Sentences with phrase «abstract way of working»

It seems more like many (post) graffiti writers move closer towards an abstract way of working.

You have your traditional abstract way of working images and you have your traditional way of representation, but I'm somehow trying to find that in - between zone.

The «Long - Term Memory Storage» duet is a slight left - hand turn from Charneco's typical abstract way of working.

Not exact matches

As Whitehead suggested, if this view of location is taken as a complete and concrete account, it works badly: for, taken in this way, it equates a highly abstract selective construct with a full concrete reality.

America's Roman Catholic bishops write that the «challenge of today is to move beyond abstract disputes about whether more or less government intervention is needed, to consideration of creative ways of enabling government and private groups to work together effectively» (Economic Justice for All) The truth of this declaration is evident in the U.S. housing...

America's Roman Catholic bishops write that the «challenge of today is to move beyond abstract disputes about whether more or less government intervention is needed, to consideration of creative ways of enabling government and private groups to work together effectively» (Economic Justice for All) The truth of this declaration is evident in the U.S. housing crisis.

And like a gallery wall, you can do a mix of photography prints, abstracts, and typographic art... If the thought of accumulating enough framed pieces to pull off the look scares you, just take it one piece at a time (like the last photo), start out symmetrically (like the first photo) and work your way ledges and large groupings (all the photos in between!).

There are times when I already feel like I'm wearing the same things over and over — in an obviously repetitive way — and while no one at work has commented on it (or, I expect, noticed it), I just don't feel inclined to take chances for the sake of some abstract goal.

Recommended Strategies: Supportive Provide opportunities for students to discuss concerns with teachers and counselors Address issues of motivation, self - perception and self - efficacy Accommodate learning styles Modify teaching styles (e.g., abstract, concrete, visual, auditory) Use mastery learning Decrease competitive, norm - referenced environments Use cooperative learning and group work Use positive reinforcement and praise Seek affective and student - centered classrooms Set high expectations of students Use multicultural education and counseling techniques and strategies Involve mentors and role models Involve family members in substantive ways

As an Indie author (which really means «self - published» but we say «Indie» because it sounds WAY cooler, like we're SO artsy we have no use for abstracts like success and money,) I'm required to work the big room, über - conscious of marketing, promoting, publicizing, advertising, and, ultimately, selling my humble work.

«Though I've ranged from Alaska to New York, the influence of those years spent on Padaro Lane has figured into the abstract and representational work I've made over the years in almost every way.

What the XRGB Mini helps facilitate, and what it's helped me experience first hand, is that the work of generations past doesn't just inform what's being made today in a distant and abstract way.

The current exhibition of work by the late Alan Uglow (1941 - 2011) at David Zwirner highlights the way Uglow's abstract paintings engage with each other and the viewer to create subtle, shifting apprehensions of flatness and illusion.

After seeing hundreds of shops and meeting thousands of people on this journey, I have all the confidence in the world that letterpress printing will remain a viable art form; I'm especially thrilled by people who are doing experimental and abstract work - those novel ways of working with the medium are what will carry it into the future and keep the art form vibrant.

He admired Philip Guston's «artless way of painting,» and the fact that his work, abstract at this point, wasn't at all psychological.

Artwork for Bedrooms draws a parallel narrative from the same moment of young artists who were similarly invested in «poor» materials, but who put them to work in more abstract, fragile, or conceptual ways.

His earlier works, produced in the 1980's, were signature Day - Glo, hard - edged paintings that acted as metaphors for the way in which social spaces have become delineated within the proliferating abstract nature of the technological world we now live in - as prisons or cells.

Conversely, one of the advantages of abstract sculpture is that it does not impose itself in this way: it demands and rewards a different, more considered, more open - ended form of contemplation (an exception to this is the vertical monolith, one of most venerable forms of abstract sculpture and seen in City Sculpture Project in the work of Peter Hide (b1944), Bernard Schottlander (1924 - 99), Kenneth Martin (1905 - 84) and Liliane Lijn (b1939)-RRB-.

You would be forgiven for missing it — Harris Lindsay does not possess a shopfront, and, picking one's way through a beautiful assortment of antiques, it seems unlikely that a collection of Jaray's minimalist abstract works lies in wait.

Referred to as «abstract figurative drawings,» by Mr. Owens, the new works are produced in ways that are «similar to the process of making photographic prints in a darkroom» but using everybody's favorite petroleum jelly, Vaseline, and everybody's favorite drug, coffee.

I don't know if it is an appropriate way to look at or experience abstract sculpture but I felt there was a sense of movement when I saw Mark's two works discussed here.

In this tour of the 2014 Biennial, families will explore the many ways painters are creating abstract works today and will try their hand at creating bold, expressive marks of their own.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

Thus when the viewer sees the red date and signature of one of Mr. Kim's recent paintings the first association may be with the chop signature of a traditional Korean ink drawing, but it may just as easily be considered as a formal addition to the painting much in the way that Robert Ryman has continued in his work of 1996 to incorporate the date into his own seemingly minimalist, abstract paintings.

His most recent work dealt in more abstract ways with themes of love and isolation.

For those familiar with Otero's work, it might come as a shock to realize that his contemporary abstract paintings originate by way of figuration and in this particular case, visual translation of ornate, narrative paintings made during the period of the French Baroque.

Schnabel's works frequently reference history and art history, and take on the scale, and in certain ways the appearance, of abstract expressionism.

The original common use refers to the tendency attributed to paintings in Europe during the post-1945 period and as a way of describing several artists (mostly in France) with painters like Wols, Gérard Schneider and Hans Hartung from Germany or Georges Mathieu, etc., whose works related to characteristics of contemporary American abstract expressionism.

Each piece loses its way in the midst of the various urban detritus and abstract illumination cast from a multi-channel video work (Period, 2018).

I'd go part way along with you, in as much as I absolutely agree that abstract painting has to get over the iconic works of the last century and discover some new territory.

On the one hand, you have these really beautiful, minimalist, abstract works (in the kind of traditional sense of thinking about Donald Judd, Anne Truitt, that kind of concern for color and form), and then you have your video works, or your use of flowers, like the way a flower or an arrangement of flowers can stand in for something.

Indeed her works, which would be characterized abstract art rather than abstract painting, share some common ground, such as the spectacular use of colors, contrasts and shadows, the playful use of diagonals that creates a solid sense of perspective while different levels construct both volume and composition, but also the smooth way she moves from one texture to another, giving her paintings a rough surface by using colors impasto or with a palette knife or simply by incorporating different materials.

With their giant drips, smears, and splatters that spread towards the edges and corners of the canvas, abstract artworks generated a new way of looking and viewers were left to consider the enormity and boundlessness of the work before them.

A lot of your abstract works are quite figurative in a way.

Their works show that the Moon can be seen from a scientific, literal, or poetic point of view, and also that the ways in which it affects humans can be demonstrated through various interpretations and phenomena, figuratively or through abstract landscapes and shapes.

Similarly, the work of Constantin Brâncuși at the beginning of the century paved the way for later abstract sculpture.

One of things that's interesting about having a survey show is that it attempts to clarify some things in the work, and the relationship between these works is something that only became clear in the show, but we didn't do it in a pedagogic way — we didn't say, «Here's step one where it looks like a figure, here's step two where it looks abstract - y, and here's step three where it is purely abstract.»

With the show of his work at Ameringer - Howard Fine Art, we are reminded that Louis is, in many ways, a key figure in terms of how abstract art is currently practiced.

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WW: I saw a talk with you and Thelma Golden, and something I thought was interesting was you said, «I don't believe the rhetoric around abstract painting,» which I took to mean as you simplify interpretation of your work as a way of approaching it.

I live and work in a small village in Saxony - Anhalt, in the middle of beautiful Germany — and am often inspired by my location and surroundings — using a variety of mediums and techniques to express my feelings in my own uniquely abstract, and intuitive way.

His early work, inspired by European Intimism, gave way in the 1970s and 1980s to abstract canvases that explored the light filled colors and sensibilities of the Mediterranean.

This is a thoughtful and blessedly jargon - free trip back to the days when American women began to think, act and express themselves in ways which were very different from their mothers, Having some of the work to see along with the words sends home the message that these paintings remain intriguing, challenging and vital to the understanding of abstract expressionism in the US.

It is not known if Untitled [glossy black painting] was produced as part of the first or second campaign.8 But the work's facture resembles that seen in paintings associated with the first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953 visit to Alberto Burri's (1915 — 1995) studio in Rome.9

This exhibition proposes a new reading, emphasizing that the achievements of her training in the field of abstract painting did not disappear when her work turned to textiles, and that the artist addressed pictorial abstraction in a unique way, manifesting itself very quickly through an openness to spatial concerns.

The struggle to understand the minimalist or abstract works in the past was replaced by the fetishism of the artistic process as the only way of creating something truly original in our time like the first ever painting done by applying paint with fire extinguisher.

I'm not saying that we should all start working with abstract painting, there are ways to explore these concerns within contemporary art and this doesn't mean we abandon contemporary concerns, not at all, but rather recognize that there can be a mixture of inspirations from «old» and «contemporary» and that both are valid.

At the Saatchi Gallery, spellbinding shows of American minimalists and abstract painters such as Donald Judd and Brice Marden gave way to displays of more recent contemporary works by emerging artists.

That isn't entirely true — his abstract paintings include pigments and materials of many colors — but it is close enough that it remains the easiest way to describe Mr. Ryman's work.

Influenced by both Urban Art and Abstract Contemporary, we present works from a group of artists who merge the way between these styles focusing the energy and rawness of classical graffiti with abstract expressionism.