Sentences with phrase «abstract work since»

I love abstract work since it allows for stream - of - consciousness thinking and action.

Rauschenberg moved on to make his most perfectly abstract works since the white paintings more than 20 years before: the «Jammers,» bannerlike geometrical compositions — often supported by rattan poles — that used gorgeously dyed monochromatic silks and other fabrics he'd found while visiting India.

Not exact matches

And Osborne's standing with the public has plunged since the abstract manifesto pledge of «welfare cuts» was translated into specific proposals to slash tax credits for working families, and to cut the amount disabled people receive to help them dress themselves or go to the toilet.

This doesn't necessarily tell us much about the more abstract work of Rothko, Pollock or Mondrian, since these artists do not offer even the merest glimpse of a recognisable object for the brain to latch on to.

Teachers who use applied - learning techniques don't need to work so hard to motivate students since the curriculum is no longer abstract, meaningless, and disconnected from their experience.

Most (if not all) of these abstract concepts will require learners to apply these skills to their daily work, but since these concepts are abstract, the immediate application is not always clear for learners.

Since then, Silber has sold hand - printed serigraphs — or silkscreen prints — of her landscapes, still lifes and abstract pieces to dozens of TV shows and movies, including Martin Scorsese's The Departed, «The West Wing» and «Grey's Anatomy» (the last of which is a regular purchaser of Silber's work).

A painting I have never been able to see or find an image of since remains in my memory: a large work though made of relatively small shaped fragmented parts arranged in the shape like a giant abstracted question mark.

This comes as no surprise because since 1973 this institution has suppressed its collection of abstract works from the late sixties as well as other works from other decades.

Encompassing over 12,500 works made since 1900, the museum's collection includes works by such artistic luminaries as Pablo Picasso, Marcel Duchamp, Henri Matisse, and Georgia O'Keeffe, as well as 33 paintings, drawings, and collages by the acclaimed abstract - expressionist Robert Motherwell.

Known formerly for her figurative works in oil on canvas, as well as using everyday materials including biro and bleach, Saville has — since 2014 — been producing large - scale abstracts, made up of flawlessly gradating shades.

She was awarded a Guggenheim Fellowship in 1977 and is in the canon of historically significant women abstract painters working in New York since the 1970's.

Known for her graphic paintings of abstract architecture and urban design, Morris has also explored the dynamics of urban space in four film works made since 1998.

The objectness of the shaped paintings from this period makes them always more than the working out of abstracted, biomorphic or geometric forms on a flat surface, since the form of the support itself is a biomorphic or geometric abstraction.

Having built a diverse body of work since her early career ranging from portraits to abstract paintings of the universe, Cindy's vast and growing style is what creates dynamic and truly unique works of art.

Having built a diverse body of work since her early career ranging from portraits to abstract paintings of the universe, today Cindy's works exhibit a more impressionistic technique.

The exhibition will present a number of large, heavily textured and abstract paintings, forming a contextual backdrop to the ceramic and bronze works which have played a crucial role in the artist's practice since the mid-1990s.

Becky Yazdan's small paintings have become incrementally more abstract over the four years or so since I first saw her work, but they remain anchored by precise composition, balanced line, and subtle choice of color.

This exhibition focuses on the analysis of a set of works from the Berardo Collection in which the artists have made free and creative use of line, form and colour, elements which are intrinsically linked to our lives, to all that we see, touch and feel and can be considered the main building blocks of abstract art since the beginning of the 20th century.

DUBLIN — John Cronin, an abstract painter in his late 40s, who has been exhibiting his work regularly in Ireland since the late 1980s, was — for this viewer — a wonderful revelation.

Since the late 1970s, abstract pictures have predominated in the work of the artist, who was born on February 9, 1932, in Dresden and has lived in Cologne since Since the late 1970s, abstract pictures have predominated in the work of the artist, who was born on February 9, 1932, in Dresden and has lived in Cologne since since 1983.

He's been working exclusively in monochrome since 1978, and his work recalls the abstract expressionism of the 1940s to 1950s.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

I haven't seen their earlier work side by side since the «Sixteen Americans» show in 1959, and the juxtaposition suggests that what they share — and what sets them apart from other artists — is a unique relationship to abstract expressionism.

Since 2011 Michelle Grabner, who is known for her abstract paintings based on mathematic principles, has been depicting and appropriating domestic textiles to emphasize the fundamental (yet overlooked) relationship between painting and weaving — a motif last seen in her early 1990s work.

She has primarily done abstract work ever since.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

Excerpt — «Ballpoint Pen Drawing Since 1950,» features work by nearly a dozen artists created with the humble ballpoint pen... Here you have ballpoint masters like Il Lee, whose abstract «BL - 120» (2011) uses the pen's minute hatching capabilities, as well as the shininess of its ink, to full effect... — Martha Schwendener full article: http://www.nytimes.com/2013/04/07/nyregion/a-review-of-extreme-drawing-at-the-aldrich-contemporary-art-museum.html

Richard Deacon's voluptuous abstract forms have placed him at the forefront of British sculpture since the 1980s and, hugely influential, his works are visible in major public commissions around the world.

Here Robertson, the curator of two previous Hoyland shows, questions the artist about the new work and his development as an abstract painter since the 1950s.

Since the New York School were primarily abstract painters, there is no direct address to the subject of drink in their works, although the urgency of brushstroke and facture often seem to be invoking an internal drama of intoxication, disinhibition and released authenticity.

Since 2005, she has regularly exhibited her abstract works in France and Belgium.

Since then she has remained at the forefront of developments in contemporary painting, making highly distinctive works which seek to articulate an abstract language in which relations of color and form generate visual sensations.

Since 2003, his work — better described as abstract landscapes — has been the object of various solo shows and group exhibitions all over the world, including Vienna, Houston, Beirut, and South Korea.

He abandoned figurative work in the mid-1960s and has since established a reputation as an abstract painter.

MATRIX 250 features the work of Los Angeles — based artist Linda Stark (b. 1956), who has been making figurative and abstract paintings with heavily built - up surfaces of paint since the late 1980s.

It's a big year for Carmen Herrera, an abstract geometric painter who was born in Havana in 1915, has worked in New York since the mid-20th-century, and now, at 100 years old, is being honored with a Whitney Museum survey (this coming fall) and the inaugural exhibition in Lisson Gallery's new Chelsea branch (opening during Frieze Week).

In his first solo show since the stunning three - hour theatrical work The Humans (2014), Singh offers «The School for Objects Criticized,» a witty light - and - sound installation in which a slinky, an abstract sculpture, and a bottle of bleach are among seven protagonists that critique the artist's latest exhibition; the work takes cues from Molière's The School for Wives Criticized (1663).

MOCA's permanent collection is comprised of nearly 6,000 works of art created since 1940 in all visual media, including masterpieces of abstract expressionism and pop art as well as inspiring new works by artists from around the world.

«Hantaï's one of the most important abstract painters in postwar Europe, and I want to help make his work better known in the States,» said Mr. Pacquement, who has worked with the artist's family since his death in 2008.

The body of work, which has not been presented together since Boyd's solo exhibition at Max Hutchinson Gallery (New York) in 1973, shows how Boyd furthered his abstract art by distilling paintings down to their core structure.

It is 100 years, more or less, since this work was made and abstract painting began, a revolution created by Malevich, Kandinsky, Mondrian, Rodchenko (and others: the myth of origin remains controversial).

While non-representational art has been around since the stone age, the work here typifies an unprecedented upsurge of abstract art that was often viewed by its practitioners as the culmination of several decades, if not centuries, of aesthetic progress.

John Levee was an American abstract expressionist painter who had worked in Paris since the year of 1949.

Two American artists who live and work in Los Angeles, are representing one post-painting School of L.A., since they maintain the large surfaces and the strong - bright colors, their works are non-figurative and abstract, acting as reference to abstract expressionism but adapted in a new social context.

After college I was drawn to abstraction and since then have continued to work as an abstract painter.

Since 2005 he has concentrated on studio based abstract work, as well as collaborating on large - scale environmental projects with the collective Agents of Change.

The seventy — eight works in this retrospective will follow Winters's development from that time through the more fully abstract approach that has occupied him since the»90s, with dense weaves of swirling, crisscrossing lines and scattered blips, and will include more recent drawings that reclaim shapes reminiscent of his earliest phase within the more complex spatial context he's since developed — what he's called a «vitalized geometry.»

Since Rae's 1991 Waddington Galleries show announced her as a distinctly postmodern abstract painter, it has been common to consider Rae's work a delicate play between chaos and order.

While his early works were predominantly abstract, involving intricate patterns and colors, he has since developed a signature figurative style that bridges the gap between the sacred and the profane, and by extension, between high art and popular culture.