Sentences with phrase «abstract works in any exhibition»

The group exhibition was titled «Interrogating Identity» and it was striking to see so abstract a work in an exhibition laden with the discourse of identity politics that characterized that time.

By the time of her death in 1944, the painter had shown none of her abstract works in any exhibition.

Not exact matches

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

The exhibition features a signature work from each major phase of Stamm's oeuvre including the «Dodger» and «Zephyr» series, a «Tag» drawing, and polaroids of Stamm's abstract graffitti «Designators» - black forms from his paintings that he spray painted onto buildings in New York.

In curating this exhibition, Liu Wei and Bowen Li have selected the work of seven young artists, all born in Mainland China, whose practices range from performance to abstract sculpturIn curating this exhibition, Liu Wei and Bowen Li have selected the work of seven young artists, all born in Mainland China, whose practices range from performance to abstract sculpturin Mainland China, whose practices range from performance to abstract sculpture.

«We are privileged to showcase work from the extraordinary collection assembled by Preston and Joan Haskell through this exhibition and publication, and in doing so, we are asking our audiences to consider abstract painting in a new light.»

Focusing on the central role of colour in Patrick Heron's work, this exhibition brings an extensive group of the artist's large - scale abstract works to Cornwall, where Heron lives and worked from 1956.

The exhibition will consist of a series of works of a standard size, in which the artist explores abstract and representational visual languages.

The exhibition titled «Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art,» presents works of Italian abstract art, bringing together fifty years of history over two floors.

Featuring works — over a third of which are newly created — by an international and intergenerational group of artists, the exhibition explores blackness as a highly evocative and animating force in various approaches to abstract art.

Diebenkorn speaks of his family background and early life; his education and his service in the Marine Corps; his introduction to modernism; his early abstract work; the formation of the Bay Area figurative school and the relationship between art in New York and in the Bay Area; teaching; critical and public reaction to his work; important exhibitions of his work; vacillating between the figurative and the abstract in his painting; his working methods.

For her exhibition with Gavlak Gallery, Tompkins is showing works that range from early sketches for paintings to now iconic «Cunt» paintings that in a more abstract manner recall Courbet's «L'Origine du Monde».

In advance of his representation of the United States at the Venice Biennale, Mark Bradford is collaborating with two institutions in Denver, Colo., presenting exhibitions that pair his work with that of Clyfford Still (1904 - 1980), a 20th century master of abstract expressionisIn advance of his representation of the United States at the Venice Biennale, Mark Bradford is collaborating with two institutions in Denver, Colo., presenting exhibitions that pair his work with that of Clyfford Still (1904 - 1980), a 20th century master of abstract expressionisin Denver, Colo., presenting exhibitions that pair his work with that of Clyfford Still (1904 - 1980), a 20th century master of abstract expressionism.

Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th centurIn the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides within «Illumination,» an exhibition of abstract paintings by four women who worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th centurin the deserts of the American Southwest and whose careers pretty much spanned the 20th century.

In late March, LA Louver will open an exhibition of work the by the late abstract painter Frederick Hammersley.

And soon, Fine revealed to the audience gathered to hear the conversation at the National Gallery of Art in Washington, D.C., that two of Miller's paintings by Norman Lewis would be included in a fall 2015 exhibition of the abstract artist's work.

He has shown his work in numerous exhibitions around Ireland and abroad, from wall based abstract pieces and posters to large room filling installations.

In her first solo exhibition with Hollis Taggart Galleries, Chloë Lamb presents new abstract works in «Color Harmonies: New Paintings by Chloë Lamb.&raquIn her first solo exhibition with Hollis Taggart Galleries, Chloë Lamb presents new abstract works in «Color Harmonies: New Paintings by Chloë Lamb.&raquin «Color Harmonies: New Paintings by Chloë Lamb.»

The solo exhibition will feature new images by Brian Alfred based around the exploration of automobile racing, his cropped abstract works capturing everything from the excitement of the cars and racing through to the global investment elements of companies that contribute the money to the races by including representations of oil slogans in his images.

In 2008, Dior presented «Dior and the Chinese Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 194In 2008, Dior presented «Dior and the Chinese Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 194in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 1948.

With the private opening set tonight and the public unveiling on November 11th, Clare Rojas» new exhibition is set to give her fans in New York a look at her recent abstract work.

In 2009, the Musée Matisse in Le Cateau - Cambrésis presented a brilliantly conceived exhibition titled «Ils Ont Regardé Matisse» (They Looked at Matisse) that examined how 15 abstract painters, Francis and Kelly among them, in the U.S. and Europe responded to the work of MatissIn 2009, the Musée Matisse in Le Cateau - Cambrésis presented a brilliantly conceived exhibition titled «Ils Ont Regardé Matisse» (They Looked at Matisse) that examined how 15 abstract painters, Francis and Kelly among them, in the U.S. and Europe responded to the work of Matissin Le Cateau - Cambrésis presented a brilliantly conceived exhibition titled «Ils Ont Regardé Matisse» (They Looked at Matisse) that examined how 15 abstract painters, Francis and Kelly among them, in the U.S. and Europe responded to the work of Matissin the U.S. and Europe responded to the work of Matisse.

This November, VMFA presents a groundbreaking exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from abstract painting towards a more open expression of love, sex, loss, and death.

While the first exhibition in 2008 * focused on the iconic Estate Paintings, White Abstracts and History Paintings which established Coventry's reputation in the 1990s, Works 2002 - 2009 will include an extraordinarily wide range of work, much of it overtly figurative, including major new works that have never before been exhibWorks 2002 - 2009 will include an extraordinarily wide range of work, much of it overtly figurative, including major new works that have never before been exhibworks that have never before been exhibited.

A work, futuredpast, by Franklin Evans is included in a group exhibition, NEW NEW YORK: ABSTRACT PAINTING IN THE 21ST CENTURY, at the University of Hawaii at Manoin a group exhibition, NEW NEW YORK: ABSTRACT PAINTING IN THE 21ST CENTURY, at the University of Hawaii at ManoIN THE 21ST CENTURY, at the University of Hawaii at Manoa.

This group exhibition showcases the work of a multigenerational group of artists vividly exploring the powers of abstract representation in contemporary art and it includes works by Eric N. Mack.

On view through Jan. 21, 2018, the exhibition places their work «in context with one another — and within the larger history of abstract art.»

With almost 40 works, this exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and 50s.

In 1954, he held his first exhibition at Galleria La Bussola in Turin, where he exhibited works clearly influenced by his knowledge of informal art and American abstract expressionisIn 1954, he held his first exhibition at Galleria La Bussola in Turin, where he exhibited works clearly influenced by his knowledge of informal art and American abstract expressionisin Turin, where he exhibited works clearly influenced by his knowledge of informal art and American abstract expressionism.

Themed around the legendary Rumble in the Jungle boxing match, their exhibition assembles works of the 1960s and»70s including Phillip King's Barbarian Fruit (1964; # 80,000), an untitled welded metal sculpture from 1960 by Melvin Edwards ($ 200,000), and American abstract and surrealist paintings.

Bursts of pure red, yellow, blue, and green echo de Kooning's abstract paintings of the 1970s, five of which were presented alongside Baselitz's early work in the pivotal exhibition «A New Spirit in Painting» of 1981 at the Royal Academy in London.

Characterized by intuitive and loose paint handling, spontaneous expression, illusionist space, acrylic staining, process, occasional imagery, and other painterly techniques, the abstract works included in this exhibition sing with rich fluid color and quiet energy.

Gruin noted that she had already been preparing a «response» exhibition to Hirst's «Veil Paintings,» which will take place from May 16 through June 17 and include the work of Maringka, Gabriella Possum Nungurrayi and Polly Ngale, each of whom works in an abstract painterly style and whose works look similar to that of the 52 year - old British Hirst.

Working Artist Project recipient Xie Coamin's exhibition Samsāra, currently on display at the Museum of Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center in an abstracted composition that evokes the visual culture of his Chinese background alongside the documentation of United States history.

In addition to several spectacular abstract and neo-modernist works by artists including Louise Bourgeois, Ellsworth Kelly, Robert Irwin, Richard Serra and Olafur Eliasson, the exhibition will feature Selvaag's outstanding collection of pioneer works within American and Japanese figurative photography which seldom or never have been shown in Norway, by American Walker Evans, Diane Arbus, Lee Friedlander and William Eggleston, and Japanese Shomei Tomatsu, Daido Moriyama and Nobuyoshi ArakIn addition to several spectacular abstract and neo-modernist works by artists including Louise Bourgeois, Ellsworth Kelly, Robert Irwin, Richard Serra and Olafur Eliasson, the exhibition will feature Selvaag's outstanding collection of pioneer works within American and Japanese figurative photography which seldom or never have been shown in Norway, by American Walker Evans, Diane Arbus, Lee Friedlander and William Eggleston, and Japanese Shomei Tomatsu, Daido Moriyama and Nobuyoshi Arakin Norway, by American Walker Evans, Diane Arbus, Lee Friedlander and William Eggleston, and Japanese Shomei Tomatsu, Daido Moriyama and Nobuyoshi Araki.

The exhibition will present a number of large, heavily textured and abstract paintings, forming a contextual backdrop to the ceramic and bronze works which have played a crucial role in the artist's practice since the mid-1990s.

Rockport and the surrounding area were a continuing source of inspiration for Chaet's paintings of He first gained recognition for what he calls his «dumb» paintings, when Marcia Tucker, founding director of the New Museum of Contemporary Art, included his work in her groundbreaking exhibition, «Bad Painting» (1978) abstract interiors, still lifes and seascapes.

This exhibition focuses on the analysis of a set of works from the Berardo Collection in which the artists have made free and creative use of line, form and colour, elements which are intrinsically linked to our lives, to all that we see, touch and feel and can be considered the main building blocks of abstract art since the beginning of the 20th century.

Consisting of six contemporary painters and approximately thirty works, this exhibition explores the manner in which these women appropriate both the physical, dramatic processes and the expressive freedom of direct gesture at the core of action painting, redeploying the now - historic style to boldly advance the abstract painting of our time.

The works included in this exhibition will exemplify the two distinct veins of Surrealism: the representational, dreamlike imagery of artists like Federico Castellon, Alfonso Ossorio and Dorothea Tanning and the abstract, biomorphic imagery that emerged from the technique of automatism represented by artists like Boris Margo, William Baziotes and Charles Seliger.

This exhibition of 17 abstract paintings from the 1950s through the 1990s brings to light the broad representation of abstract work in the University at Read More»

Her work for the Summer Exhibition, where a blue outline snakes across loose brush marks in greens that recall the shifting light of a forest canopy, «looks in process and doesn't have a title, and you could think it's in conversation with some abstract painters.

Jeffrey Gibson solo exhibition «Love Song» opens at the Institute of Contemporary Art Boston «Gibson has located in his work a compelling paradigm: that the categories between abstract painting histories and Native American visual histories and materials are not so very far apart, and that Gibson's own heritage and training might productively bridge the two.»

Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach such as Chantal Joffe, Neal Tait and Dinos Chapman.

In this exhibition he has left to one side for the moment works of the last years entailing abstract examinations of photographic materiality and process.

The term «abstract classicists» was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA's existence as an independent art museum).

His first solo exhibition held in 1948, was comprised exclusively of black and white abstract works.

The exhibition features key works including Data Zone (2003), a group of long tables embedded with illuminated Petri dishes in which silent clusters of abstracted figures, which form and reform, evoke laboratory cultures.

New Eyes For New Spaces, an exhibition curated by recent CCS Bard alumnae Jess Wilcox and Francesca Sonara, is a timely dialogue between five artists whose works investigate abstract and fragmented representations of place in the age of digital technologies.

This exhibition of 17 abstract paintings from the 1950s through the 1990s brings to light the broad representation of abstract work in the University at Buffalo collection.