At the market's core are its mobile street vendors, portrayed by Vitturi in a set of
abstracted figure studies.
Not exact matches
Supplementary
figure A shows the search terms and flowchart: 13861
abstracts were reviewed (by DM and SB), and any selected for consideration had their reference list manually checked for additional
studies.
Winters's knots are
abstract conceptual
figures culled from knot theory, a specialized area of topology involving the
study of mathematical knots — defined as closed curves in space whose lines do not touch or intersect».
Well known and admired for her internet - era busts of
figures seeming to emerge from
abstract matrices, Sascha Braunig has recently evolved to paint full portraits as well as these kinds of truncated figurative
studies, which create an alluring and elegant sense of mystery.
Born in 1952 in Seoul, Korea, Il Lee
studied painting in the 1970s with seminal
figures of South Korean contemporary art, including those in the vanguard of the
abstract monochrome painting movement (Dansaekhwa).
Roth was a seminal
figure in
Abstract Expressionism
studying first in California under Mark Rothko and then Clyfford Still — both giants of post-war
abstract painting.
In 1931, she left Charles, took her son to relatives in Rockland, and traveled to Munich in order to
study with Hans Hofmann, who would become a key
figure in the
abstract expressionist movement in the United States.
Born and raised in South Korea, Il Lee
studied painting in the 1970s with seminal
figures of Korean contemporary art, including those in the vanguard of the
abstract monochrome painting movement (Dansaekhwa).
Brodhead is best - known for her mid-20th century
abstract works, but as Bold Strokes demonstrates, she was adept at painting
figures and landscapes as well... [Brodhead]
studied at the Pennsylvania Academy of the Fine Arts from 1919 — 25, spent time painting in Paris at the Académie Julian, and left PAFA in 1925 to
study under her mentor Arthur B. Carles.
I discovered during my stay that painting rocky stream beds served as metaphors for Renaissance and Mannerist
figure compositions that I had
studied as a student in Italy and moved my work closer to
abstract rhythms.
Bridget Riley works with completely
abstract figures,
studying their interactions very carefully with preparatory drawings and sketches.
Within the sketchbooks are over a thousand drawings that reflect his interest in both nature and the built environment of California, along with
studies of
figures, portraits of his wife, and experiments with
abstract expressionist color fields.
Amory's paintings portray
abstracted studies of urban life through fragmented cityscapes and anonymous, isolated
figures.
If Puritanism held little sway over the cosmopolitan cultural scene of San Francisco, where Diebenkorn adopted the progressive style of Abstract Expressionism, his later
figures, isolated with their drinks in front of
abstracted spaces, still respond more to Hopper's undertones of loneliness than to Matisse's Joy of Life (1905 — 06)(for which a
study would also have been on view at the Steins»).
Amory's work portrays
abstracted studies of urban life through fragmented cityscapes and anonymous, isolated
figures.
McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading
figures in modern art during the 1930s; his interest in Cézanne;
studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American
Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as
abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of
abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.
The painting was on wheels and partially transparent — it was half
abstract, with the other half looking like a
figure study of a reclining man.
The
figure comes from a 2013 Cook et al.
study in Environmental Research Letters that examines the
abstracts of nearly 12,000 academic papers on climate change and global warming between 1991 — 2011.