Sentences with phrase «abstract work of art in»

Dove is considered one of the first American artists to create a completely abstract work of art in 1910.

This 25 - year - old parrot is also an artist, creating colorful abstract works of art in the bathtub.

Sculptural lighting fixtures are a firm trend for interiors, serving not only for practical illumination purposes, but also as abstract works of art in their own right.

Not exact matches

There are more than a dozen works on view in Trump's apartment, including a series of prints by conceptual artist John Baldessari, a massive work by art - market juggernaut Christopher Wool, a small piece by the up - and - coming artist Will Boone, prints by photographer Mariah Robertson, and a small, colorful abstract painting by the young art - world star Alex Da Corte.

The two works in the Empire State Plaza collection by Ellsworth Kelly, the famed artist who died Sunday at his Columbia County home, will have significance not only to lovers of the hard - edged abstract art.

In essence, my work of art must be able to assist them to know the things described in the text, understand concepts, and fathom the mysteries of the abstract worlIn essence, my work of art must be able to assist them to know the things described in the text, understand concepts, and fathom the mysteries of the abstract worlin the text, understand concepts, and fathom the mysteries of the abstract world.

Be a work of art this summer in a flowing abstract - print maxi!

And like a gallery wall, you can do a mix of photography prints, abstracts, and typographic art... If the thought of accumulating enough framed pieces to pull off the look scares you, just take it one piece at a time (like the last photo), start out symmetrically (like the first photo) and work your way ledges and large groupings (all the photos in between!).

Featuring 2 gorgeous abstract works of art, encased in handsome black frames lined in silver, the Set of 2 Trajectory Framed Wall Art from Uttermost will bring sophisticated beauty to any room of your hoart, encased in handsome black frames lined in silver, the Set of 2 Trajectory Framed Wall Art from Uttermost will bring sophisticated beauty to any room of your hoArt from Uttermost will bring sophisticated beauty to any room of your home.

Beyond that, though, Wheatley's delivers yet another head - trip of ideas, an extremely abstract work of art that requires the film to sink in and rattle around before the true genius at work is allowed to come to the forefront of your mind.

In 1989 the newly opened Art Gallery purchased a work by abstract painter Barnett Newman titled, «Voice of Fire».

Open studio showing new works of three artists featuring large scale abstract paintings by local educator Mike Irwin, contemporary abstract still life paintings by Jeanne Dentzel, and printmaking, assemblage and conceptual riddles in his numerous works on paper by local educator and arts activist Dug Uyesaka.

Set on the fringe of Brisbane's vibrant CBD in Spring Hill, The Johnson Hotel celebrates the work of Australian abstract artist Michael Johnson in the Art Series Hotel Group's first Brisbane hotel.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

By far the most intriguing portion of her art is her abstract work, which will be on exhibit this June in Los Angeles.

After seeing hundreds of shops and meeting thousands of people on this journey, I have all the confidence in the world that letterpress printing will remain a viable art form; I'm especially thrilled by people who are doing experimental and abstract work - those novel ways of working with the medium are what will carry it into the future and keep the art form vibrant.

Heck I just got back from DC talking about my abstract piece from my 10,000 Hearts for Gina project and how art is important in raising awareness for Rare Disease and then got to explain the deeper meaning of the translation of the work so seems either works.

Art fairs are often associated with abstract painting (much of it looking the same), stunt pieces (almost instantly forgettable), and neon sculptures (brightly and, in many cases, annoying), but, at this year's Armory Show in New York, some galleries had on offer works that explicitly addressed the political situation in the United States.

His themes, processes, personas, and approach to making art are evident in everything from the ready - mades and Pop portraits of his direct descendents to the work of some of the most boundary - pushing conceptualists, abstract painters, and video artists working today.

As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.

5 Storr, whose essay is full of perceptive comments about Drexler's work (as when he notes how the «vernacular» quality of her colors evokes «sideshow signage») is certainly correct in making the connection between Drexler and her abstract contemporaries, but we shouldn't let the existence of such strong affinities (whether with Pop or with abstract styles) distract us from the distinctive qualities of Drexler's art, especially when it comes to materials and process.

But that may be about to change thanks to the Royal Academy of Arts (RA) which has launched the first major survey of Diebenkorn's figurative and abstract works in the UK in almost 25 years.

In its first appearance at an art fair, ever, Norte Maar presents «watching the conkers arrive,» curated by Jason Andrew, Kanad Chakrabarti and Sarah Pettitt featuring a collection of works by seven artists from the UK, Canada and Brooklyn, which interrogate language, geography, culture — all involving cross-disciplinary works with abstract grounding, leaving room for reflection on heritage and the borders of experience.»

Behind the black gate was a world of color, hundreds of abstract works created and hidden away by Mr. Bates, who had a promising start as a painter in the 1970s before renouncing the art world and retreating to his storefront to paint.

The exhibition titled «Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian abstract art, bringing together fifty years of history over two flooArt,» presents works of Italian abstract art, bringing together fifty years of history over two flooart, bringing together fifty years of history over two floors.

Featuring works — over a third of which are newly created — by an international and intergenerational group of artists, the exhibition explores blackness as a highly evocative and animating force in various approaches to abstract art.

Diebenkorn speaks of his family background and early life; his education and his service in the Marine Corps; his introduction to modernism; his early abstract work; the formation of the Bay Area figurative school and the relationship between art in New York and in the Bay Area; teaching; critical and public reaction to his work; important exhibitions of his work; vacillating between the figurative and the abstract in his painting; his working methods.

His abstract work was good, I knew, but mainly of interest as the precursor to greater work — an impression confirmed by the only large - scale Guston show I've ever had a chance to see, a rather skimpy retrospective at London's Royal Academy of Art back in 2004.

This is our first sighting of a body of work that could hold its own in the collections of the Whitney Museum of American Art or the Museum of Modern Art and in the history of American abstract painting.

The artist's influences are not easily identifiable; in her work one might sense the organic symmetry of Ukrainian or Mexican folk art, the vibrating illusions of»60s Op art or Islamic textiles, the expressively abstracted mathematics of Agnes Martin, the macro focus and whimsy of Hilma af Klint, or the playfully curved shapes and lively palettes of Henri Matisse or Yayoi Kusama.

It's a busy time for Lane, whose work ranges from representational commercial commissions to abstract fine art: She's in the current issue of Studio Visit, a series of juried art books, and this summer, she's teaching «Art Making: 2D Processes» at the Arlington Arts Center, where she'll help familiarize students with a wide range of surfaces and techniquart: She's in the current issue of Studio Visit, a series of juried art books, and this summer, she's teaching «Art Making: 2D Processes» at the Arlington Arts Center, where she'll help familiarize students with a wide range of surfaces and techniquart books, and this summer, she's teaching «Art Making: 2D Processes» at the Arlington Arts Center, where she'll help familiarize students with a wide range of surfaces and techniquArt Making: 2D Processes» at the Arlington Arts Center, where she'll help familiarize students with a wide range of surfaces and techniques.

But if MoMA's vision of abstraction embraces the work of the Abstract Expressionists, then it makes no sense whatsoever to exclude Miró and Klee, whose richly poetic understanding of the content of abstract art left such a deep impression on the American avant - garde in the 1940s.

In her recent show with the Beijing satellite gallery of New York's Chambers Fine Art, she has concentrated on what she calls landscape paintings, which don't present landscapes so much as a kind of floating abstract world reminiscent of the work of the Chilean modernist, Roberto Matta, in their atmospheric effecIn her recent show with the Beijing satellite gallery of New York's Chambers Fine Art, she has concentrated on what she calls landscape paintings, which don't present landscapes so much as a kind of floating abstract world reminiscent of the work of the Chilean modernist, Roberto Matta, in their atmospheric effecin their atmospheric effect.

And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art in Washington, D.C., that two of Miller's paintings by Norman Lewis would be included in a fall 2015 exhibition of the abstract artist's work.

Toward the end of his career, Still's art started to become even more abstract — objects lost their shape entirely, as seen in this 1976 work titled «PH - 1023.»

In 2008, Dior presented «Dior and the Chinese Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 194In 2008, Dior presented «Dior and the Chinese Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 194in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 1948.

Breaking with the lyrical, abstract styles then dominant in Paris, the nine artists present declared their commitment to «new perceptions of the real,» incorporating found objects and quotidian materials into their work in an attempt to blur the distinction between art and everyday life.

More recently, multiple paintings and works on paper by Lewis, the late abstract painter whose first museum retrospective debuted last fall at the Pennsylvania Academy of the Fine Arts (and opens June 4 at the Amon Carter Museum of American Art in Fort Worth, Texas), have appeared regularly and covered the April catalog.

I was made aware of this helpful piece of writing by renowned photographer Carl Chiarenza, whose work is included in a small group exhibit of abstract paintings and photographs currently on view at Main Street Arts Gallery.

Vasily (Wassily) Kandinsky (1866 - 1944) was a Russian painter, teacher, and art theorist who was one of the first artists to explore nonrepresentational art and, in 1910, created the first totally abstract work in modern art, a watercolor entitled Composition I or Abstraction.

Although he continued to promote abstract work produced in Britain and throughout Europe, Sylvester believed at this time that figurative art «was capable of going further... that [it] could be more complex, more specific, richer in human content».18 By 1958, however, Sylvester had undergone what he later described as a «Damascene conversion'to the profound achievements of recent American abstraction.

This group exhibition showcases the work of a multigenerational group of artists vividly exploring the powers of abstract representation in contemporary art and it includes works by Eric N. Mack.

On view through Jan. 21, 2018, the exhibition places their work «in context with one another — and within the larger history of abstract art.»

Coming off the David Zwirner London showing of Cuban abstract painters from 1950s and in anticipation of next year's first - ever US showing of Cuban post-revolutionary work at the Bronx Museum of the Arts, there was a good representation of the work of Wifredo Lam and Amelia Peláez of the Vanguardias (vanguards) movement.

In an attempt to avoid the trappings of abstract and figurative art, the artists made extensive use of collage and assemblage, appropriating images and incorporating real objects into the work.

In 1954, he held his first exhibition at Galleria La Bussola in Turin, where he exhibited works clearly influenced by his knowledge of informal art and American abstract expressionisIn 1954, he held his first exhibition at Galleria La Bussola in Turin, where he exhibited works clearly influenced by his knowledge of informal art and American abstract expressionisin Turin, where he exhibited works clearly influenced by his knowledge of informal art and American abstract expressionism.

Working before Kandinsky and Malevich, Swedish artist Hilma af Klint was arguably the first abstract painter in the history of modern art

While his work bears similarities to that of American abstract expressionist painters such as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac» of Rothko's formalism and the erasure of all self and subject matter in painting as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility of the art - making process and the conception of a painting as the product of an individual and a time.

She now works across media — painting, sculpture and sound installation — but in all its forms, her art has always striven to embody abstract concepts of spirituality and sensuality.

If works of abstract art like Ellsworth Kelly's Blue Black, Richard Serra's Joe and Cy Twombly's Hero and Leander — previously exhibited at the Pulitzer — are notable for giving form to the interior life of the individual, the reconstructed house in the Pulitzer stands as a visible form addressing the interior life of the city.