Sentences with phrase «abstract visual experience»

While Stella's paintings were indeed concerned with the purity of abstract visual experience, the titles of his works were often extremely resonant, frequently alluding to specific places («Arundel Castle»), historical figures («Avicenna»), or grand themes («The Marriage of Reason and Squalor»).

Some of the works use language as part of an abstract visual experience and do not rely on the linguistic aspect of the word itself.

Form and creativity convene throughout the exhibition with beauty, color and shapes coming together to initiate abstracted visual experiences.

Not exact matches

The simple, predictable gameplay is one barrier, the abstract nature of the story another, creating an experience that's big on audio - visual power and artistry but short on the stuff that made Journey truly magical.

In a classic 1946 textbook on Audio - Visual Methods in Teaching (later revised in 1954 and 1969), Dale introduced a model called the Cone of Experience, which classifies educational media and methods along a continuum from the most concrete experiences (at the base of the cone) to the most abstract (at the top):

In all these senses he is provisional, almost with a capital P. Where Wragg differs — or at least the most crucial of the many ways in which he differs — from those artists gathered under Rubinstein's rubric is in his evident and overriding belief in art, and in abstract art, as a place of meaningful and compelling visual experience.»

By pairing the first - an abstract painting whose flat forms are schematic and derived from markings observed on a soccer field with the second - a silkscreened canvas depicting a nearly identical painting photographed at an angle, Uglow creates a visual experience charged with the potential of both abstraction and representation.

It's in the abstract rhythms of form, whether in the visual arts or classical music, where we experience the pure, universal structure and pulse of art.

The artists who exhibited in Ideal are committed to an abstract art practice that communicates directly through the experience of pure visual information.

Adam Craemer is a South African artist who devised a practice of creating pieces of portraiture and adding abstract elements that further the visual experience.

The pieces include interpretations of microscopic forms, expressive manipulations of unusual angles of vision, playful placements of figures whose points of view contrast with that of the artist and more abstract presentations of a visual experience.

It is the paired - down interplay of form and color that makes Resika's work both abstract and evocative of our visual experience.

Longtime abstract painter Robert Yasuda's newest works verge on the lush, with an expanded palette, richer surface tonalities, and contours that are increasingly undulant, offering a more nuanced and fluid visual experience.

Riley's formally taut, abstract compositions yield a singular sense of visual pleasure for the viewer, a notion derived as much from the artist's formative encounters with Old Master and Impressionist painting as from her early experiences with nature.

The artists presented in Ideal are committed to an abstract art practice that directly communicates through the experience of pure visual information.

An imagery full of textures and directional clues such that a visual beaded journey, no matter where one begins in one of my beaded pieces, can be as rewarding when experienced as beaded abstract expressionism, as the journey of following the storyline of the images.

The figurative painter tries to illustrate striking visual experiences; the abstract painter internalises them and let's them permeate the whole imaginative process, trying to create striking visual experiences of their own, which will measure up to the original «magic moments».»

He said he's fascinated with abstract painting, architecture and the composition of things as a visual experience.

Rail: Do you think that your previous experience as an abstract painter, which requires a much more visual and unorthodox painting process, affects the way you paint representationally?

Van de Velde expands this experience of traditional projected image by taking advantage of recent technological advances in both hardware and software to combine light, non-pictorial visuals, color and abstract geometric forms into three - dimensional environments.»

Her abstract paintings are visual representations of deeply personal emotions, inspirations and experiences.

They are abstracted visual assemblages of the artist's dreams and memories, portraying an inner landscape in which the viewers can enter to form new interpretations based on their personal experiences and imagination.

In this series of works, Ahmed has focused on collective human experiences, transposing and translating them using her captivating and distinctive abstract visual language.

Thus, in African Art, the mask is naked or incomplete without the costume, the music, and the performance, which is a correlation we can establish with abstract expressionist painting in which all parts must come together (medium, movement, color, etc.) for the whole visual and metaphysical experience to emerge.

Modisakeng explains: «The real work for me is in relating the visual signs and symbols of the abstract — be it in music or in my dreams — into a narrative that resonates with the collective social experience.»

Her tangled calligraphy leaps and coils across the paper like vines, folding in associations with visual language; the disparate sensations of walking through dense vegetation and reading a scrawled manuscript are flattened into one experience, such that the idea that the two were ever separate seems like an abstract theory.

The American abstract artist Ellsworth Kelly, who has died aged 92, created sharply defined compositions that were, at least initially, linked to his visual experiences — «a window, or a fragment of a piece of architecture, or someone's legs...» In the early 1950s, his style anticipated the unbroken colours and clear lines of hard edge painting by some years.

The sense I get is that your more tightly - expressed work and your more abstract work are polarities of your visual / tactile approach to painting: the tighter work has more to do with vision and the more abstract work slips deeper into the experience of space as explored through touch.

The lingering intrusion of semiotics, and, more recently, provisional and post-studio theories have elbowed to one side abstract painting as a sensually based visual experience.

While Tyler's work shows the influence of iconic abstract artists of the twentieth century such as Josef Albers and Philip Guston, his work is also unmistakably of its time, formed in an age when daily visual experience takes place in digital space and painting has to assert its immediacy.

If abstract painting, to quote Matthew Collings on Mali Morris, is about «constantly coming up with visual metaphors for experience», and the artist's job is to produce this metaphor - world «in the form of visual pleasure, or beauty», that's a great metaphor for what Mali Morris does.

At its core, this formal experiment presents an opportunity to experience an abstract concept — a numerical figure and the economic possibilities it entails — as a visual object and an immersive physical environment.

Using examples of artistic clothing and costume design as a starting point to present his own set of models for abstract form today, McElheny investigates the connections between the history of visual abstraction and the clothing created by artists over the past century, whose work proposed a more subjective, less universal experience of abstraction.

Rather than articulate universal visual codes for collective mobilization, these works reduce the specific lives and experiences of those represented in the images to a pictorial field for the artist to play upon; the fetishized beauty of documented protest rendered even more beautiful, and even less capable of stimulating social change, by its sublimation through the commercially - viable language of abstract painting.