstrate here the ease with which one can map the details
of his analysis
of rites
of passage onto the stories about the founders
of the major religious
traditions, finding in the myths and legends
of Krishna, Buddha, Moses, Mohammed, and Jesus a common
abstract structure, following a familiar tripartite pattern.
Mental images are more important than
abstract concepts as vehicles for the transmission
of a religious
tradition.
By clicking on the link below, you will be leaving the Tropical
Traditions website, and visiting a website that is a library
of research articles and
abstracts on coconut oil, saturated fats, palm oil, and polyunsaturated fats.
Exquisitely crafted in the
tradition of Thailand's hill tribe artisans, these silver dangle earrings feature three
abstract lotuses in varying sizes.
Corwin writes: «In the
tradition of Klein and Dubuffet, Strobert chooses to site her artistic practice within the confines
of painting, while literally doing everything she can to reconfigure that discipline through a re-orientation
of mediums and with an expressionistic yet pragmatic eye... Strobert's painting isn't
abstract painting but the abstraction
of painting.
I also believe that the
traditions of abstract painting (such as those developed by the three artists I mention above) are particularly suited to the task.
Carlos Salas is one
of Colombia's best - known contemporary painters, and some
of his monumental
abstract paintings will be included in this semi-survey, Carlos Salas: Latin America and the Global Imagination, which also addresses questions
of cross-cultural
traditions in today's art.
The real problem he faced in seeking to be an
abstract artist is that a synthesis
of Chinese and Western
traditions is extremely difficult.
She reinvigorated the
tradition of portraiture at a time when
abstract art and the male white painter dominated the art scene.
At once emphatically
abstract and culturally specific, it draws on the subtle, unassuming beauty
of Korean aesthetic
traditions and folk art.
The bindi becomes a language or code we begin to read through works that elicit formal connections with
abstract expressionism, op art, and geometric abstraction from Western painting and the tantric and neo-tantric
traditions of India.
From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived
tradition of African - American
abstract painting (which has historically had a primarily black audience) is intermingled with the
tradition of so - called self - taught or outsider artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly black); the more recent wave
of African - American conceptualism represented by Adrian Piper, Lorna Simpson, and others (whose work
STILLPASS: It's interesting that you rejected formal training because certain art critics at the time argued that
abstract expressionism came out
of America, where artists could fully escape the preconceived notions
of the European
tradition.
These «lyrical abstractionists» sought to expand the boundaries
of abstract painting, and to revive and reinvigorate a painterly «
tradition» in American art.
The Mori Art Museum Chief Curator Mami Kataoka has written, «With watercolor on paper, she creates
abstract landscapes that reference mythological narrative alongside
traditions of pattern and decoration.
From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived
tradition of African - American
abstract painting (which has historically had a primarily black audience) is intermingled
Caivano's works incorporate an uncompromising yet individual approach to the
tradition of abstract painting, drawing as much on unique perceptions
of colour, space, texture, volume and light as on art history.
His work has played a major role in advancing the
tradition of modern
abstract sculpture in the aftermath
of Minimalism.
These
abstract qualities generate a form
of psychological impressionism, reanimating a more than century - old
tradition of landscape painting that insists on temporal and subjective experiences above representational content.
Each artist works in the
abstract formalist
tradition, but, through the development
of new painterly vocabularies and use
of unusual materials, attempts to redefine the boundaries
of painting.
Like other encounters with «masterpieces» at the Guggenheim, a 1996 survey
of abstract painting and «The
Tradition of the New» from 1994, this exhibition pretty much ends twenty years ago, with Art Povera.
Jazz, too, became an important site
of convergence where memory, history, and a black American
abstract tradition met.
Many now see Wool as the heir to Andy Warhol, the next great link in an American
tradition of painting that began in the postwar years
of abstract expressionism and pop art.
Through the incorporation
of materials culled from the everyday, she is able to address numerous artistic
traditions including
abstract expressionism, minimalism, and color field painting.
Barbara Schwartz was one
of several artists who sought to vitalize
abstract painting by making it more dimensional and like Marilyn Lerner, tried to link it to non-Western
traditions.
The retrospective at Allan Stone shows a painter taking up an intimate and lyrical
tradition of abstract expressionist painting and making it his own.
Dan Coombs has suggested that the
abstract paintings
of Tomma Abts are better understood «not so much as material objects in the
abstract painting
tradition but as surrogate people with their own personalities.
Installation view February 26 — May 15, 2011 Marius Lut, Jan van der Ploeg, Esther Tielemans and Evi Vingerling How does the most recent generation
of Dutch painters relate to the
tradition — now stretching back a hundred years —
of abstract painting?
The U.S. Pavilion exhibition Tomorrow Is Another Day reflects Bradford's interest in renewing
traditions of abstract and materialist painting, as well as his longtime social and intellectual interests, most notably in marginalized populations.
With a background in graphic design, his work seems part
of a Western
abstract tradition but also freighted with symbolism: the use
of denim, a material idealised for proletariat durability in the West, is a reminder
of 1980's Chinese fashion; seemingly enigmatic geometric patterns are derived from brain — teaser puzzles.
The painting is made with bleached paper that is scored and molded by hand to produce a sculptural surface, renewing the
traditions of abstract and materialist painting for the 21st century.
Fusing the
traditions of European painting with the distinct character
of American abstraction, Scully's great achievement is the reinvigoration
of abstract painting with the metaphorical, the philosophical, and the sublime combined with the earthy tangibility
of paint.